THE STORY: After their plane crashes, Phyllis, and her son, Bishop, are stranded on a desert island for five years. During their stay, Bishop is transformed from a stuttering, Katherine Hepburn-obsessed little boy, in to a feral savage who eventual

This collection brings together two of Silver's highly acclaimed and successful works, the long-running Off Broadway hit The Food Chain and Pterodactyls, with two of his earlier works, Fat Men in Skirts and Free Will and Wanton Lust.

A dozen essays by a range of established scholars and performing artists address issues in post-1969 American gay and lesbian theatre and drama, the period after the raid at the Stonewall Inn helped spawn a "gay revolution." The collection covers playwrights, millennial dramatists, and actors while exploring the history of gay-themed theatre and drama, the breadth of stage roles, and the dramatic representation of homosexual characters from various perspectives. These include the impact of AIDS, contemporary American politics, images of homophobia, gay-themed plays aimed at Theatre for Youth audiences, and other topics.

Things No One Will Tell Fat Girls is a manifesto and call to arms for women of all sizes and ages. With smart and spirited eloquence, veteran blogger Jes Baker calls on women to be proud of their bodies, fight against fat-shaming, and embrace a body-positive worldview to change public perceptions and help women maintain mental health. With the same straightforward tone that catapulted her to national attention when she wrote a public letter addressing the sexist comments of Abercrombie & Fitch's CEO, Jes shares personal experiences along with in-depth research in a way that is approachable, digestible, and empowering. Featuring notable guest authors, Things No One Will Tell Fat Girls is an invitation for all women to reject fat prejudice, learn to love their bodies, and join the most progressive, and life-changing revolution there is: the movement to change the world by loving their bodies.

The fate of a kingdom hangs in the balance as a gymnast, a gunsmith, and one brave little dancer try to pry their land out of the clutches of greed and cruelty.

Thomas Ostermeier is one of the best-known European theatre makers and is regarded by many as "the face of modern German theatre" (DIE ZEIT). His major Ibsen productions and his "Hamlet", starring Lars Eidinger tour the globe; Berlin's Schaubühne, where he has been the artistic head since 1999, is celebrated worldwide. In conversation with Gerhard Jörder, Thomas Ostermeier describes the path that led him to the theatre, which became "a kind of life saver" after early years riddled by conflict. Self-confident and self-critical, both declarative and ruminative, he recapitulates the early triumphs of the Deutsches Theater's Baracke offshoot, his difficult start at the Schaubühne and the growing success of his politically engaged realistic theatre, particularly among young audiences. He emerges as an outspoken critic of his generation's apolitical attitude, the postmodern mainstream and the narrow aesthetic discourse of German theatre, and a passionate supporter of the permanent institutions of culture, the ensemble concept and creative work with actors – the core of an understanding of contemporary theatre that focuses on people rather than forms.

Audition monologues for female characters selected from recent works by American playwrights including Tony Kushner, Jon Robin Baitz, Constance Congdon, Paula Vogel, Donald Margulies, Emily Mann, Eric Bogosian, Nicky Silver, and others. Unique to the TCG monologue series is a bibliography of other works by the playwrights included.