Would you like to hear a real fairy tale? A story about the war between us and them. A war which led to a truce and a truce which led to the creation of a secret society. There are councils you know nothing about, councils of fairies and of humans who write laws which govern us both. Laws you also know nothing about yet still you are held accountable to them. If you break these laws, the Wild Hunt of Fairy will come for you but don't worry too much, it's hard to break laws concerning that which you don't believe in. Fairies tend to break the truce more than humans and that's where I come in. I'm part of a military force who monitors the fey. When they cross the line, we extinguish their light... permanently. I'm Extinguisher Seren Sloane and I can tell you a real fairy's tale, if you're brave enough to listen.

From the bestselling author of the Heralds of Valdemar series comes an enchanting novel. In the land of the Five Hundred Kingdoms, if you can't carry out your legendary role, life is no fairy tale.… Elena Klovis was supposed to be her kingdom's Cinderella—until fate left her with a completely inappropriate prince! So she set out to make a new life for herself. But breaking with "The Tradition" was no easy matter—until she got a little help from her own fairy godmother. Who promptly offered Elena a most unexpected job.… Now, instead of sleeping in the chimney, she has to deal with arrogant, stuffed-shirt princes who keep trying to rise above their place in the tale. And there's one in particular who needs to be dealt with…. Sometimes a fairy godmother's work is never done….

If Sol can just survive his last year of high school, he can escape his homophobic small town and go live with his Internet boyfriend for the summer. But when he loses his starting spot on the baseball team and converts to vegetarianism--a wolf, giving up meat!--his father threatens him with a hot, muggy summer working in the peach cannery unless he gets his act together. His teammates, who suspect his sexuality already, won't make it easy for him. But even with nobody on his side but his best friend Meg (who is even less popular than he is), the teenager finds answers and solace in an unlikely place: a 1901 book about a tragic gay romance in the bohemian district of Lutece, around the famed Moulin Rouge. Inspired by the spirit of the era, Meg and Sol share a glass of absinthe, with startling effect: Sol begins to dream that he is a cabaret dancer named Niki, offered a chance to escape his difficult life through romance--at the price of his beloved art of dance. When the dreams seep into his waking life, Sol adds "going crazy" to his worries, and the problems of a couple that lived a hundred years ago to the ever-growing list of his own. To save both Niki and himself, Sol will have to learn the difference between reality and illusion, and discover what love and life mean to him.

Don’t be fooled by Tinkerbell and her pixie dust—the real fairies were dangerous. In the late seventeenth century, they could still scare people to death. Little wonder, as they were thought to be descended from the Fallen Angels and to have the power to destroy the world itself. Despite their modern image as gauzy playmates, fairies caused ordinary people to flee their homes out of fear, to revere fairy trees and paths, and to abuse or even kill infants or adults held to be fairy changelings. Such beliefs, along with some remarkably detailed sightings, lingered on in places well into the twentieth century. Often associated with witchcraft and black magic, fairies were also closely involved with reports of ghosts and poltergeists. In literature and art, the fairies still retained this edge of danger. From the wild magic of A Midsummer Night’s Dream, through the dark glamour of Keats, Christina Rosetti’s improbably erotic poem “Goblin Market,” or the paintings inspired by opium dreams, the amoral otherness of the fairies ran side-by-side with the newly delicate or feminized creations of the Victorian world. In the past thirty years, the enduring link between fairies and nature has been robustly exploited by eco-warriors and conservationists, from Ireland to Iceland. As changeable as changelings themselves, fairies have transformed over time like no other supernatural beings. And in this book, Richard Sugg tells the story of how the fairies went from terror to Tink.

Many of the Irish legends, superstitions, and ancient charms now collected were obtained chiefly from oral communications made by the peasantry themselves, either in Irish or in the Irish-English which preserves so much of the expressive idiom of the antique tongue. These narrations were taken down by competent persons skilled in both languages, and as far as possible in the very words of the narrator; so that much of the primitive simplicity of the style has been retained, while the legends have a peculiar and special value as coming direct from the national heart.

Nowhere in the nineteenth century did interest in folklore and mythology have a more thorough revival than in Ireland. There, in 1887, Lady Francesca Speranza Wilde, Oscar Wilde's mother and a well-known author in her own right, compiled this collection of charming, authentic folk tales. Collected from among the peasantry and retaining their original simplicity, the myths and legends reveal delightfully the Irish people's relationship with a spiritual and invisible world populated by fairies, elves, and evil beings. Included in Lady Wilde's collection, among others, are eerie tales of "The Horned Women," "The Holy Well and the Murderer," and "The Bride's Death-Song," as well as beguiling accounts of superstitions concerning the dead, celebrations and rites, animal legends, and ancient charms. The first book to link Irish folklore with nationalism, Legends illustrates the mythic underpinnings of the Irish character and signals the country's cultural reemergence. It remains, said the Evening Mail, "an important contribution to the literature of Ireland and the world's stock of folklore."