Originally published in 1972, this second edition in 1981 was fully revised and updated to cover recent developments in the field at the time. Fact and Fantasy in Freudian Theory was written to answer many questions and criticisms surrounding psychoanalysis. How much, if any, of Freudian theory is verifiable according to the usual criteria of scientific enquiry? Much work had been carried out at the time to discover which parts of Freudian theory are verifiable and which insupportable by experiment. In this book Dr Kline surveys this vast body of work. He takes, one by one, the central postulates of Freudian psychology and discusses the experiments which have been performed to test them. He scrutinizes each test, examines its methodology and its findings and weighs up its value. For some of the theories, it will be seen, there is no evidence whatsoever; for others, on the other hand, there is impressive and sometimes incontrovertible experimental support – for example, for the theory of repression. This work will continue to be an invaluable, highly detailed reference work for those involved with Freud’s work, and a book of great interest to those concerned with the method of psychological enquiry in general.

Originally published in 1972, this second edition in 1981 was fully revised and updated to cover recent developments in the field at the time. Fact and Fantasy in Freudian Theory was written to answer many questions and criticisms surrounding psychoanalysis. How much, if any, of Freudian theory is verifiable according to the usual criteria of scientific enquiry? Much work had been carried out at the time to discover which parts of Freudian theory are verifiable and which insupportable by experiment. In this book Dr Kline surveys this vast body of work. He takes, one by one, the central postulates of Freudian psychology and discusses the experiments which have been performed to test them. He scrutinizes each test, examines its methodology and its findings and weighs up its value. For some of the theories, it will be seen, there is no evidence whatsoever; for others, on the other hand, there is impressive and sometimes incontrovertible experimental support – for example, for the theory of repression. This work will continue to be an invaluable, highly detailed reference work for those involved with Freud’s work, and a book of great interest to those concerned with the method of psychological enquiry in general.

Originally published in 1972, this second edition in 1981 was fully revised and updated to cover recent developments in the field at the time. Fact and Fantasy in Freudian Theory was written to answer many questions and criticisms surrounding psychoanalysis. How much, if any, of Freudian theory is verifiable according to the usual criteria of scientific enquiry? Much work had been carried out at the time to discover which parts of Freudian theory are verifiable and which insupportable by experiment. In this book Dr Kline surveys this vast body of work. He takes, one by one, the central postulates of Freudian psychology and discusses the experiments which have been performed to test them. He scrutinizes each test, examines its methodology and its findings and weighs up its value. For some of the theories, it will be seen, there is no evidence whatsoever; for others, on the other hand, there is impressive and sometimes incontrovertible experimental support for example, for the theory of repression. This work will continue to be an invaluable, highly detailed reference work for those involved with Freud s work, and a book of great interest to those concerned with the method of psychological enquiry in general.

The ‘minority’ feminist viewpoints have often been submerged in the interests of maintaining a mainstream, universal model of feminism. This anthology takes into account the various differences among women while looking at the important areas of feminist struggle. While sisterhood is indeed global, it certainly does not mean that all women are required to submerge their specific differences and assimilate to a universal model. Consequently, the collection includes essays by leaders in the field of post-structuralist enquiry as well as by those immersed in the new spirituality, and the social consequences of recent biological research. Other essays reflect the political struggles which continue to be waged with different strategies by socialist and radical feminists, and the self-searching analyses undertaken by feminists uneasy about their inclusion within educational institutions and the radical new interpretations of sexuality within the cultural domain. The collection begins with a critique of white mainstream feminism emanating from Aboriginal women in Australia. The implications of the critique indicate that there is a pervasive racism within the feminist movement.

Baudrillard is widely recognised as a powerful new force in cultural and social criticism, and is often referred to as the ‘High Priest of Postmodernism’. This study presents a detached assessment of his social thought and his reputation, challenging the way his work has been received in postmodernism and proposing a new reading of his contribution to social theory. Using many sources currently available only in French, Mike Gane provides the keys to understanding Baudrillard’s project and reveals the extent and scope of Baudrillard’s challenge to modern social theory and cultural criticism. He looks at the sources of Baudrillard’s ideas, analysing how Baudrillard has turned these sources against themselves. He describes Baudrillard’s dramatic encounter with critical Marxist theory and psychoanalysis, showing how Baudrillard’s post-Marxist writings define, through the exploration of fatal theory, a new episode in cultural history: a period of cultural implosion. This balanced account of Baudrillard’s social theory emphasises the originality of his work and argues that his significance can only be understood by grasping the paradoxes of his project – Baudrillard’s work is poetic, yet, at the same time, critical and fatal.

The transformation of Desiderio's city into a mysterious kingdom is instantaneous: Hallucination flows with magical speed in every brain; avenues and plazas are suddenly as fertile as fairy-book forests. And the evil comes, too, as imaginary massacres fill the streets with blood, the dead return to question the living, and profound anxiety drives hundreds to suicide. Behind it all stands Doctor Hoffman, whose gigantic generators crack the immutable surfaces of time and space and plunge civilization into a world without the chains – or structures – of reason. Only Desiderio, immune to mirages and fantasy, can defeat him. But Desiderio's battle will take him to the very brink of undeniable, irresistible desire.

Although the body has been the focus of much contemporary cultural theory, the models that are typically applied neglect the most salient characteristics of embodied existence—movement, affect, and sensation—in favor of concepts derived from linguistic theory. In Parables for the Virtual Brian Massumi views the body and media such as television, film, and the Internet, as cultural formations that operate on multiple registers of sensation beyond the reach of the reading techniques founded on the standard rhetorical and semiotic models. Renewing and assessing William James's radical empiricism and Henri Bergson's philosophy of perception through the filter of the post-war French philosophy of Deleuze, Guattari, and Foucault, Massumi links a cultural logic of variation to questions of movement, affect, and sensation. If such concepts are as fundamental as signs and significations, he argues, then a new set of theoretical issues appear, and with them potential new paths for the wedding of scientific and cultural theory. Replacing the traditional opposition of literal and figural with new distinctions between stasis and motion and between actual and virtual, Parables for the Virtual tackles related theoretical issues by applying them to cultural mediums as diverse as architecture, body art, the digital art of Stelarc, and Ronald Reagan's acting career. The result is an intriguing combination of cultural theory, science, and philosophy that asserts itself in a crystalline and multi-faceted argument.