Climate change communication is a topical and relevant issue, and it is widely acknowledged that public communication about causes, impacts and action alternatives is integral to addressing the challenges of the changing climate. Climate visualization concerns the communication of climate information and data through the use of different information technologies and different modes of visual representation. In the context of climate change communication, climate visualization is highlighted as a potential way of increasing public engagement with climate change. In particular, developments within information technology have provided significant advancements that are claimed to be transformative in engaging lay audiences with issues relating to the mitigation of and adaptation to climate change. Nevertheless, there is a lack of research exploring climate visualization from an audience perspective. This thesis addresses this gap. The overarching aim is thus to explore the role of climate visualization in climate change communication from an audience perspective, focusing specifically on how lay audiences make meaning of climate change as represented in two examples of climate visualization. In addition, the thesis discusses the potential contributions and/or limitations of climate visualization from a communication perspective. Based on a social semiotic theoretical framework, this thesis employs focus group interviews to study participants’ meaning-making related to two cases of climate visualization: a dome theatre movie developed for Swedish high school students with the aim of encouraging reflection on climate change causes, impacts and mitigation alternatives, and a web-based tool for climate change adaptation developed to assist Nordic homeowners in adapting to the local impacts of climate change. The results of this thesis show that climate visualization can help audiences concretize otherwise abstract aspects of climate change, and that the localized focus can make climate change appear more personally relevant and interesting for targeted audiences. Nevertheless, despite these communicative qualities, the analyses also show that participants’ interpretations are shaped by their preconceptions of climate change as a global and distant issue to be solved by other actors, such as national governments, or through international policy negotiations. Although climate visualization can enhance a sense of proximity with climate change, the localization of climate risk can also lead to participants downplaying the significance of climate impacts. In addition, despite the intentions of inducing a sense of agency in both cases of climate visualization, participants critically negotiated messages concerning their roles as individuals in mitigating or adapting to climate change, and assigned this responsibility onto other actors. These findings show that although climate visualization presents certain communicative qualities, it is not a panacea for engaging lay audiences with climate change. This also underlines the importance of considering cultural and social aspects of the communicative event when studying and developing climate visualization tools as a means of communication. Kommunikation kring klimatförändringar är ett aktuellt och relevant ämne, och många bedömare anser att kommunikation kring orsaker, effekter och åtgärdsalternativ är en viktig del i arbetet med att möta klimatutmaningarna. Klimatvisualisering är en process för att åskådliggöra klimatinformation och klimatdata med hjälp av olika tekniker och metoder för visuell framställning. I forskningslitteraturen om klimatkommunikation lyfts visualisering fram som ett möjligt sätt att öka allmänhetens engagemang i klimatfrågan. I synnerhet har utvecklingen inom informationsteknik lett till betydande framsteg som kan ses som omvälvande när det gäller att engagera lekmän i frågor som rör utsläppsminskningar och klimatanpassning. Det råder dock brist på forskning om klimatvisualisering ur ett mottagarperspektiv. Denna avhandling adresserar denna kunskapslucka. Det övergripande syftet är således att utforska visualiseringens roller i klimatkommunikation ur ett mottagarperspektiv, med särskilt fokus på hur lekmän tolkar innebörden av klimatförändringar så som de representeras i två exempel på klimatvisualisering. Avhandlingen behandlar även klimatvisualiseringens möjliga bidrag och/eller begränsningar ur ett kommunikationsperspektiv. Med utgångspunkt i ett teoretiskt ramverk som inspirerats av socialsemiotiska teorier genomfördes fokusgruppsstudier för att studera deltagarnas meningsskapande i relation till två exempel på klimatvisualisering: en film som visas i en domteater, framtagen för svenska gymnasieelever med målsättningen att uppmuntra till reflektion kring klimatförändringarnas orsaker, effekter och alternativ för utsläppsminskning, samt ett webbaserat verktyg för klimatanpassning, som utvecklats för att stödja husägare i Norden att anpassa sig till klimatförändringarnas lokala effekter. Resultaten av denna avhandling visar att klimatvisualisering kan stödja mottagarna att konkretisera annars abstrakta aspekter av klimatförändringar och att ett lokalt fokus kan få klimatförändringarna att framstå som mer personligt relevanta och intressanta för målgruppen. Dock visar analyserna även, trots dessa kommunikativa kvaliteter, att deltagarnas tolkningar formas av deras förförståelse om klimatförändringar som ett globalt och avlägset problem som ska lösas av andra aktörer, såsom nationella regeringar, eller genom internationella politiska förhandlingar. Även om klimatvisualisering kan förstärka känslan av närhet till klimatförändringar, kan lokaliseringen av klimatriskerna även leda till att deltagare tonar ned de lokala klimatriskernas betydelse. Dessutom, trots att båda fallen av klimatvisualisering avsåg att skapa en känsla av att kunna påverka, blev ansvaret för klimatåtgärder föremål för kritisk förhandling från deltagarnas sida – de förlade ansvaret för att hantera klimatutmaningarna till andra aktörer. Dessa resultat visar att klimatvisualisering visserligen har vissa kommunikativa kvaliteter, men inte är någon patentlösning för klimatkommunikation. Detta understryker även vikten av att ta hänsyn till kulturella och sociala aspekter av den kommunikativa händelsen när man studerar och utvecklar verktyg för klimatvisualisering.

