Going behind bars to get the last word from some of the world's worst criminals, this book features a collection of interviews which describe lives that demonstrate the worst side of human nature.

In 1994, Robert Black was convicted of the kidnapping, sexual assault and murder of three young girls, and sentenced to life imprisonment with a minimum tariff of thirty-five years; in 2011 he was convicted of a fourth such killing. He died in HMP Maghaberry, Northern Ireland, in January 2016, aged sixty-eight, unmourned, and entirely unrepentant of his repellent crimes. These bald facts, horrific as they are, do not begin to scratch the surface of the truth about Robert Black, a Scottish-born serial killer who undoubtedly committed further murders for which he was never tried, both in this country and on the Continent. In this ground-breaking account, Robert Giles, who has spent years tracing the killer's movements and sifting through all the evidence, including transcripts of the trials, convincingly argues that Black was an habitual serial killer over many years, and quite certainly responsible for more than the four child murders for which he was convicted. Co-written with Chris Clark, a former police intelligence officer whose tireless work into the Yorkshire Ripper produced convincing new evidence of other murders that went unnoticed or unrecorded, The Face of Evil shows once and for all that Robert Black was a serial killer whose crimes went far beyond what is generally believed. In doing so, it paints a portrait of human cruelty at its worst.

After twenty-five years of investigating, analyzing, and interviewing serial killers, their family members, neighbors, and even surviving victims, Jack Levin has become one of the world''s most respected experts on the motivations and modus operandi of dangerous criminals. In this gripping book, he taps his wealth of experience with the criminal mind to offer lessons for law enforcement and the general public about how serial killers think, as well as the conditions under which hideous murders typically occur. These lessons, he hopes, will lead to more effective ways to thwart such crimes in the future. Levin''s face-to-face meetings and correspondence with such notorious murderers as the Hillside strangler (Kenneth Bianchi) and Orville Lynn Majors (the male nurse who was convicted of killing numerous patients in his charge) reveal that these types of killers are not motivated by money, revenge, or rage. In fact, the only motivation seems to be a sadistic craving for power and a need to feel in control. Levin also, for the first time, lets down his guard and reveals what it feels like to be seated so close to such cold-blooded killers.Many killers, as Levin points out, are meticulous planners. Levin has found that even in situations that appear spontaneous, for instance a workplace shooting by a disgruntled employee, the deed is carefully thought out and prepared for in advance. Another factor that consistently emerges in conversations with killers who have committed the most heinous of acts is the total absence of remorse or any notion of moral responsibility. Murder appears to be easy for these criminals and they kill with a feeling of complete impunity. Levin also notes the skillfully deceptive facades that such murderers are able to affect. They are extremely adept liars (he admits to having been fooled!), who enjoy playing mind games, even though outwardly they seem above suspicion. This is one reason they are so dangerous and difficult for investigators to track down and prosecute. This chilling glimpse into the minds of some of the worst criminals makes a valuable contribution to criminology and is a must-read for both true-crime buffs and law enforcement professionals.

Provides statements and quotes from a number of convicted serial killers in an effort to understand the homicidal mind.

One of Cosmopolitan's Best Romance Novels Ever Turns out that reading nothing but true crime isn't exactly conducive to modern dating—and one woman is going to have to learn how to give love a chance when she's used to suspecting the worst. PhD candidate Phoebe Walsh has always been obsessed with true crime. She's even analyzing the genre in her dissertation—if she can manage to finish writing it. It's hard to find the time while she spends the summer in Florida, cleaning out her childhood home, dealing with her obnoxiously good-natured younger brother, and grappling with the complicated feelings of mourning a father she hadn't had a relationship with for years. It doesn't help that she's low-key convinced that her new neighbor, Sam Dennings, is a serial killer (he may dress business casual by day, but at night he's clearly up to something). It's not long before Phoebe realizes that Sam might be something much scarier—a genuinely nice guy who can pierce her armor to reach her vulnerable heart.

Contains several autobiographical writing of serial killer Keith Hunter Jesperson.

In the late 1960s, dance halls were still popular in Glasgow. At the Barrowland Ballroom in the Bridgeton area of the city, queues were long on Friday and Saturday nights and anything up to two thousand people would spend the evening dancing to music provided by the resident band. Then, in February 1968, a woman who had spent the evening at the Barrowland Ballroom was found murdered. It seemed that she had met her killer while dancing but police were unable to find any clue as to his identity. In August 1969, another woman went dancing at the same ballroom and was seen leaving with a tall, slim, handsome young man. Her body was discovered the following day. The circumstances of the two murders were very similar and police began looking for a single killer. They even commissioned a local artist to produce a painting of the murderer based on witness descriptions. In October 1969, it happened again. Another woman was murdered after meeting her killer at the Barrowland Ballroom. But this time, the killer was seen by a number of witnesses and one even shared a taxi with him and his victim. Surely, it was only a matter of time before this murderer, who newspapers had started calling Bible John, was caught? Fifty years later, we still don't know the identity of this serial killer. There have been many theories and a number of potential suspects. Police cold-case reviews have used new technologies in the search for Bible John and several promising new leads have been identified. None have led to an arrest. How can this be? How can a murderer select and spend time with his victims in a crowded public place where he was seen by large numbers of people and yet escape detection? The artist's depiction of the killer was also said to be a very good likeness, so we even know what he looked like. This book is a fresh look at this fascinating case and an attempt to understand how Bible John managed to escape detection and has continued to elude investigators for fifty years.