This is the first book to take a deep dive into the philosophical, social, moral, political, and religious issues tackled by Seth MacFarlane's marvelous space adventure, The Orville. These new essays explore what The Orville has to say on everything from climate change, artificial intelligence, and sexual assault, to gender, feminism, love, and care. Divided into six "acts" (just like every episode ofThe Orville), with the show as its backdrop, the book asks questions about the dangers of democracy and social media, the show's relationship to Star Trek and the puzzle of time travel.

This is the first book to take a deep dive into the philosophical, social, moral, political, and religious issues tackled by Seth MacFarlane's marvelous space adventure, The Orville. These new essays explore what The Orville has to say on everything from climate change, artificial intelligence, and sexual assault, to gender, feminism, love, and care. Divided into six "acts" (just like every episode ofThe Orville), with the show as its backdrop, the book asks questions about the dangers of democracy and social media, the show's relationship to Star Trek and the puzzle of time travel.

Four-time Emmy Award winner Seth MacFarlane creates a new sci-fi dramedy universe on the Fox Network with his new show, The Orville. MacFarlane plays Captain Ed Mercer, an officer in the Planetary Union in the 25th century who gathers a crew from the farthest reaches of the galaxy—his ex-wife included—to man the exploration vessel Orville and patrol the mysteries of deep space. Filled with alien species, exotic worlds, futuristic technology and awe-inspiring spaceships, this lavish companion to The Orville takes you behind the scenes through concept art, on-set photography and technical schematics to explore the show’s production design, costumes, makeup prosthetics and visual effects. This is the ultimate guide to this new space-faring epic adventure.

Join the starship Orville on these new missions set between seasons two and three of Seth MacFarlane’s hit sci-fi TV show! Across space and time, Captain Ed Mercer and his crew explore some of the galaxy’s greatest mysteries in these two thrilling adventures written by Executive Producer David A. Goodman. In “Digressions,” after being pulled into the future and then sent back with her memory intact, Kelly rejects Ed’s offer of a second date. As a result, she, Ed, Gordon, and Claire never end up serving aboard the Orville. When Kelly realizes this will result in the destruction of Earth, she races to unravel how to bring her would-have-been crewmates together and undo this alternate timeline before the Kaylon burn the galaxy to cinders. In “Artifacts,” Ed’s old astro-archeology teacher puts the Orville in grave danger when, in pursuit of a legendary fleet of starships from a lost civilization, he leads them into a system so hazardous no ship has ever successfully navigated it. Realizing that the professor hasn’t been entirely forthright, Ed must uncover the truth if the Orville is to survive this perilous endeavor. Collects The Orville #1: Digressions Part 1 of 2, The Orville #2: Digressions Part 2 of 2, The Orville #1: Artifacts Part 1 of 2, and The Orville #2: Artifacts Part 2 of 2.

Chained alone in a barn by the couple he thought might give him a good home, a very ugly stray dog is miserable until a new neighbor moves in and he falls in love.

Describes each trail and its points of interest.

The literature on political machines of American mayors is rich and varied. Essentially undiscovered, however, is "Orvie," the most flamboyant and original of them all-and, on his home turf, arguably the most powerful. David L. Good describes the public and private life of Orville L. Hubbard, a man whose remarkable political career overlapped the terms of seven presidents. Hubbard was mayor of Dearborn, Michigan, home of the Ford Motor Company, from 1942 to 1978, ranking him as the second-longest-tenured mayor in U.S. history. He became a model for successful suburban leaders, establishing a reputation for outstanding municipal services and low taxes-as well as for the most notorious racist rhetoric north of the Mason-Dixon line. During his reign, Hubbard was compared with nearly all the tyrants of the twentieth century and some before. At his peak of some 350 pounds, Orvie was a blimp-shaped dreadnaught who set up a government in exile in Canada because sheriff's deputies were waiting to arrest him back home; was pictured in the newspapers on his way to the Republican National Convention disguised in a clown mask; and ordered his fire chief to take an axe to the office door of Henry Ford II. Acquitted in a federal civil rights case, Hubbard showed his appreciation to the jury by taking them out to dinner. After the 1967 riots in Detroit, Orvie threatened to "shoot looters on sight." Hubbard took over a town-the town run by the American legend Henry Ford-without a traditional party organization, extensive patronage, or other trappings of a political machine. The "Hubbard machine" was essentially a one-man operation, consisting of Hubbard himself who prevailed on the sheer force of his personality. David L. Good, who reported on Hubbard for eighteen years, bases his book on personal observation, public and private records, and interviews with Hubbard and family members. Although the book reads like the stuff of novels, Orvie: The Dictator of Dearborn is a serious study of one of the most controversial figures in American municipal government.