I don't know where he lost his way, but we've been made to pay the price. To bear the burden of his … love. A sickening feeling stirs deep inside each time he looks at me because I know what it means. I have to follow the rules; be his good girl. It's the only way to survive in this house. Being in the dark never scared me, being alone was something I used to cherish until he began to use it against me. Against us. I just want to find the light now. The place where I know his darkness can't reach. A place where maybe everything will make sense one day, but for now, I have to be strong. I won't fall down again. I can't. Not before I find my peace there. I have to do it soon because I'm not sure how much more I can take.

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NEW YORK TIMES BESTSELLING and AWARD WINNING AUTHOR SELENA KITT ------- David is doing his damnedest to resist temptation—but Dawn isn’t making it easy. Just graduated, David’s busy looking for a job while Dawn, their way-too-bloody-sexy American foreign exchange student, is working on her tan. He can’t help watching her, even though he knows the Study-Abroad program insists no “relations” are allowed between students and the host family. Dawn’s clearly off-limits, which is why he has to stay strong and resist her incessant coaxing. I mean, he knows they’re not really family… even if he’s known Dawn since they were kids and his mum keeps on about them being “like brother and sister.” But when Dawn discovers David’s secret hidden in his parents’ shed, things really begin to heat up. Using her new leverage, provocative Dawn makes it very clear what she wants—and David finds himself giving in to her appetite… and his own. He’s just a guy, after all, and Dawn’s teasing ways can’t help but slowly break down the barrier between them until they both give in to their desires… But what are they going to do about the feelings that have developed between them in the meantime? NOTE: Previously titled Foreign Exchange, this is a slightly less naughty, but no less sexy re-telling--updated and redressed for your reading pleasure. EXCERPT: "David?" I woke up with a grunt, hearing my name being hissed from beside the bed. It was dark, but I could make out her outline in the moonlight coming through the window. She was on her hands and knees, crawling toward me. "Dawn?" I felt her find the bed with a thud. "Ow." She whimpered. "Christ!" I reached for her, groping in the dark. My hand found her arm, helping her up into the bed. "What are you doing?" "Ta," she said, thanking me. I could smell the alcohol on her now. "It's a long way when you're legless." "Shhhh!" I looked toward my door. I was listening for my Mum or Dad but didn't hear them. "C'mon, let's get you to bed." "That's where I am." She crawled up against me in the dark and pressed me down, snuggling up against my bare chest. "Hey, you sleep naked! When did you start that?" "Since I was fourteen," I whispered. "Keep your voice down, Dawn." "I am." She kissed my shoulder. "You feel good." "Okay." I tried to untangle her limbs from mine. "You are pretty well lashed, and I think this is a bad idea. C'mon, let's go." "Noooo!" She slid her bare foot up the inside of my calf. She'd lost her heels somewhere, I noticed, but I could feel the skirt and blouse pressed against me, her body full and warm underneath, flushed from the alcohol. "Don't make me go." "I think you'd better." I tried to sit, but she was clinging to me too tightly. "I'll scream," she whispered into my ear, her breath hot against my neck. "You will not." I edged my way out from under her. I heard her intake of breath and knew she really meant to do it. What was wrong with her? Panicked, I rolled onto her, finding her mouth with my hand in the dark and pressing it there, hard. "Button it!" I hissed, feeling her wiggling and squirming underneath me. Her skirt was riding high up and I felt her bare thighs against mine, her skin like velvet. "Unbutton it," she murmured when I moved my hand away from her mouth, her fingers working her blouse from top to bottom between us. Keywords: Coming of Age, New Adult, College Romance, Sexy Novel, Forbidden Taboo Romance, Steamy, Kinky Smut

One of Vogue's Best Books of 2022 So Far, Buzzfeed's Summer Books You Won’t Be Able To Put Down, Book Riot's Best Summer Reads for 2022, and Dazed's Queer Books to Read in 2022 "[Nevada] is defiant, terse, not quite cynical, sometimes flip, addressed to people who think they know. It is, if you like, punk rock." —The New Yorker "Nevada is a book that changed my life: it shaped both my worldview and personhood, making me the writer I am. And it did so by the oldest of methods, by telling a wise, hilarious, and gripping story." —Torrey Peters, author of Detransition, Baby A beloved and blistering cult classic and finalist for the Lambda Literary Award for Transgender Fiction finally back in print, Nevada follows a disaffected trans woman as she embarks on a cross-country road trip. Maria Griffiths is almost thirty and works at a used bookstore in New York City while trying to stay true to her punk values. She’s in love with her bike but not with her girlfriend, Steph. She takes random pills and drinks more than is good for her, but doesn’t inject anything except, when she remembers, estrogen, because she’s trans. Everything is mostly fine until Maria and Steph break up, sending Maria into a tailspin, and then onto a cross-country trek in the car she steals from Steph. She ends up in the backwater town of Star City, Nevada, where she meets James, who is probably but not certainly trans, and who reminds Maria of her younger self. As Maria finds herself in the awkward position of trans role model, she realizes that she could become James’s savior—or his downfall. One of the most beloved cult novels of our time and a landmark of trans literature, Imogen Binnie’s Nevada is a blistering, heartfelt, and evergreen coming-of-age story, and a punk-smeared excavation of marginalized life under capitalism. Guided by an instantly memorable, terminally self-aware protagonist—and back in print featuring a new afterword by the author—Nevada is the great American road novel flipped on its head for a new generation.

Dive into these sexy surprises . . . From a model and her hot security guard using a new sex toy to a shifter triad taking a major new step in their relationship, these sexy stories are sure to wow you. Lovers deviate from their set routine to explore the thrill of the unknown in "Tulsa," while one woman goes on a very "Wicked Ride" that takes her to a totally different kind of arousal. From fetishes to fantasies to the taboo, the women in these stories are ready to surprise you. Discover a new way of getting off with "Gravity" and unravel a "Puzzle" about a male stripper who's even hotter than Magic Mike. Whether you're new to erotica or a longtime reader, these scenarios deliver the heat. Best Women's Erotica of the Year, Volume 7 features the hottest erotic stories by popular authors such as Lucy Eden, Adriana Herrera, Erin McLellan, Angelina M. Lopez, Holley Trent, Sara Taylor Woods, and many others, edited by the award-winning Rachel Kramer Bussel.

Since its emergence in the seventeenth century as a distinctive cultural system, children's literature has had a culturally inferior status resulting from its existence in a netherworld between the literary system and the educational system. In addition to its official readership—children—it has to be approved of by adults. Writers for children, explains Zohar Shavit, are constrained to respond to these multiple systems of often mutually contradictory demands. Most writers do not try to bypass these constraints, but accept them as a framework for their work. In the most extreme cases an author may ignore one segment of the readership. If the adult reader is ignored, the writer risks rejection, as is the case of popular literature. If the writer utilizes the child as a pseudo addressee in order to appeal to an adult audience, the result can be what Shavit terms an ambivalent work. Shavit analyzes the conventions and the moral aims that have structured children's literature, from the fairy tales collected and reworked by Charles Perrault and the Brothers Grimm—in particular, “Little Red Riding Hood”—through the complex manipulations of Lewis Carroll in Alice's Adventures in Wonderland, to the subversion of the genre's canonical requirements in the chapbooks of the eighteenth century, and in the formulaic Nancy Drew books of the twentieth century. Throughout her study Shavit, explores not only how society has shaped children's literature, but also how society has been reflected in the literary works it produces for its children.

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