Farnsworth’s Classical English Rhetoric was the definitive guide to the use of rhetorical devices in English. It became a best-seller in its field, with over 20,000 copies in print. Here now is the natural sequel, Farnsworth’s Classical English Metaphor—the most entertaining and instructive book ever written about the art of comparison. A metaphor compares two things that seem unalike. Lincoln was a master of the art (A house divided against itself cannot stand). So were Jefferson (The tree of liberty must be refreshed from time to time with the blood of patriots and tyrants) and Shakespeare (All the world’s a stage/And all the men and women merely players). Farnsworth’s book is the finest collection of such figurative comparisons ever assembled. It offers an original analysis of patterns in the sources and uses of metaphor. It also explains the different stylistic ways that comparisons can be written, and with what effects. The book starts by dividing the sources of metaphor into families, including nature, architecture, animals, and myth. It then shows how the best writers have put each of those traditions to distinctive use-for the sake of caricature, to make an abstract idea visible, to make a complicated idea simple. The book provides, along the way, an extraordinarily wide-ranging tour of examples from novelists, playwrights, philosophers, and orators. There is interest, instruction, and amusement to be found on every page. Ward Farnsworth-lawyer, dean, teacher, and polymath-has produced another indispensable book for the writer. Classical English Metaphor will be a constant source of learning and enjoyment for anyone who appreciates the art of observation and the pleasure of well-chosen words.

Rhetoric is among the most ancient academic disciplines, and we all use it every day whether expertly or not. This book is a lively set of lessons on the subject. It is about rhetorical figures: practical ways of applying old and powerful principles--repetition and variety, suspense and relief, concealment and surprise, the creation of expectations and then the satisfaction or frustration of them--to the composition of a simple sentence or a complete paragraph. --from publisher description.

From the author of Farnsworth's Classical English Rhetoric, a manual for clear, forceful, unforgettable speech.

The most helpful and practical philosophy ever devised. The advice the Stoics provided centuries ago is still the best anyone has offered and it's as useful today as it was then-or more. Stoicism means knowing the difference between what we can control and what we can't, and not worrying about the latter. The Stoics were masters of perspective, always taking the long view while remembering that life is short. And they were deep and insightful students of human nature, understanding how we manage to make ourselves miserable as well as how we seek and can find fulfillment. The great insights of the Stoics are spread over a wide range of ancient sources. Ward Farnsworth brings them all together and systematically presents what the various Stoic philosophers said on every important topic, accompanied by an eloquent commentary that is clear and concise. The result is a set of philosophy lessons for everyone-the most valuable wisdom of ages past made available for our times.

Chess tactics explained in English: the website www.chesstactics.org in book form. This volume is the first in a two-part set. The two books together contain over a thousand examples organized in unprecedented detail. Every position is accompanied by a commentary describing a train of thought that leads to the solution; these books thus are the ideal learning tool for those who prefer explanations in words to long strings of notation. This first volume provides an introduction to tactics and explains forks and discovered attacks. (Book II covers pins and skewers, removal of the guard, and mating patterns.) A hardcover version is also available.

An investigation of the considerable influence of Wagner's stay in Zurich from 1849 to 1858 -- a period often discounted by scholars -- on his career. When the people of Dresden rose up against their king in May 1849, Richard Wagner went from Royal Kapellmeister to republican revolutionary overnight. He gambled everything, but the rebellion failed, and he lost all. Now a wantedman in Germany, he fled to Zurich. Years later, he wrote that the city was "devoid of any public art form" and full of "simple people who knew nothing of my work as an artist." But he lied: Zurich boasted arguably the world's greatest concentration of radical intellectuals and a vibrant music scene. Wagner was accepted with open arms. This book investigates Wagner's affect on the musical life of the city and the city's impact on him. Mathilde Wesendonck emerges not as Wagner's passive muse but as a self-assured woman who exploited gender expectations to her own benefit. In 1858, Wagner had to flee Zurich after again gambling everything -- this time on Mathilde -- and again losing.But it was in Zurich that Wagner wrote his major theoretical works; composed Das Rheingold, Die Walküre, and parts of Siegfried and Tristan und Isolde; first planned Parsifal; held the first festival of his music; and conceived of a theater to stage his own works. If Wagner had been free in 1849 to choose a city in which to seek heightened intellectual stimulation among the like-minded and the similarly gifted, he could have come to nomore perfect place. Chris Walton teaches music history at the Musikhochschule Basel in Switzerland. He is the recipient of the 2010 Max Geilinger Prize honoring exemplary contributions to the literary and cultural relationship between Switzerland and the English-speaking world.

"The Socratic method is one of the timeless inventions of the ancient world. It is a path to wisdom and a way to think more intelligently about questions large or small. It is a technique for teaching others and for talking to yourself. It is an antidote to stupidity, to irrationality, and to social media. It is easy to understand but challenging to master. It is useful for everyone. This book explains the Socratic method in detail: what it is, where it came from, and how to carry it out. The chapters teach the elements of the method step by step with examples from Plato's dialogues. They illustrate how to create Socratic questions of your own. They show how the teachings of Socrates produced the philosophies of Stoicism and Skepticism. The book also explains how the Socratic method can be put to work in the classroom, and it offers Socratic rules of engagement for talking about politics and other hard things. The Socratic Method is a complete guide to the practical use of a great idea"--