Across the twentieth century, the families of people who died in war and disaster were left to make sense of their sudden loss and navigate newfound grief. This book focuses the families of people who died in the First World War and in mining disasters in the early twentieth-century. These bereaved families were often denied access to bodies and choice over burial rights, all while dealing with the increased bureaucracy of death.Families created domestic memorials, which took on additional meaning because of this lack of memorial agency elsewhere. Although the ways that these families were bereaved each took place in different circumstances, the ways that families grieved were recognizable to one another: they drew on common memorial practices, augmented to take on special meaning after sudden death.This memorial material provided a vehicle for families to navigate their loss, but also to communicate the memory of the dead both externally, through donation to museums, and linearly, through ancestral lines. Drawing on a nuanced reading of a wide range of sources - from ephemera to administrative museum paperwork - this book explores family reactions to mass death events in early twentieth-century Britain. The result is a comparative and domestic perspective on mourning at the turn of the century that makes important contributions to the growing field of death studies, and will be of interest to those working on the First World War, interwar Britain, the history of work, the social history of the family, and the history of memorialization. 6 b&w illustrations

Explores family reactions to mass death events in early twentieth-century Britain to show how families pushed against state-imposed memorial narratives and created objects to enable themselves to mourn. This is a unique, comparative, and domestic perspective on mourning that makes important contributions to the field of death studies.

How war has been remembered collectively is the central question in this volume. War in the twentieth century is a vivid and traumatic phenomenon which left behind it survivors who engage time and time again in acts of remembrance. This volume, containing essays by outstanding scholars of twentieth-century history, focuses on the issues raised by the shadow of war in this century. The behaviour, not of whole societies or of ruling groups alone, but of the individuals who do the work of remembrance, is discussed by examining the traumatic collective memory resulting from the horrors of the First World War, the Spanish Civil War, the Second World War, and the Algerian War. By studying public forms of remembrance, such as museums and exhibitions, literature and film, the editors have succeeded in bringing together a volume which demonstrates that a popular kind of collective memory is still very much alive.

This book maps the most active and vibrant period in the history of British women's writing. Examining changes and continuities in fiction, poetry, drama, and journalism, as well as women's engagement with a range of literary and popular genres, the essays in this volume highlight the range and diversity of women's writing since 1970.

Readers can discover all the foul facts about the TWENTIETH CENTURY, including who shocked the world by showing her knickers, how two monkeys and a dog became astronauts and why a posh London restaurant served stewed cat.

The decades between the close of World War I and the end of the Thatcher era have changed and challenged family life in England dramatically. The Depression and World War II shifted priorities and behaviour, as did the Welfare State, the Pill and Women's Lib later on. What threatened a family's respectability in the 1920s is often commonplace today - abortion, contraception, the single parent family, or gay relationships. Family Affairs explores the secret life of English families from 1920 to 1990. Mary Abbott takes the reader into her subjects' homes and hearts and provokes readers to reflect on families past and speculate on families future. A product of intense original research of primary and secondary sources, this volume is a useful contribution to the history of the family.

(Eco)Anxiety in Nuclear Holocaust Fiction and Climate Fiction: Doomsday Clock Narratives demonstrates that disaster fiction— nuclear holocaust and climate change alike— allows us to unearth and anatomise contemporary psychodynamics and enables us to identify pretraumatic stress as the common denominator of seemingly unrelated types of texts. These Doomsday Clock Narratives argue that earth’s demise is soon and certain. They are set after some catastrophe and depict people waiting for an even worse catastrophe to come. References to geology are particularly important— in descriptions of the landscape, the emphasis falls on waste and industrial bric- a- brac, which is seen through the eyes of a future, posthuman archaeologist. Their protagonists have the uncanny feeling that the countdown has already started, and they are coping with both traumatic memories and pretraumatic stress. Readings of novels by Walter M. Miller, Nevil Shute, John Christopher, J. G. Ballard, George Turner, Maggie Gee, Paolo Bacigalupi, Ruth Ozeki, and Yoko Tawada demonstrate that the authors are both indebted to a century- old tradition and inventively looking for new ways of expressing the pretraumatic stress syndrome common in contemporary society. This book is written for an academic audience (postgraduates, researchers, and academics) specialising in British Literature, American Literature, and Science Fiction Studies.