Sitwell's Fanfare for Elizabeth is a striking account of love, betrayal, and religion as it unfolds in the court of King Henry VIII. Sitwell navigates elegantly through the capricious nature both of Henry's court, and his love life. The youthful hardships of little Elizabeth are played out against the backdrop of the great drama of Henry's struggles with the Pope, and his six wives. Charming in style, Fanfare for Elizabeth ends on a vignette of Elizabeth in her early teens, still oblivious to the grandeur she will ultimately inherit.

No monarch is more glamorous or more controversial than Elizabeth I. The stories by which successive generations have sought to extol, explain, or excoriate Elizabeth supply a rich index to the cultural history of English nationalism - whether they represent her as Anne Boleyn's suffering orphan or as the implacable nemesis of Mary, Queen of Scots, as learned stateswoman or as frustrated lover, persecuted princess or triumphant warrior queen. This book examines the many afterlives the Virgin Queen has lived in drama, poetry, fiction, painting, propaganda, and the cinema over the four centuries since her death, from the aspiringly epic to the frankly kitsch. Exploring the Elizabeths of Shakespeare and Spenser, of Sophia Lee and Sir Walter Scott, of Bette Davis and of Glenda Jackson, of Shakespeare in Love and Blackadder II, this is a lively, lavishly-illustrated investigation of England's perennial fascination with a queen who is still engaged in a posthumous progress through the collective pysche of her country.

From the 1920s through the 1950s Maxwell Anderson was one of the most important playwrights in America. His thirty-three produced plays make him a leader among these playwrights of America's most creative era in the theater, and a number of his plays have shown a lasting vitality and importance. What Price Glory (1924) dramatized the disillusionment and horror of World War I . With Elizabeth the Queen (1929), Winterset (1935), and High Tor (1936), Anderson revived poetic drama in the modern theater. His versatility as a playwright was further reflected in the satire Both Your Houses (1933), the historical parable Joan of Lorraine (1946), and the musical play Lost in the Stars (1949). This edition of Anderson's letters spans his adult life -- from 1912, shortly after he graduated from the University of North Dakota, to 1958, just before his death. Arranged chronologically, the letters reveal in full and intimate detail the development of his career, his methods of work, his relationships with theater people, his conceptions of himself as a playwright and of the nature of the theater, and his ideas about his plays, all of which focused on an inner moral struggle. Every aspect of his work and personality emerges in these letters, which serve as an autobiography in the rough. Each letter is fully annotated, permitting the reader to become a party to the correspondence. The editor has provided an informative introduction to the letters and also a substantial chronology of Anderson's life that incorporates the first complete bibliography of his plays, poems, essays, fiction, and screenplays. An appendix includes Anderson's previously unpublished statements about his life and his plays. Dramatist in America, the first edition of letters by a major American playwright, takes on added importance for its representative quality. It reveals the cultural and theatrical conditions under which a vital generation of playwrights created this country's finest period in the drama.

DigiCat Publishing presents to you this special edition of "The Queens and the Hive" by Edith Sitwell. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

Since 1066 when William the Conqueror (alias William the Bastard) took the throne, English and Scottish kings have sired at least 150 children out of wedlock. Many were acknowedged at court and founded dynasties of their own - several of today's dukedoms are descended from them. Others were only acknowledged grudgingly or not at all. In the twentieth century this trend for royals to father illegitimate children continued, but the parentage, while highly probably, has not been officially recognised. This book - split into four sections: Tudor, Stuart, Henoverian and, perhaps most fascinating, Royal Loose Ends - is a genuinely fresh approach to British kings and queens, examining their lives and times through the unfamiliar perspective of their illegitimate children.