An original, detailed study of the Famine, its antecedents and its aftermath in West Cork.

The scale of the Great Irish Famine, and the horror of it, were unprecedented. It permeated everything, the traces of which remain to this day. But the visual dimensions of the loss of life and the erosions of language and culture remained unaddressed until Quinnipiac University opened Ireland's Great Hunger Museum in 2012, to considerable acclaim. As a largely invisible trauma whose consequences were intrinsic to the subsequent development of Ireland - no less than the United States - the museum collects and displays images and supporting documentation that address both the lacunae and interconnections in representations of the Great Hunger in Irish and diasporic history, culture, and memory.Now, mindful of the suffering of so many, a large number of whom nonetheless went on to contribute so much to America, Quinnipiac University brings its collection home, to share with the people of Ireland. Coming Home: Art and the Great Hunger is an important act of cultural reconnection with Ireland's past and living diaspora, and is a major cultural, educational, and tourist event of local, national, and international interest.

The first systematic study of famine in all parts of Europe from the Middle Ages to present. It compares the characteristics, consequences and causes of famine in regional case studies by leading experts to form a comprehensive picture of when and why food security across the continent became a critical issue.

The Irish potato famine of the 1840s, perhaps the most appalling event of the Victorian era, killed over a million people and drove as many more to emigrate to America. It may not have been the result of deliberate government policy, yet British ‘obtuseness, short-sightedness and ignorance’ – and stubborn commitment to laissez-faire ‘solutions’ – largely caused the disaster and prevented any serious efforts to relieve suffering. The continuing impact on Anglo-Irish relations was incalculable, the immediate human cost almost inconceivable. In this vivid and disturbing book Cecil Woodham-Smith provides the definitive account. ‘A moving and terrible book. It combines great literary power with great learning. It explains much in modern Ireland – and in modern America’ D.W. Brogan.

The remarkable story of the money sent by the Choctaw to the Irish in 1847 is one that is often told and remembered by people in both nations. This gift was sent to the Irish from the Choctaw at the height of the potato famine in Ireland, just sixteen years after the Choctaw began their march on the Trail of Tears toward the areas west of the Mississippi River. Famine Pots honors that extraordinary gift and provides further context about and consideration of this powerful symbol of cross-cultural synergy through a collection of essays and poems that speak volumes of the empathy and connectivity between the two communities. As well as signaling patterns of movement and exchange, this study of the gift exchange invites reflection on processes of cultural formation within Choctaw and Irish society alike, and sheds light on longtime concerns surrounding spiritual and social identities. This volume aims to facilitate a fuller understanding of the historical complexities that surrounded migration and movement in the colonial world, which in turn will help lead to a more constructive consideration of the ways in which Irish and Native American Studies might be drawn together today.

You can't eat scenery' is an old saying about making a living in beautiful but remote places. West Cork is such a place, remarkable for the many ways people make it work for them. Alannah Hopkin discovers a vibrant community of diverse people with compelling stories to tell. A multi-faceted portrait of west Cork.

The Great Irish Famine is the most pivotal event in modern Irish history, with implications that cannot be underestimated. Over a million people perished between 1845-1852, and well over a million others fled to other locales within Europe and America. By 1850, the Irish made up a quarter of the population in Boston, New York City, Philadelphia, and Baltimore. The 2000 US census had 41 million people claim Irish ancestry, or one in five white Americans. This book considers how such a near total decimation of a country by natural causes could take place in industrialized, 19th century Europe and situates the Great Famine alongside other world famines for a more globally informed approach. It seeks to try and bear witness to the thousands and thousands of people who died and are buried in mass Famine pits or in fields and ditches, with little or nothing to remind us of their going. The centrality of the Famine workhouse as a place of destitution is also examined in depth. Likewise the atlas represents and documents the conditions and experiences of the many thousands who emigrated from Ireland in those desperate years, with case studies of famine emigrants in cities such as Liverpool, Glasgow, New York and Toronto. The Atlas places the devastating Irish Famine in greater historic context than has been attempted before, by including over 150 original maps of population decline, analysis and examples of poetry, contemporary art, written and oral accounts, numerous illustrations, and photography, all of which help to paint a fuller picture of the event and to trace its impact and legacy. In this comprehensive and stunningly illustrated volume, over fifty chapters on history, politics, geography, art, population, and folklore provide readers with a broad range of perspectives and insights into this event. -- Publisher description.