Steampunk, Dieselpunk, and Cyberpunk - oh my! If you like fractured fables and mythic mash-ups, you'll love this collection of reimagined fairy tales by 13 international authors. You'll find retellings of stories you recognize as well as a few you've probably never seen before, all of them with a punk subgenre twist."Making Bones" by Phoebe Darqueling "Star Tsarina" by TJ O'Hare "Steel-blue Babe" by Aaron Isett "The Sharp, Mechanical Sheep" by Kay Gray "The Girl in the Tower" by A.F. Stewart "Hoods and Wolves" by Briant Laslo "The Great Astrolabe of Einsem" by K.A. Lindstrom "Liberty" by Crysta K. Coburn "A Saturnine, a Martial, and a Mercurial Lunatic" by Amber Michelle Cook "The Second Mission of Azarbad the Aeronaut" by J. Woolston Carr "Black Dog, Wild Wood" by Thomas Gregory"Mirror in her Hand" by Liz Tuckwell"Wound" by Paul HiscockAND illustrations by Audra Miller, Nathan Lueth, Tom Brown, and J. Woolston Carr.

Prepare to be disturbed… A private investigator hunts for his client’s missing stepdaughter in a dieselpunk Los Angeles while keeping secrets of his own… A middle-aged recluse has a phobia about teenage girls… In a medieval England, what do the women get up to when all men and boys fall asleep every full moon? A young boy and his alchemist master try to find out… Will Charlotte Bronte be tempted by the devil…? All this and more as dark, quirky fantasy and wonderfully disturbing horror mix seamlessly in this collection of short stories from British writer, Liz Tuckwell.

A sentient seagoing mining platform becomes a battleground when two hackers go head to head in a war which can only have one winner, a technologically-savvy dwarf's name holds the key to saving a life, and a girl whose body has been hijacked by a formless intelligence are just some of the cyberpunk fairy tales you'll find within these pages. Combining the high tech/low life aspects of cyberpunk with the magic and possibility of fairy tales creates a unique collection that is sure to satisfy connoisseurs of both genres.Features original content from Thomas Badlan, Suzanne Church, Beth Goder, Sarah Van Goethem, Nicola Kapron, V.F. LeSann, Angus McIntyre, Wendy Nikel, Ana Sun, Michael Teasdale, Alena Van Arendonk and Laura VanArendonk Baugh.

Young, successful and thriving, Shania and Greg have it all going on. Not only do they have the kind of relationship everyone envies, they're also walking the right path in so many other ways—like Greg, who's a youth pastor at his church, happily making a difference in the lives of troubled teens. But after receiving some unexpected news, Greg's manhood takes a devastating blow. Realizing that her man is headed for depression, Shania suggests they take an exotic vacation to revitalize their marriage. Except the trip seems to pull them further apart instead of bring them together. Caught in the middle of a sinister plot, they soon find themselves in a fight for their lives as greed, lies and deception could cost someone their life. . ..

Much of the focus of anti-homophobic/anti-heterosexist educational theory, curriculum, and pedagogy has examined the impact of homophobia and heterosexism on gay, lesbian, bisexual, and transgender (GLBT) students and teachers. Such a focus has provided numerous theoretical and pedagogical insights, and has informed important changes in educational policy. Queering Straight Teachers: Discourse and Identity in Education remains deeply committed to the social justice project of improving the lives of GLBT students and teachers. However, in contrast with much of the previous scholarship, Queering Straight Teachers shifts the focus from an analysis of the GLBT «Other» to a critical examination of what it might mean, in theory and in practice, to queer straight teachers, and the implications this has for challenging institutionalized heteronormativity in education. This book will be useful in courses on educational foundations, curriculum studies, multicultural education, queer theory, gay and lesbian studies, and critical theory.

Twenty years as an outsider scouring the underbelly of American culture has made Howard Hampton a uniquely hard-nosed guide to the heart of pop darkness. Bridging the fatalistic, intensely charged space between Apocalypse Now Redux and Nirvana’s “Smells Like Teen Spirit,” his writing breaks down barriers of ignorance and arrogance that have segregated art forms from each other and often from the world at large. In the freewheeling spirit of Pauline Kael, Lester Bangs, and Manny Farber, Hampton calls up the extremist, underground tendencies and archaic forces simmering beneath the surface of popular forms. Ranging from the kinetic poetry of Hong Kong cinema and the neo–New Wave energy of Irma Vep to the punk heroines of Sleater-Kinney and Ghost World, Born in Flames plays odd couples off one another: pitting Natural Born Killers against Forrest Gump, contrasting Jean-Luc Godard with Steven Spielberg, defending David Lynch against aesthetic ideologues, invoking The Curse of the Mekons against Fredric Jameson’s Postmodernism, and introducing D. H. Lawrence to Buffy the Vampire Slayer. “We are born in flames,” sang the incandescent Lora Logic, and here those flames are a source of illumination as well as destruction, warmth as well as consumption. From the scorched-earth works of action-movie provocateurs Seijun Suzuki and Sam Peckinpah to the cargo cult soundscapes of Pere Ubu and the Czech dissidents Plastic People of the Universe, Born in Flames is a headlong plunge into the passions and disruptive power of art.

A portrait of the talented singer/songwriter traces the evolution of a musical prodigy, from her early years to become one of the most important female musical voices of contemporary music, revealing how she has combined her talent on the piano with inspiration from some of the most tragic incidents of her life to create musical art. Original.