Ged Duffy might be the unluckiest man in Manchester music. He could have managed New Order; he could have been the bass player in The Cult; he could have seen his band, Stockholm Monsters, take the mantle of the Happy Mondays and become the breakout scally-band on the coolest record label in the world... but of course none of this happened. Told with wit and a photographic memory for gigs and dates, Ged recalls his years as a stagehand at the Russell Club and later The Hacienda, touring with New Order and then turning down the chance to tour America with them, leaving Stockholm Monsters when they were about to hit it big, life in the colony of artists, oddballs and dropouts in Hulme and how he managed to successfully avoid fame and fortune.

"Classic tales with modern twists"--Cover.

“There is a big difference in whether or not one has a child grow up with fairy tales. The soul-stirring nature of fairy-tale pictures becomes evident only later on. If fairy tales have not been given, this shows itself in later years as weariness of life and boredom. Indeed, it even comes to expression physically; fairy tales can help counter illnesses. What is absorbed little by little by means of fairy tales emerges subsequently as joy in life, in the meaning of life—it comes to light in the ability to cope with life, even into old age. Children must experience the power inherent in fairy tales while young, when they can still do so. Whoever is incapable of living with ideas that have no reality for the physical plane ‘dies’ for the spiritual world.”—Rudolf Steiner

Detroit Fairy Tales is a work of autobiographical fiction-or "speculative memoir"-that explores the lives of one struggling family with deep roots in their one-of-a-kind city. In the spirit of Bastard out of Carolina and The Glass Castle, Detroit Fairy Tales is part a coming of age story and part an exploration of how trauma can reverberate through four generations. Hopeful, yet raw and unflinching, thirty-six vignettes tie together like a work of jazz to create a single, one of a kind work. Along the way, Detroit Fairy Tales challenges assumptions while it peals back the layers of love, trauma, hope, and resignation that is at the root of this not unusual American family. Elisa and her five sisters are born and raised in the wealthy University District of Detroit where she longs to not stick out as a poor white kid. She is born with a "hole in her chest," a rare medical condition. That is but the first of a lifetime of struggles, as Elisa and her sisters must navigate a family clouded by life-defining tragedies that echo though the generations. The six girls make their own ways through a labyrinth of race, class, gender, mental illness, and sexual and domestic violence, each finding their escape, some with more success than others. Like everyone, Elisa does what she can, making the best choices she knows how to. And in the end, she must find her own peace and end the cycle of family secrets.Detroit Fairy Tales is a stunning story-never sensational, always honest and unexpected.

A toyshop owner builds a set of magic clockwork dolls that delight a factory town. A three-inch tall samurai faces a giant iron ogre with only a sewing needle and a coin. A scientist seeks an antidote to his formula gone wrong, with the help of his partner's beautiful daughter. All of these stories and more are included in Steampunk Fairy Tales. Written by authors from three different continents, every enchanting tale combines the futuristic Victorian concept of steam and fashion with memorable stories, from the recognizable "Jack and the Beanstalk," to other popular and unfamiliar works from Germany, France, Italy and Japan. With steam driven gadgets such as mechanical goggles, hoverboards, and an orchestra of automatons. Steampunk Fairy Tales is a charming and unique collection of works for current lovers of the genre, and those just diving in.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.