An examination of the erotic ideal in ancient IsraelThis provocative work investigates the character of the erotic in writings from ancient Israel and how the erotic is connected to the experience of the divine.

Exquisite Materials explores the connections between gay subjects, material objects, and the social and aesthetic landscapes in which they circulated. Each of the book's four chapters takes up as a case study a figure or set of figures whose life and work dramatize different aspects of the unique queer relationship to materiality and style. These diverse episodes converge around the contention that paying attention to the multitudinous objects of the Victorian world-and to the social practices surrounding them-reveals the boundaries and influences of queer forms of identity and aesthetic sensibility that emerged in the mid-nineteenth century and have remained recognizable up to our own moment. In the cases that author Abigail Joseph examines, objects become unexpected sites of queer community and desire.

From the acclaimed author of Lost Souls, Drawing Blood, and Wormwood comes the provocative and thrilling serial killer novel that #1 New York Times bestselling author Peter Straub calls “a guidebook to hell.” To serial slayer Andrew Compton, murder is an art, the most intimate art. After feigning his own death to escape from prison, Compton makes his way to the United States with the ambition of bringing his art to new heights. Tortured by his own perverse desires and drawn to possess and destroy young boys, Compton inadvertently joins forces with Jay Byrne, a dissolute playboy who has pushed his own art to limits even Compton hadn’t previously imagined. Together, Compton and Byrne set their sights on an exquisite young Vietnamese American runaway, Tran, whom they deem to be the perfect victim. Swiftly moving from the grimy streets of London’s Piccadilly Circus to the decadence of New Orleans’s French Quarter, Poppy Z. Brite dissects the landscape of torture and invites us into the mind of a killer. With “intelligence, sweep, nerve, knowledge, and deeply unsettling erotic power” (Dennis Cooper, author of Frisk), Exquisite Corpse is a novel for those who dare trespass where the sacred and profane become one.

A groundbreaking approach to the Victorian marriage plot. How did realist novelists in the nineteenth and early twentieth centuries hint at sex while maintaining a safe distance from pornography? Metaphors helped: waves, oceans, blooms, and illuminations were all deployed in respectable realist novels to allude to the sexual act, allowing writers to portray companionate marriage while avoiding graphic description. But in Exquisite Masochism, Claire Jarvis argues that some Victorian novelists went even further, pushing formal boundaries by slyly developing scenes of displaced erotic desire to suggest impropriety, perversion, and danger. Through close readings of canonical works by Emily Brontë, Anthony Trollope, Thomas Hardy, and a modernist outlier, D. H. Lawrence, Jarvis reveals how writers’ varied use of specific character types—the dominant woman and the submissive man—in conjunction with decadent, descriptive scenes of sexual refusal creates a strong counter-narrative hinting at relationships beyond patriarchal and companionate marriage structures. By focusing on the exquisitely masochistic pleasure brought about by freezing, or suspending, the sexual charge, and by depicting quasi-contractual states on the periphery of marriage, including engagement, adultery, and widowhood, novelists disrupted the marriage plot’s insistence that erotic drives remain unfulfilled and that sexual connection could be satisfied only by genital act. Complicating our understanding of Victorian marriage ideology’s more well-trodden focus on a productive, nation-building ideal, Exquisite Masochism offers fascinating insight into our own culture’s debates around illicit sexuality, marriage, reproduction, and feminism.

How Japan captured the Victorian imagination and transformed Western aesthetics From the opening of trade with Britain in the 1850s, Japan occupied a unique and contradictory place in the Victorian imagination, regarded as both a rival empire and a cradle of exquisite beauty. Quaint, Exquisite explores the enduring impact of this dramatic encounter, showing how the rise of Japan led to a major transformation of Western aesthetics at the dawn of globalization. Drawing on philosophy, psychoanalysis, queer theory, textual criticism, and a wealth of in-depth archival research, Grace Lavery provides a radical new genealogy of aesthetic experience in modernity. She argues that the global popularity of Japanese art in the late nineteenth century reflected an imagined universal standard of taste that Kant described as the “subjective universal” condition of aesthetic judgment. The book features illuminating cultural histories of Gilbert and Sullivan’s Mikado, English derivations of the haiku, and retellings of the Madame Butterfly story, and sheds critical light on lesser-known figures such as Winnifred Eaton, an Anglo-Chinese novelist who wrote under the Japanese pseudonym Onoto Watanna, and Mikimoto Ryuzo, a Japanese enthusiast of the Victorian art critic John Ruskin. Lavery also explains the importance and symbolic power of such material objects as W. B. Yeats’s prized katana sword and the “Japanese vellum” luxury editions of Oscar Wilde. Quaint, Exquisite provides essential insights into the modern understanding of beauty as a vehicle for both intimacy and violence, and the lasting influence of Japanese forms today on writers and artists such as Quentin Tarantino.

Fans of Gail McHugh and Laurelin Paige will love this story about a doctor who barrels through a restaurantaurs live and changes it forever.