When interior designer Eliza Ballas accompanies a friend to New York's premier BDSM club, she's taken aback by the sheer want that overruns her body—especially when a sexy Brit assumes Eliza is adept at dark, sensual arts. If she's going to play, she'll need an erotic education, and she knows just the man to teach her how to submit... Oliver Preston isn't one to turn down pleasure, but Eliza's his sister's best friend, and he's torn between a sense of duty and his rock-hard need to find out if she tastes as delicious as he's dreamed. Unable to handle the thought of another man owning her body, he draws Eliza deep into his world of exquisite pain and pleasure. He has three lessons to instruct her. Three lessons to drive them both to the brink of ecstasy. And three lessons before he must give her to another man...if he doesn't lose himself first.

A sexy category romance from Entangled's Brazen imprint...Her mind rejects his world. But her body knows its master.Journalist Caroline Preston arrives at Serve, New York City's hottest BDSM club, with one goal-to hate it. If her brother wasn't trying to turn the family's respectable financial magazine into a publication that features "lifestyle" pieces for the wealthy and adventurous, she wouldn't even be there, trying to write an article about a world she doesn't understand. But then she sees him. Jonah Briggs doesn't leave his post for just anyone. As the owner of the club, his sole purpose is to ensure that his clientele get everything they need, but when he sees Caroline, his only thought is what he wants-to dominate the sexy little reporter and give the most exquisite pleasure she's ever experienced.Caroline has no intention of entering that particular lion's den-not with her family's reputation at stake-no matter how dark, sexy, and complex the lion in question may be. But with every encounter, she craves more, and with every slide of his lips, she realizes Jonah might just be the man to break down all her defenses...if she'll let him.

In his latest graphic novel, Eddie Campbell conducts an investigation into his own sudden disappearance.In wildly comical reenactments of incidents from his curious life, his part is played by an actor. With audacious literary sleight of hand, heputs words into the mouths of those who knew him. Clues aresought in artistic blow-outs from the history of all the arts. And all the major players, even down to Monty the dog,get their own daily strip and Sunday page in yellowed newspaper sections from an imaginary long ago.In this creative mining of the rich resources of the comic strip language, Campbell gives us a complex meditation on the lonely demands of art amid the realities of everyday life.

In communities throughout precontact Mesoamerica, calendar priests and diviners relied on pictographic almanacs to predict the fate of newborns, to guide people in choosing marriage partners and auspicious wedding dates, to know when to plant and harvest crops, and to be successful in many of life's activities. As the Spanish colonized Mesoamerica in the sixteenth century, they made a determined effort to destroy these books, in which the Aztec and neighboring peoples recorded their understanding of the invisible world of the sacred calendar and the cosmic forces and supernaturals that adhered to time. Today, only a few of these divinatory codices survive. Visually complex, esoteric, and strikingly beautiful, painted books such as the famous Codex Borgia and Codex Borbonicus still serve as portals into the ancient Mexican calendrical systems and the cycles of time and meaning they encode. In this comprehensive study, Elizabeth Hill Boone analyzes the entire extant corpus of Mexican divinatory codices and offers a masterful explanation of the genre as a whole. She introduces the sacred, divinatory calendar and the calendar priests and diviners who owned and used the books. Boone then explains the graphic vocabulary of the calendar and its prophetic forces and describes the organizing principles that structure the codices. She shows how they form almanacs that either offer general purpose guidance or focus topically on specific aspects of life, such as birth, marriage, agriculture and rain, travel, and the forces of the planet Venus. Boone also tackles two major areas of controversy—the great narrative passage in the Codex Borgia, which she freshly interprets as a cosmic narrative of creation, and the disputed origins of the codices, which, she argues, grew out of a single religious and divinatory system.

Few people question the pervasive belief that early childhood exerts an inordinate power over adult achievements, relationships, and mental health. Once robbed of our potential by the inadequacies of our upbringing, the theory goes, we risk being trapped in maladaptive patterns and unfulfilling lives. But does early experience really seal our fate? Daring to challenge prevailing models of child development, this provocative book argues that what enables us to survive--and sets us free from our pasts--is our astonishing adaptability to change, shaped by the uniquely human attributes of consciousness, will, and desire.

“Complex . . . an atmosphere-filled adventure . . . with a fair quota of surprises . . . a winning combination of strong characters and colorful societies.”—Kirkus Reviews In the final book in the Tawny Man Trilogy, Fitz and the Fool are tested more severely than ever in a book the Monroe News-Star calls “a breathtaking ride from beginning to end.” FitzChivalry Farseer has become firmly ensconced in the queen’s court. Along with his mentor, Chade, and the simpleminded yet strongly skilled Thick, Fitz strives to aid Prince Dutiful on a quest that could secure peace with the Out Islands—and win Dutiful the hand of the Narcheska Elliania. The Narcheska has set the prince an unfathomable task: to behead a dragon trapped in ice on the isle of Aslevjal. Yet not all the clans of the Out Islands support their effort. Are there darker forces at work behind Elliania’s demand? Knowing that the Fool has foretold he will die on the island of ice, Fitz plots to leave his dearest friend behind. But fate cannot so easily be defied.

Quantitative Structure-Activity Relationships (QSARs) are increasingly used to predict the harmful effects of chemicals to humans and the environment. The increased use of these methods in a variety of areas (academic, industrial, regulatory) results from a realization that very little toxicological or fate data is available on the vast amount of chemicals to which humans and the environment are exposed. Predicting Chemical Toxicity and Fate provides a comprehensive explanation of the state-of-the-art methods that are available to predict the effects of chemicals on humans and the environment. It describes the use of predictive methods to estimate the physiochemical properties, biological activities, and fate of chemicals. The methods described may be used to predict the properties of drugs before their development, and to predict the environmental effects of chemicals. These methods also reduce the cost of product development and the need for animal testing. This book fills an obvious need by providing a comprehensive explanation of these prediction methods. It is a practical book that illustrates the use of these techniques in real life scenarios. This book will demystify QSARs for those students unsure of them, and professionals in environmental toxicology and chemistry will find this a useful reference in their everyday working lives.