This is a new, compact A5 edition of Jackie Morris's collection of short stories, The Quiet Music of Gently Falling Snow. A collection of twelve illustrated folk tales, or lullabies for grown-ups, set in a distant world of music, snow and magic. The stories are based around a series of musically-themed illustrations first created by Jackie for Help Musicians UK.

Enhanced with 15 new essays, this collection is the benchmark of an acclaimed writer's spunk and sense of place. Originally published in 1987, "Falling Through Space" provides a funny and intimate diary of a writer's self-discovery. 42 photos.

Fall is a tough time of year for a lot of us. Kids have to go back to school, teachers and football players have to go back to work, and parents have to look for new places to hide holiday presents. But perhaps fall is hardest of all on trees. After all, they have to change their entire appearance every year! This book is the rhyming story of a tree's humorous struggles to change its colours for fall. And it's a perfect introduction to the seasons for young children.

For graduates, for their parents, for anyone facing change, here is a gorgeously illustrated and stunningly heartfelt ode to the challenges of growing up and letting go. A story of the seasons and stepping stones as poignant for parents as for their kids, from the creator of Otis the tractor and illustrator of Love by Matt de la Pena. "Long’s gentle but powerful story about a young tree who holds tight to his leaves, even as everyone else lets theirs drop, takes on nothing less than the pain and sorrow of growing up. . . . As in Long’s unaccountably profound books about Otis the tractor, a pure white background somehow adds to the depth."—The New York Times Book Review In the middle of a little forest, there lives a Little Tree who loves his life and the splendid leaves that keep him cool in the heat of long summer days. Life is perfect just the way it is. Autumn arrives, and with it the cool winds that ruffle Little Tree's leaves. One by one the other trees drop their leaves, facing the cold of winter head on. But not Little Tree—he hugs his leaves as tightly as he can. Year after year Little Tree remains unchanged, despite words of encouragement from a squirrel, a fawn, and a fox, his leaves having long since turned brown and withered. As Little Tree sits in the shadow of the other trees, now grown sturdy and tall as though to touch the sun, he remembers when they were all the same size. And he knows he has an important decision to make. From #1 New York Times bestselling Loren Long comes a gorgeously-illustrated story that challenges each of us to have the courage to let go and to reach for the sun. Praise for Little Tree * "The illustrations are beautifully rendered . . . Understated and inviting, young readers will be entranced by Little Tree’s difficult but ultimately rewarding journey."—Booklist, starred review "Long’s gentle but powerful story about a young tree who holds tight to his leaves, even as everyone else lets theirs drop, takes on nothing less than the pain and sorrow of growing up. Season after season, Little Tree clings to his brown-leaved self until he can take a leap and shed his protection. He feels ‘the harsh cold of winter,’ but soon grows tall and green, and it’s not bad at all. As in Long’s unaccountably profound books about Otis the tractor, a pure white background somehow adds to the depth."—The New York Times Book Review * "[Long's] willingness to take his time and even test the audience’s patience with his arboreal hero’s intransigence results in an ending that’s both a big relief and an authentic triumph. Long’s earnest-eloquent narrative voice and distilled, single-plane drawings, both reminiscent of an allegorical pageant, acknowledge the reality of the struggle while offering the promise of brighter days ahead."—Publishers Weekly, starred review "Long is sparing with the text, keeping it simple and beautifully descriptive. Brilliantly colored illustrations done in acrylic, ink, and pencil stand out on bright white pages, with Little Tree taking the center position in each double-page spread. Tender and gentle and altogether lovely."—Kirkus Reviews "Children will see the tree facing the scariness of change; adult readers may well feel wistful as the story underscores the need to let their babies grow toward independence. Beautiful. Grade: A"—Cleveland Plain Dealer

Why a journey from Zen to Methodism? Two friends embark on a dual path of discovery while driving from Portland to Denver. The miles take them through the beautiful scenery of the Pacific Northwest as their souls traverse the spiritual landscapes of a lifetime. The journey begins in the San Francisco Bay Area of the 1960s with the nascent American Zen movement led by Shunryu Suzuki. From there it winds through the years, passing through Christianity and pop culture, John Cage and avant-garde music, the haunting beauty of Taize worship, Celtic Christianity, spiritual naturalism, the painful failures of the modern church, and the promise the church may still hold. The barren landscape of southern Wyoming becomes a fitting backdrop for one friend's growing skepticism as the spiritual past seems more and more disconnected from the present uncertainty. Unexpectedly, the practical theology of eighteenth-century theologian John Wesley, the founder of Methodism, offers the possibility of merging these disparate spiritual experiences together into a single pathway. Transformation, however, inevitably involves loss when the friends find their roads diverging as the destination approaches: one branching towards hope, and the other towards despair.

What is the risk reward path really like for Australian performance artists? Williams says things are worse. Studies show that among professional artists and crews, the level of mental ill health, suicidal ideation and suicide is nearly nine times that of the general population. In a stark reflection on the history of performers' practice, Williams shows how government and industry services, in determining purely monetary rationalism, have unwittingly discriminated against those with individual specialised skills who work irregular hours in hard conditions at low pay because it is their vocation. Williams calls for more flexibility in public services, whole of life planning and self-awareness in early training; and sees opportunities, particularly in social capital housing. Without a home to come home to, he says, our artists today 'are in terrible danger of falling through the gaps'.

In much of the critical discourse of the seventies, eighties, and nineties, scholars employed suspicion in order to reveal a given text's complicity with various undesirable ideologies and/or psychopathologies. Construed as such, interpretive practice was often intended to demystify texts and authors by demonstrating in them the presence of false consciousness, bourgeois values, patriarchy, orientalism, heterosexism, imperialist attitudes, and/or various neuroses, complexes, and lacks. While it proved to be of vital importance in literary studies, suspicious hermeneutics often compelled scholars to interpret eudaimonia, or well-being variously conceived, in pathologized terms. At the end of the twentieth century, however, literary scholars began to see the limitations of suspicion, conceived primarily as the discernment of latent realities beneath manifest illusions. In the last decade, often termed the "post-theory era," there was a radical shift in focus, as scholars began to recognize the inapplicability of suspicion as a critical framework for discussions of eudaimonic experiences, seeking out several alternative forms of critique, most of which can be called, despite their differences, a hermeneutics of affirmation. In such alternative reading strategies scholars were able to explore configurations of eudaimonia, not by dismissing them as bad politics or psychopathology but in complex ways that have resulted in a new eudaimonic turn, a trans-disciplinary phenomenon that has also enriched several other disciplines. The Eudaimonic Turn builds on such work, offering a collection of essays intended to bolster the burgeoning critical framework in the fields of English, Comparative Literature, and Cultural Studies by stimulating discussions of well-being in the "post-theory" moment. The volume consists of several examinations of literary and theoretical configurations of the following determinants of human subjectivity and the role these play in facilitating well-being: values, race, ethics/morality, aesthetics, class, ideology, culture, economics, language, gender, spirituality, sexuality, nature, and the body. Many of the authors compelling refute negativity bias and pathologized interpretations of eudaimonic experiences or conceptual models as they appear in literary texts or critical theories. Some authors examine the eudaimonic outcomes of suffering, marginalization, hybridity, oppression, and/or tragedy, while others analyze the positive effects of positive affect. Still others analyze the aesthetic response and/or the reading process in inquiries into the role of language use and its impact on well-being, or they explore the complexities of strength, resilience, and other positive character traits in the face of struggle, suffering, and "othering."