Faith embarks on a journey deep into the exclusive art world with hellish consequences after she accompanies her lovers, the free-spirited Poppy and the elusive Louis, straight into the the epicenter of dark magic, Turin, Italy. As she dabbles with new paint and new partners, her own power begins to shed light on who or what she truly is and the devil will be by her side to guide her hand . . . New York Times bestselling writer Brian Azzarello (Batman: Damned, 100 Bullets) and artist Maria Llovet (Heartbeat) present the next chapter of their acclaimed erotic thriller as Faith descends into the world of dark magic and the even darker corners of the human soul. Collects Faithless II #1-6 for mature audiences.

Faith gets screwed.

Faith. Sex. The Devil. Faith likes to dabble with magic. Her friends think it’s cute—and not just a little off-putting, but it’s part of her charm and her warped search for purpose in a world that makes too much sense. But she's a true believer and knows there is a power within her reach. She’s right, of course. It just took a while for that magic, that temptation, that unknowable thing to find her . . . In short—Faith is bored as hell. And Hell has noticed. New York Times bestselling writer Brian Azzarello (Batman: Damned, 100 Bullets) and artist Maria Llovet (Loud) coalesce in a story of self-exploration, eroticism, and maybe even love. Collects the complete 6-issue series.

All those little shadows and shapes that Faith catches at the peripheral of her vision start to take shape. There are omens. These events and details have Faith unsettled, but she moves past them with her attention drawn to something new: the Devil.

“Baby Faith” finds herself in a very compromising position with the devil.

We still imagine ourselves a nation of laws, not of men. This is not merely an article of faith but a bedrock principle of the United States Constitution. Our founding compact provides a remedy against rulers supplanting the rule of law, and Andrew C. McCarthy makes a compelling case for using it. The authors of the Constitution saw practical reasons to place awesome powers in a single chief executive, who could act quickly and decisively in times of peril. Yet they well understood that unchecked power in one person’s hands posed a serious threat to liberty, the defining American imperative. Much of the debate at the Philadelphia convention therefore centered on how to stop a rogue executive who became a law unto himself. The Framers vested Congress with two checks on presidential excess: the power of the purse and the power of impeachment. They are potent remedies, and there are no others. It is a straightforward matter to establish that President Obama has committed “high crimes and misdemeanors,” a term signifying maladministration and abuses of power by holders of high public trust. But making the legal case is insufficient for successful impeachment, leading to removal from office. Impeachment is a political matter and hinges on public opinion. In Faithless Execution, McCarthy weighs the political dynamics as he builds a case, assembling a litany of abuses that add up to one overarching offense: the president’s willful violation of his solemn oath to execute the laws faithfully. The “fundamental transformation” he promised involves concentrating power into his own hands by flouting law—statutes, judicial rulings, the Constitution itself—and essentially daring the other branches of government to stop him. McCarthy contends that our elected representative are duty-bound to take up the dare.