Have you ever wished your family was a fairy tale? Is your family perfect? Do you wish your family could see you for who you are? Love you? Do you wish your family could be a fairy tale? If you woke up and could see what is truly possible, how much freedom would this allow you to have? Fairytale Familyinvites you to the freedom beyond the fairytale and gives you tools to be you with your family. When family is no longer the source of worry and suffering, but the playground of possibilities, what future would that open up? Susanna Mittermaier, a psychologist and Access Consciousness facilitator, is renowned for empowering people all over the world to access their greatness through Pragmatic Psychology. The proven, practical tools she shares will show you how to move beyond judgments, drama and trauma to create the freedom of you being you in every area of your life. You are not your family. You are you Whose life are you living? Is now the time for you to get clear on what you desire and the ease of creating it? Is now the time to go beyond what is familiar to you and create a life that works for you? If you did not control your family or were not controlled by your family, what would become possible for you?

An intimate portrait of the legendary Grammy-winning R&B group The Pointer Sisters-June, Bonnie, Ruth, and Anita-with social, political, cultural, racial, and female empowerment messages for a new generation.Performer Anita Pointer and her brother, Professor of African History and Literature, Fritz Pointer have assembled letters, photographs, memorabilia, and the rich family stories and musical records of one of the top African-American female groups of all time.

Different can be great! Makayla is visiting friends in her neighborhood. She sees how each family is different. Some families have lots of children, but others have none. Some friends live with grandparents or have two dads or have parents who are divorced. How is her own family like the others? What makes each one great? This diverse cast allows readers to compare and contrast families in multiple ways.

FAIRYTALES FOR LOST CHILDREN is narrated by people constantly on the verge of self-revelation. These characters - young, gay and lesbian Somalis - must navigate the complexities of family, identity and the immigrant experience as they tumble towards freedom. Set in Kenya, Somalia and South London, these stories are imbued with pathos, passion and linguistic playfulness, marking the arrival of a singular new voice in contemporary fiction. Praise for FAIRYTALES FOR LOST CHILDREN: 'Fantastic writing. I am most highly impressed. I've read some of the stories more than once and saw in each of them plenty of talent everywhere - in every sinew and vein.' - NURUDDIN FARAH 'There is nothing more humbling than good writing except when the author is fiercely beautiful and ferociously generous of heart. That Diriye Osman should possess so much talent is only fair in light of his goodness. Read this book.' - MESHELL NDEGEOCELLO -The characters in these fairy tales are displaced in multiple, complicated ways. But Osman's storytelling creates a shelter for them; a warm place which is both real and imaginary, in which they find political, sexual, and ultimately psychic liberation.' - ALISON BECHDEL 'East Africa. South London. Queer. Displaced. Mentally Ill. My excitement over Osman and his writing comes, in part, out of delight at the impossibility of categorisation.' - ELLAH ALLFREY The Telegraph

The middle-class nuclear family model has long dominated discourses on family in Japan. Yet there have always been multiple configurations of family and kinship, which, in the context of significant socio-economic and demographic shifts since the 1990s, have become increasingly visible in public discourse. This book explores the meanings and practices of "family" in Japan, and brings together research by scholars of literature, gender studies, media and cultural studies, sociology and anthropology. While the primary focus is the "Japanese" family, it also examines the experience and practice of family beyond the borders of Japan, in such settings as Brazil, Australia, and Bali. The chapters explore key issues such as ageing, single households, non-heterosexual living arrangements and parenting. Moreover, many of the issues addressed, such as the growing diversity of family, the increase in single-person households, and the implications of an ageing society, are applicable to other mature, late-industrial societies. Employing both multi- and inter-disciplinary approaches, this book combines textual analysis of contemporary television, film, literature, manga, anime and other media with empirical and ethnographic studies of families in Japan and in transnational spaces. As such, it will be of great interest to students and scholars working across a number of fields including Japanese culture and society, sociology of family, gender studies, film and media studies, literature and cultural studies, and gerontology.

Represents a variety of families, some big and some small, some with only one parent and some with two moms or dads, some quiet and some noisy, but all alike in some ways and special no matter what.

Encyclopedic in its coverage, this one-of-a-kind reference is ideal for students, scholars, and others who need reliable, up-to-date information on folk and fairy tales, past and present. Folktales and fairy tales have long played an important role in cultures around the world. They pass customs and lore from generation to generation, provide insights into the peoples who created them, and offer inspiration to creative artists working in media that now include television, film, manga, photography, and computer games. This second, expanded edition of an award-winning reference will help students and teachers as well as storytellers, writers, and creative artists delve into this enchanting world and keep pace with its past and its many new facets. Alphabetically organized and global in scope, the work is the only multivolume reference in English to offer encyclopedic coverage of this subject matter. The four-volume collection covers national, cultural, regional, and linguistic traditions from around the world as well as motifs, themes, characters, and tale types. Writers and illustrators are included as are filmmakers and composers—and, of course, the tales themselves. The expert entries within volumes 1 through 3 are based on the latest research and developments while the contents of volume 4 comprises tales and texts. While most books either present readers with tales from certain countries or cultures or with thematic entries, this encyclopedia stands alone in that it does both, making it a truly unique, one-stop resource.