Faithfully Mozart
Title | Faithfully Mozart PDF eBook |
Author | Donovan Bixley |
Publisher | |
Pages | 121 |
Release | 2005 |
Genre | Composers |
ISBN | 9780733620041 |
Now, in this charming and very personal tribute, artist Donovan Bixley offers a portrait of the composer that will change forever the way he is reviewed. Share in his triumphs and his despair, his laughter and his tears, as Mozart and his world are brought to vivid life in nearly one hundred original drawings and paintings, over fifty of them in full colour.
Mozart's Chamber Music with Keyboard
Title | Mozart's Chamber Music with Keyboard PDF eBook |
Author | Martin Harlow |
Publisher | Cambridge University Press |
Pages | 301 |
Release | 2012-04-05 |
Genre | Music |
ISBN | 1107002486 |
Renowned scholars and performers present a wide range of different perspectives on Mozart's chamber music with keyboard.
Mozart
Title | Mozart PDF eBook |
Author | Hans Küng |
Publisher | Wm. B. Eerdmans Publishing |
Pages | 118 |
Release | 1993 |
Genre | Music |
ISBN | 9780802806888 |
Much Has Been Written about Wolfgang Amadeus Mozart, but relatively little on the religious dimension of his person and his music. In this book Hans Kung offers an intriguing theological probing into Mozart's musical work. Kung begins by discussing Mozart's Catholic background--something that, surprisingly, has hardly been treated by Mozart scholars. He moves on to explore how Mozart's music itself displays to the keen ear "traces of transcendence," giving intimations of a mysterious bliss transcending even all music.
Mozart's Letters, Mozart's Life
Title | Mozart's Letters, Mozart's Life PDF eBook |
Author | Robert Spaethling |
Publisher | W. W. Norton & Company |
Pages | 322 |
Release | 2005-12-17 |
Genre | Biography & Autobiography |
ISBN | 0393247961 |
"A wonderful collection that gives Mozart a voice as a son, husband, brother and friend." —New York Times Book Review "Mozart's honesty, his awareness of his own genius and his contempt for authority all shine out from these letters."—Sunday Times (London). " In Mozart's Letters, Mozart's Life, Robert Spaethling presents "Mozart in all the rawness of his driving energies" (Spectator), preserved in the "zany, often angry effervescence" of his writing (Observer). Where other translators have ignored Mozart's atrocious spelling and tempered his foul language, "Robert Spaethling's new translations are lively and racy, and do justice to Mozart's restlessly inventive mind" (Daily Mail). Carefully selected and meticulously annotated, this collection of letters "should be on the shelves of every music lover" (BBC Music Magazine).
Bach's Cycle, Mozart's Arrow
Title | Bach's Cycle, Mozart's Arrow PDF eBook |
Author | Karol Berger |
Publisher | Univ of California Press |
Pages | 436 |
Release | 2007-10-02 |
Genre | Music |
ISBN | 9780520933699 |
In this erudite and elegantly composed argument, Karol Berger uses the works of Monteverdi, Bach, Mozart, and Beethoven to support two groundbreaking claims: first, that it was only in the later eighteenth century that music began to take the flow of time from the past to the future seriously; second, that this change in the structure of musical time was an aspect of a larger transformation in the way educated Europeans began to imagine and think about time with the onset of modernity, a part of a shift from the premodern Christian outlook to the modern post-Christian worldview. Until this historical moment, as Berger illustrates in his analysis of Bach's St. Matthew Passion, music was simply "in time." Its successive events unfolded one after another, but the distinction between past and future, earlier and later, was not central to the way the music was experienced and understood. But after the shift, as he finds in looking at Mozart's Don Giovanni, the experience of linear time is transformed into music's essential subject matter; the cycle of time unbends and becomes an arrow. Berger complements these musical case studies with a rich survey of the philosophical, theological, and literary trends influencing artists during this period.
Getting the Most Out of Mozart
Title | Getting the Most Out of Mozart PDF eBook |
Author | David Hurwitz |
Publisher | Hal Leonard Corporation |
Pages | 236 |
Release | 2005 |
Genre | Music |
ISBN | 9781574671063 |
(Unlocking the Masters). Mozart was the first composer whose operas have never left the international repertoire, and for many he remains one of the finest vocal composers who ever lived. In a sense, all of his music is vocal music, depending as it does on arresting, singable melodies, but in his great operas, single arias and sacred works, Mozart put his melodic gift to work, revealing the subtleties and expressive potential of a wide range of texts in languages ranging from Italian to Latin to German. In every case, he created masterpieces, from operas such as The Marriage of Figaro, Don Giovanni , and The Magic Flute to the sacred choral motet Ave Verum Corpus and, of course, the unfinished Requiem , his final project. This second Getting the Most Out of Mozart volume in our Unlocking the Masters series focuses on Mozart's great operas and other vocal works, but also discusses numerous lesser-known compositions, from operas he wrote as a child to "insertion arias" for favorite singers or operas by other composers. In each case, David Hurwitz describes how the musical setting and choice of instruments supports the text. He takes readers through the seven major operas aria by aria, showing how Mozart uses vocal style and orchestration to create believable and moving characters that remain the standard for characterization in music to which all composers and dramatists aspire. The accompanying CD from Telarc Records includes 14 works.
Accenting the Classics
Title | Accenting the Classics PDF eBook |
Author | Deborah Mawer |
Publisher | Boydell & Brewer |
Pages | 383 |
Release | 2023-03-14 |
Genre | Music |
ISBN | 1837650322 |
Brings new insights to the music of well-known European composers by telling a fascinating, little-known story about French music publishing, specifically through the lens of Jacques Durand's Édition Classique. French composers, performers and musicologists acted as editors of eighteenth- and nineteenth-century European 'classics', primarily for piano. Among these editors were Fauré, Saint-Saëns, Debussy, Ravel and Dukas; the objects of their enquiries included core works by Rameau, Bach, Mozart, Beethoven, Mendelssohn, Schumann and Chopin. Presenting six composer-editor case studies, the volume shows that the French 'accent', both musical and cultural, upon this predominantly Austro-German music was highly varied. Editorial responses range from scholarly approaches to those directed by performance or compositional agendas, and from pan-European to strongly patriotic stances. Intriguing intersections are revealed between old and new, and between French and cross-European canons. Beyond editing, the book explores the Édition's role in pedagogy and performance, including by pianists Robert Casadesus and Yvonne Loriod, and in the reassertion of contemporary French composition, especially regarding innovation around neoclassicism. It will interest a wide readership, including musicologists, performers and concert-goers, cultural historians and other humanities scholars.