“In his novel of Texas, The Gay Place, Billy Lee Brammer famously wrote that ‘the country is most barbarously large and final.’ And indeed it is. Few artists and writers and photographers are big enough to embrace it. This book is proof that Kenny Braun is one who does, which is great news for the rest of us.” —S. C. Gwynne, from the foreword Texas continually awes and surprises with its natural beauty. Within the state’s quarter-million square miles are scenic landscapes as varied as the rugged desert mountains of the Big Bend country, cypress swamps and old-growth forests in the piney woods, ocean beaches and dunes along the Gulf Coast, and stretches of the Great Plains that spread as widely over the earth as the skies above. Kenny Braun has traveled the length and breadth of Texas photographing its vast lands. In As Far as You Can See, he presents a portfolio of stunning images that capture the natural splendor of the entire state. From sweeping landscape shots to detailed close-ups, Braun’s photographs offer fresh, lovely views of Texas. He has a keen eye for the unexpected scene, whether it be the refreshing depths of the Balmorhea pool in arid West Texas or the Tuscan-like look of a Fredericksburg vineyard. Even when he photographs iconic spots such as Enchanted Rock or Caddo Lake, Braun finds new perspectives that allow viewers to see these familiar places as if for the first time. Accompanying the images are a brief introduction by Braun and a foreword by the Pulitzer Prize finalist and New York Times best-selling author S. C. Gwynne. This winning combination of photographs and words makes As Far as You Can See a must-have book to own and to give.

NATIONAL BOOK CRITICS CIRCLE AWARD FINALIST • The Pulitzer Prize-winning author of The Looming Tower—and a Texas native—takes us on a journey through the most controversial state in America. • “Beautifully written…. Essential reading [for] anyone who wants to understand how one state changed the trajectory of the country.” —NPR Texas is a red state, but the cities are blue and among the most diverse in the nation. Oil is still king, but Texas now leads California in technology exports. Low taxes and minimal regulation have produced extraordinary growth, but also striking income disparities. Texas looks a lot like the America that Donald Trump wants to create. Bringing together the historical and the contemporary, the political and the personal, Texas native Lawrence Wright gives us a colorful, wide-ranging portrait of a state that not only reflects our country as it is, but as it may become—and shows how the battle for Texas’s soul encompasses us all.

Veteran western writer Kelton begins this sequel to Slaughter exactly where that Golden Spur-winning yarn ended, in Texas, 1874. After the Battle of Adobe Walls, the Commanche warrior Crow Feather lies bleeding but alive. Jeff Layne, too, has survived--just as he survived both a Union slug during the Civil War and his days as a buffalo hunter during the great bison slaughters. Now Layne, tired of death and killing, is headed back to south Texas to resume ranching. But when he and his wayward band (including old friend and camp cook Cap Doolittle, and Englishman Nigel Smithwick and his untutored American bride, Arletta) reach their destination, Layne discovers that a ruthless Yankee reconstruction government has wreaked havoc and that his ranch is now owned by his old enemy, Vesper Freed. But Texas is a big place, and, rather than fight for his land, Layne decides to move north and start again. Still, he can't avoid the inevitable tangle with Freed. Layne and his companions' story is interlaced with that of Crow Feather, whose hope of living a peaceful, isolated existence with his people seems to have been dashed when he's confined to a degrading and violent reservation. Despite being longer than the average western, this well-plotted novel holds interest and will prove especially rewarding for those already caught up in the adventures of Crow Feather, Layne and company.

A Michael L. Printz Honor Book "This is East Texas, and there's lines. Lines you cross, lines you don't cross. That clear?" New London, Texas. 1937. Naomi Vargas and Wash Fuller know about the lines in East Texas as well as anyone. They know the signs that mark them. They know the people who enforce them. But sometimes the attraction between two people is so powerful it breaks through even the most entrenched color lines. And the consequences can be explosive. Ashley Hope Pérez takes the facts of the 1937 New London school explosion—the worst school disaster in American history—as a backdrop for a riveting novel about segregation, love, family, and the forces that destroy people. "[This] layered tale of color lines, love and struggle in an East Texas oil town is a pit-in-the-stomach family drama that goes down like it should, with pain and fascination, like a mix of sugary medicine and artisanal moonshine."—The New York Times Book Review "Pérez deftly weaves [an] unflinchingly intense narrative....A powerful, layered tale of forbidden love in times of unrelenting racism."―starred, Kirkus Reviews "This book presents a range of human nature, from kindness and love to acts of racial and sexual violence. The work resonates with fear, hope, love, and the importance of memory....Set against the backdrop of an actual historical event, Pérez...gives voice to many long-omitted facets of U.S. history."―starred, School Library Journal

In sunbaked Terlingua, Texas (pop., a few hundred), residents joke that there is a musician under every rock. Located ten miles from Mexico in one of the remotest corners of the United States, the town had a recording studio before it had a school, a well-stocked grocery store, or even a water utility. Open jam sessions are a daily ritual, and some songwriters make a living from their craft despite being thousands of miles from New York or Nashville. Why does such a tiny and isolated place ring with singing and guitars? Based on more than two years of on-the-ground research, On the Porch tells the story of this small but remarkable community. Chase Peeler invites us into the music, introducing us to a cast of characters as unique as the town itself. He reveals how novices and experts perform together—a rarity in contemporary America. He recounts the devastation brought on by a border closure and describes how music is once again uniting people across the Rio Grande. He considers the impact of gentrification in an off-the-grid paradise, and how this threatens to transform a precarious musical ecosystem. On the Porch is a celebration of human musicality, of the role that music plays and can play in our lives, both in Terlingua and beyond.