The chilling true account of the vicious 1986 murder of Mike Turpin, who was killed by his beautiful, cocaine-addicted wife, her lesbian girlfriend, and a male accomplice--an innocent victim caught in a deadly web of drugs, lust, and greed. Original.

***Please note: This ebook edition does not contain the photos found in the print edition.*** Young, Glamorous and Sexy, She Was Every Man's Fantasy... And A Nightmare of Death For Her Husband. She Hid Her Criminal Past... Prominent Indiana attorney Jimmy Grund thought he'd found the woman of his dreams when he wed his second wife Susan. But beneath the silky blond society lady lurked a calculating, evil-tempered seductress whose murderous future was about to rival her sordid past. She Plotted A Brutal Murder... While she hid her previous marriages and an appalling crime from Jimmy, she was soon plotting to get her hands on his fortune. When Jimmy Grund finally found out the truth about his wife, he told her he was divorcing her. But no one left Susan Grund. She Killed Her Husband With A Gun Stolen From His Own Son... All of Peru, Indiana was stunned when it was revealed the fatal bullet came from a gun stolen from young David Grund. Yet even that paled next to Susan's incredible testimony that she had carried on a two-year affair with the innocent teenager, who denied the affair and was not implicated in the crime. Wensley Clarkson's Deadly Seduction is the story of a real femme fatale, who spun a web of deceit and murder that shocked an entire town.

Seduction is a complicated concept that is a part of the general human experience. Despite the prevalence of seduction in our personal lives as well as within popular culture, the concept has not been widely discussed and researched as an academic field. Seduction in Popular Culture, Psychology, and Philosophy explores the concept of seduction and the many ways it can be understood, either as a social and individual practice, a psychological trait, or a schema for manipulation. Taking a cross-disciplinary approach, this publication features research-based chapters relevant to sociologists, media professionals, psychologists, philosophers, advertising professionals, researchers, and graduate level students studying in related areas.

Nicoll's History, which tells the story of English drama from the reopening of the theatres at the time of the Restoration right through to the end of the Victorian period, was viewed by Notes and Queries (1952) as 'a great work of exploration, a detailed guide to the untrodden acres of our dramatic history, hitherto largely ignored as barren and devoid of interest'.

New York fashion designer Jamie Nova has chosen the glitz of Las Vegas as the setting for celebrating her impending divorce. Joined by her two best friends, street-smart Madison Castelli, and Natalie de Barge, an ambitious TV reporter - Jamie plans to make the most of her hard-earned holiday and forget all about her controlling ex. When the threesome encounters Mark Blaine, the fun-loving playboy scion of a real estate billionaire, things start to heat up very quickly. Madison and Natalie receive a frantic midnight phone call telling them Mark is lying in Jamie's bed. And he's dead...

"Eighteenth-century sensibilite has always been controversial. In fact, the term itself refers to complex forms of physical and emotional responsiveness, and Lewis's study investigates the fictional exploration of various key problems of sentimental response that were at the heart of eighteenth-century moral, epistemological and aesthetic debates. These are analysed in conjunction with some of the actual (often emotional) responses that the term, its fictions and images have provoked through time, including an indispensable survey of the varying construction of sensibilite as an object of study, and the polemics subtending its definition. The verbal evocation of the visual in the form of 'spectacles' and 'signs' was understood in the eighteenth century as having an especially powerful impact. Lewis provides a new reading of the theme of sensibility by analysing the 'textual images' in three best-selling novels from the mid-century: Graffigny's Lettres d'une Peruvienne, Marivaux's La Vie de Marianne and Rousseau's Julie. The examination of a largely neglected corpus of illustrations, understood as readings of each text, provides striking new evidence of the complexity, thematic richness and duplicity of these spectacles, whose power to provoke different reactions is perhaps their most interesting characteristic."