This book offers a concrete contribution towards a better understanding of climate change communication. It ultimately helps to catalyse the sort of cross-sectoral action needed to address the phenomenon of climate change and its many consequences. There is a perceived need to foster a better understanding of what climate change is, and to identify approaches, processes, methods and tools which may help to better communicate it. There is also a need for successful examples showing how communication can take place across society and stakeholders. Addressing the challenges in communicating to various audiences and providing a platform for reflections, it showcases lessons learnt from research, field projects and best practices in various settings in various different countries. The acquired knowledge can be adapted and applied to other situations.

Today we are witnessing an increased use of data visualization in society. Across domains such as work, education and the news, various forms of graphs, charts and maps are used to explain, convince and tell stories. In an era in which more and more data are produced and circulated digitally, and digital tools make visualization production increasingly accessible, it is important to study the conditions under which such visual texts are generated, disseminated and thought to be of societal benefit. This book is a contribution to the multi-disciplined and multi-faceted conversation concerning the forms, uses and roles of data visualization in society. Do data visualizations do 'good' or 'bad'? Do they promote understanding and engagement, or do they do ideological work, privileging certain views of the world over others? The contributions in the book engage with these core questions from a range of disciplinary perspectives.

This multidisciplinary book offers the first broad ecocritical review of American art and examines the environmental contexts of artistic practice from the colonial period to the present day. Tracing how visions of the environment have changed from the Native-European encounter to the emergence of modern ecological activism, more than a dozen scholars and practitioners discuss how artists have both responded to and actively instigated changes in ecological understanding.

This book explores climate services, including projections, descriptive information, analyses, assessments, and an overview of current trends. Due to the pressures now being put on the world’s climate, it is vital to gather and share reliable climate observation and projection data, which may be tailored for use by different groups. In other words, it is essential to offer climate services. But despite the growth in the use of these services, there are very few specialist publications on this topic. This book addresses that need. Apart from presenting studies and the results of research projects, the book also offers an overview of the wide range of means available for providing and using climate services. In addition, it features case studies that provide illustrative and inspiring examples of how climate services can be optimally deployed.

Scientific research on climate change has given rise to a variety of images picturing climate change. These range from colorful expert graphics, model visualizations, photographs of extreme weather events like floods, droughts or melting ice, symbols like polar bears, to animated and interactive visualizations. Climate change graphics have not only increased knowledge about the subject, they have begun to influence popular awareness of global weather events. The status of climate pictures today is particularly crucial, as global climate change as a long-term process cannot be seen. When images are widely distributed, they are able to shape how the world is thought about and seen. It is this implicit basic assumption of the power of images to influence reality that this book addresses: today's images might become the blueprint for tomorrow's realities. »Image Politics of Climate Change« combines a wide interdisciplinary range of perspectives and questions, treated here in sixteen interdisciplinary case studies. The author's specializations include both visual practice and theory: in the fields of climate sciences, computer graphics, art, curating, art history and visual studies, communication and cultural science, environmental and science & technology studies. The close interlinking of these viewpoints promotes in-depth insights into issues of production and analysis of climate visualization.

Insights into culture and society can be acquired by observing, analyzing and theorizing visible behavior of people and material products of culture. This book provides scholars, students, artists and professionals with a systematic and analytical presentation and discussion of methods and techniques to visually study and communicate culture and society.