An award-winning classicist turns to Greek tragedies for the wisdom to understand the damage caused by suicide and help those who are contemplating suicide themselves In Sophocles’ tragedy Oedipus the Tyrant, a messenger arrives to report that Jocasta, queen of Thebes, has killed herself. To prepare listeners for this terrible news, he announces, “The tragedies that hurt the most are those that sufferers have chosen for themselves.” Edith Hall, whose own life and psyche have been shaped by such loss—her mother’s grandfather, mother, and first cousin all took their own lives—traces the philosophical arguments on suicide, from Plato and Aristotle to David Hume and Albert Camus. In this deeply personal story, Hall explores the psychological damage that suicide inflicts across generations, relating it to the ancient Greek idea of a family curse. She draws parallels between characters from Greek tragedy and her own relatives, including her great-grandfather, whose life and death bore similar motivations to Sophocles’ Ajax: both men were overwhelmed by shame and humiliation. Hall, haunted by her own periodic suicidal urges, shows how plays by Sophocles and other Greek dramatists helped her work through the loss of her grandmother and namesake Edith and understand her relationship with her own mother. The wisdom and solace found in the ancient tragedies, she argues, can help one choose survival over painful adversity and offer comfort to those who are tragically bereaved.

An award-winning classicist turns to Greek tragedies for the wisdom to understand the damage caused by suicide and help those who are contemplating suicide themselves In Sophocles' tragedy Oedipus the Tyrant, a messenger arrives to report that Jocasta, queen of Thebes, has killed herself. To prepare listeners for this terrible news, he announces, "The tragedies that hurt the most are those that sufferers have chosen for themselves." Edith Hall, whose own life and psyche have been shaped by such loss--her mother's grandfather, mother, and first cousin all took their own lives--traces the philosophical arguments on suicide, from Plato and Aristotle to David Hume and Albert Camus. In this deeply personal story, Hall explores the psychological damage that suicide inflicts across generations, relating it to the ancient Greek idea of a family curse. She draws parallels between characters from Greek tragedy and her own relatives, including her great-grandfather, whose life and death bore similar motivations to Sophocles' Ajax: both men were overwhelmed by shame and humiliation. Hall, haunted by her own periodic suicidal urges, shows how plays by Sophocles and other Greek dramatists helped her work through the loss of her grandmother and namesake Edith and understand her relationship with her own mother. The wisdom and solace found in the ancient tragedies, she argues, can help one choose survival over painful adversity and offer comfort to those who are tragically bereaved.

A People’s History of Classics explores the influence of the classical past on the lives of working-class people, whose voices have been almost completely excluded from previous histories of classical scholarship and pedagogy, in Britain and Ireland from the late 17th to the early 20th century. This volume challenges the prevailing scholarly and public assumption that the intimate link between the exclusive intellectual culture of British elites and the study of the ancient Greeks and Romans and their languages meant that working-class culture was a ‘Classics-Free Zone’. Making use of diverse sources of information, both published and unpublished, in archives, museums and libraries across the United Kingdom and Ireland, Hall and Stead examine the working-class experience of classical culture from the Bill of Rights in 1689 to the outbreak of World War II. They analyse a huge volume of data, from individuals, groups, regions and activities, in a huge range of sources including memoirs, autobiographies, Trade Union collections, poetry, factory archives, artefacts and documents in regional museums. This allows a deeper understanding not only of the many examples of interaction with the Classics, but also what these cultural interactions signified to the working poor: from the promise of social advancement, to propaganda exploited by the elites, to covert and overt class war. A People’s History of Classics offers a fascinating and insightful exploration of the many and varied engagements with Greece and Rome among the working classes in Britain and Ireland, and is a must-read not only for classicists, but also for students of British and Irish social, intellectual and political history in this period. Further, it brings new historical depth and perspectives to public debates around the future of classical education, and should be read by anyone with an interest in educational policy in Britain today.

It’s hurricane season, and for one Keys community, the weather isn’t the only thing in turmoil. “It’s starting already. There’s something fierce out there stirring everybody up. This wind is going to blow the earth into the sea.” At 86 years old, Opal, Bahamian matriarch and purported seer, tries to guide her family through the coming storms: JoBe, the nephew to whose drug activities she casts a blind eye; T.C., her teenage granddaughter who’s experiencing her sexual awakening, and Pearl, her niece whose marriage is its own tempest. The Thompson family isn’t fairing much better. For Jessica, strung out and determined to make peace with her past, returning to Key West is, perhaps, the worst decision she’d ever make, but it is the only thing she can do. Her husband, Mark, mailman, dreamer, now single father, struggles to maintain a sense of family for his teenage daughter Mia. Coming to grips with the loneliness and responsibility of a single parenthood, he finds his life turned upside by Jessica’s return. And for octogenarians Bud and Caroline Johnson, they’re just trying to weather one more summer of life’s storms.

A thundering saga of the American west of the late 19th century filled with complex and twisted characters and vibrant scenes of the rugged New Mexico landscape. It was also turned into a film of the same name starring Barbara Stanwyck.

The Furies is a psychologically complex, dark and twisting novel about loss, obsession and the deep tragedies that can connect us to each other even as they blind us to our fate, from the bestselling author of A Thousand Ships After losing her fiancé in a shocking tragedy, Alex Morris moves from London to Edinburgh to make a break with the past. Formerly an actress, Alex accepts a job teaching drama therapy at a school commonly referred to as "The Unit," a last-chance learning community for teens expelled from other schools in the city. Her students have troubled pasts and difficult personalities, and Alex is an inexperienced teacher, terrified of what she's taken on and drowning in grief. Her most challenging class is an intimidating group of teenagers who have been given up on by everyone before her. But Alex soon discovers that discussing the Greek tragedies opens them up in unexpected ways, and she gradually develops a rapport with them. But are these tales of cruel fate and bloody revenge teaching more than Alex ever intended? And who becomes responsible when these students take the tragedies to heart, and begin interweaving their darker lessons into real life with terrible and irrevocable fury? Published in the UK under the title The Amber Fury. "Steady pacing paired with well-timed foreshadowing and fully realized characters make this one compelling from the beginning. Fans of Donna Tartt's The Secret History (1992), Erin Kelly's The Poison Tree (2011), and Tana French's The Likeness (2008) will likely enjoy the new perspective Haynes' conversational style offers to similar material." —Booklist

"For centuries, they have lived among us. When they were discovered, they were called witches, vampires, or devils and sentenced to a quick death. They are human just like us, except for a rare genetic quirk that has granted them immortality. Now, a chance encounter with a beautiful woman has led John Rogers into the middle of a secret war between the immortals. She needs his help in the battle between a rebellious group and their elders. The grand prize in this war is eternal life. The Furies weaves cutting-edge science into a far-ranging thriller, showing how a simple genetic twist could have inspired tales of witchcraft and sorcery, and how the paranormal could be possible"--