Some find the constant scrutiny an unwelcome intrusion; others use fashion as their secret weapon. Whatever their views, women in politics know they will be judged by how they dress more than their male counterparts. In Power Dressing, fashion journalist Robb Young offers an engaging perspective on the ability of style to influence the careers of women politicians and first ladies. Concise thematic chapters are interspersed with profiles of more than 50 serving and former women presidents, prime ministers, MPs, royals and wives from over 30 countries, ranging from such contemporary figures as Michelle Obama, Carla Bruni-Sarkozy, Angela Merkel and Queen Rania of Jordan to such iconic women as Eva Per�n, Imelda Marcos and Margaret Thatcher. Featuring hundreds of photographs that shed light on political context, and quotations from prominent figures commenting on each woman’s style, this fascinating book reveals the milestone 'fashion moments’ as well as the unspoken rules of the political fashion game.

A critique of the politics of dress for women in power. What is the relationship between fashion, women, and power? As never before, women in positions of political power find themselves facing the maelstroms of mass media regarding both their fashion and their right to govern. In this book, contributors offer a wide set of perspectives on women and their fashions when taking up powerful positions in Australia, New Zealand, the United Kingdom, and the United States as well as emerging women leaders in Asia. This book questions the relationship between women and dress and interrogates how this conversation informs and articulates how women are viewed when taking up public office. The book critiques the interplays between politics, power, class, race, and social expectations concerning the politics of getting dressed.

Style is not just the clothes on our backs—it is self-expression, representation, and transformation. As a fashion-obsessed Ojibwe teen, Christian Allaire rarely saw anyone that looked like him in the magazines or movies he sought out for inspiration. Now the Fashion and Style Writer for Vogue, he is working to change that—because clothes are never just clothes. Men’s heels are a statement of pride in the face of LGTBQ+ discrimination, while ribbon shirts honor Indigenous ancestors and keep culture alive. Allaire takes the reader through boldly designed chapters to discuss additional topics like cosplay, make up, hijabs, and hair, probing the connections between fashion and history, culture, politics, and social justice. *A Junior Library Guild Gold Standard Selection

NOW OPTIONED BY Sony Pictures TV FOR A LIVE-ACTION SERIES ADAPTATION: produced by Freida Pinto and Gabrielle Union "A perfect time to look at the ethos of black hair in America — and the perfect person to do it is Tanisha Ford" —Changing America "Everyone from the shopaholic to the clearance rack queen will see themselves in [Ford's] pages." —Essence "Takes you not only into the closet, but the inner sanctum of an ordinary extraordinary Black girl who discovered herself through clothes." —Michaela Angela Davis, Image Activist and Writer "[A] delightful style story." —The Philadelphia Inquirer From sneakers to leather jackets, a bold, witty, and deeply personal dive into Black America's closet In this highly engaging book, fashionista and pop culture expert Tanisha C. Ford investigates Afros and dashikis, go-go boots and hotpants of the sixties, hip hop's baggy jeans and bamboo earrings, and the #BlackLivesMatter-inspired hoodies of today. The history of these garments is deeply intertwined with Ford’s story as a black girl coming of age in a Midwestern rust belt city. She experimented with the Jheri curl; discovered how wearing the wrong color tennis shoes at the roller rink during the drug and gang wars of the 1980s could get you beaten; and rocked oversized, brightly colored jeans and Timberlands at an elite boarding school where the white upper crust wore conservative wool shift dresses. Dressed in Dreams is a story of desire, access, conformity, and black innovation that explains things like the importance of knockoff culture; the role of “ghetto fabulous” full-length furs and colorful leather in the 1990s; how black girls make magic out of a dollar store t-shirt, rhinestones, and airbrushed paint; and black parents' emphasis on dressing nice. Ford talks about the pain of seeing black style appropriated by the mainstream fashion industry and fashion’s power, especially in middle America. In this richly evocative narrative, she shares her lifelong fashion revolution—from figuring out her own personal style to discovering what makes Midwestern fashion a real thing too.

This book addresses the relationships between fashion, women and power. One of the constants within the book is to question the enduring relationship between women and dress and how these inform and articulate the ways in which women remain represented as either suitable or not for public office and their behaviour is informed through dress when they are in power. The book critiques the interplays between politics, power, class, race and expectation in relation to the everyday practice of getting dress and the more performative and symbolic function of dress as embodiment. As never before, women are in positions of political power, and find themselves facing the maelstroms of mass media regarding their fashion, their deportment, and their right to govern. The contributors offer a wide set of perspectives on women and their roles, and their fashions when taking up powerful positions in Australia, New Zealand, United Kingdom and the United States. From the United Kingdom, the historical issues surrounding the movement towards ‘rational dress’ for women seeking their rights to vote and exercise are interrogated. The volume also explores viewpoints from East Asia, such as the constricting role for ‘common’ women upon entering the Imperial family in Japan. From the United States come the troublesome media stories engulfing two significant American Democratic First Ladies, Hillary Rodham Clinton and Michelle Obama. From New Zealand, the media reports on Prime Minister Jacinda Ardern upon her motherhood while serving in the office and on her clothing during the 2019 Christchurch massacre comprise a much-needed contribution to the literature on women, politics and dress. Further, the role of dress in politics broadly as a form of resistance, will be examined in Australia from recent skirmishes over ‘appropriate dress’ with ex-prime minister Julia Gillard and other Australian female politicians. The role of women and what their fashion selections mean continues via considerable debate during worldwide events. Finally, the theme of resistance and social media continues with an examination of protest dressing in the recent street battles in Hong Kong to how young Asian women have been influenced by the social media campaigns to encourage wearing the veil in Indonesia, to Asian women negotiating femininity in political dress. Primary readership will be among researchers, scholars, educators and students in the fields of fashion, dress studies, women and gender studies and media and history. It will be of particular value as at graduate level and as a supplementary resource. There may be some general appeal to those with an interest in the women or cultures at the centre of the discussions.

Fashion Talks is a vibrant look at the politics of everyday style. Shira Tarrant and Marjorie Jolles bring together essays that cover topics such as lifestyle Lolitas, Hollywood baby bumps, haute couture hijab, gender fluidity, steampunk, and stripper shoes, and engage readers with accessible and thoughtful analyses of real-world issues. This collection explores whether style can shift the limiting boundaries of race, class, gender, and sexuality, while avoiding the traps with which it attempts to rein us in. Fashion Talks will appeal to cultural critics, industry insiders, mainstream readers, and academic experts who are curious about the role fashion plays in the struggles over identity, power, and the status quo.