To spark interest in Avery's restaurant, and to revitalize Holly's image, a fake relationship is the answer to both their problems. And the start of a pressing new problem: falling in love. Avery Lindt finally opened her dream restaurant-and there's no customers. She's staying optimistic, though: she's confident she can fake it till she makes it, roll with the punches, and find a way to save her luxury restaurant, Paramour. But it gets harder when she gets restaurant mogul and star chef Mike Wallace angry, and finds herself on the other end of a campaign to shut down Paramour. Celebrity chef Holly Mason's show is in trouble: people are bored with her routine of helping struggling restaurants. Worse, her ex-boyfriend Mike Wallace is making backdoor deals trying to steal the starring role. Luckily, Holly's agent Tay has a solution: ditch her show plans for the season, throw their lot in with luxury restaurant Paramour against Mike Wallace's racketeering operation of a restaurant partnership. The cherry on top? A fake relationship between Holly and Avery to stir up drama. It would already be a mess if Holly and Avery weren't already struggling to hold back their attraction for one another. Despite their promise not to date, the lines between acting and reality get awfully blurry sometimes. Fake It is an 80,000-word fake-dating celebrity romance between a disillusioned TV cooking star and a bright-eyed restaurant owner who's sure she can manifest a solution to her hard times if she believes hard enough. Features an agent named Tay who calls their brilliant ideas "inspir-Tay-tion," plenty of descriptions of food that made me hungry while I wrote the book, and a cute bisexual trans girl who gets to fall in love. Content warnings for open-door sex scenes that get a little bit kinky, a gross man who won't stop calling his ex-girlfriend babe, and sapphics getting in the way of their own feelings, like they always do.

An award-winning CEO and communications expert shows how authentic leadership eliminates the need for the shortcuts that sabotage success. “Fake it till you make it” just doesn't work—at least not long enough to build a sustainable business. Driven to succeed under constant pressure, entrepreneurs and business leaders alike can be tempted to exaggerate their strengths, minimize weaknesses, and bend the truth. Through the twin lenses of running her own national public relations firm and advising thousands of executives for a quarter-century, Sabrina Horn revisits the core of leadership; defines authentic, reality-based business integrity; and shows readers how to attain and maintain it. With firsthand accounts of sticky situations and painful mistakes, Horn lays out workable strategies, frameworks, and mental maps to help leaders gain the clarity of thought necessary to make sound business decisions, even when there are no right answers. In her straightforward, no-nonsense style, she shares the power of humility and empathy, mentorship and self-assessment, and a strong core value system to build a leader's confidence and resilience. Horn's fake-free advice will empower readers to disarm fear, organize risk, manage setbacks and crises, deal with losing and loneliness, and create a culture and brand designed for long-term success.

How many layers of artifice can one artwork contain? How does forgery unsettle our notions of originality and creativity? Looking at both the literary and art worlds, Fake It investigates a set of fictional forgeries and hoaxes alongside their real-life inspirations and parallels. Mark Osteen shows how any forgery or hoax is only as good as its authenticating story—and demonstrates how forgeries foster fresh authorial identities while being deeply intertextual and frequently quite original. From fakes of the late eighteenth century, such as Thomas Chatterton’s Rowley poems and the notorious "Shakespearean" documents fabricated by William-Henry Ireland, to hoaxes of the modern period, such as Clifford Irving’s fake autobiography of Howard Hughes, the infamous Ern Malley forgeries, and the audacious authorial masquerades of Percival Everett, Osteen lays bare provocative truths about the conflicts between aesthetic and economic value. In doing so he illuminates the process of artistic creation, which emerges as collaborative and imitative rather than individual and inspired, revealing that authorship is, to some degree, always forged.

This book is about the intrusive fear that we may not be what we appear to be, or worse, that we may be only what we appear to be and nothing more. It is concerned with the worry of being exposed as frauds in our profession, cads in our love lives, as less than virtuously motivated actors when we are being agreeable, charitable, or decent. Why do we so often mistrust the motives of our own deeds, thinking them fake, though the beneficiary of them gives us full credit? Much of this book deals with that self-tormenting self-consciousness. It is about roles and identity, discussing our engagement in the roles we play, our doubts about our identities amidst this flux of roles, and thus about anxieties of authenticity.

This book offers the first major study of mock-documentary. The authors examine the relatively new form along with the association between factual codes and conventions, and the discourses which underpin the genre. The analysis includes detailed explorations of Woody Allen's Zelig, Peter Greenaway's The Falls, the Beatles' spoof The Rutles as well as Bob Roberts, This is Spinal Tap, and Man Bites Dog.

From New York Times and USA Today bestselling author Jennifer Crusie comes Faking It, a deliciously sassy novel of intrigue, seduction, blackmail, art forgery, split personalities, and really great sex. Meet the Goodnights, a respectable family who run a respectable art gallery—and have for generations. There's Gwen, the matriarch, who likes to escape reality; Eve, the oldest daughter, who has a slight identity problem (she has two); Nadine, the granddaughter, who's ready to follow in the family footsteps as soon as she can find a set that isn't leading off a cliff. And last, Matilda, the youngest daughter, who has inherited the secret locked down in the basement of the Goodnight Gallery, a secret she's willing to do almost anything to keep, even break into a house in the dead of night to steal back her past. Meet the Dempseys, or at least meet Davy, a reformed con man who's just been ripped off for a cool three million by his financial manager, who then gallantly turned it over to Clea Lewis, the most beautiful sociopath Davy ever slept with. Davy wants the money back, but more than that, he'll do anything to keep Clea from winning, including break into her house in the dead of night to steal back his future. One collision in a closet later, Tilda and Davy reluctantly join forces to combat Clea, suspicious art collectors, a disgruntled heir, and an exasperated hit man, all the while coping with a mutant dachshund, a jukebox stuck in the sixties, questionable sex, and the growing realization that they can't turn their backs on the people they were meant to be . . . or the people they were born to love.

A collection of eleven chapters which explore the question of forgery from different disciplinary angles and in varied national contexts, using the concept of performance to gain greater insight.