This study reproduces one "Report of Meetings" & six "Bulletins" from the Committee on Common Problems of Genetics, Paleontology, & Systematics. This Committee operated as an administrative unit of the National Research Council, part of the U.S. Nat. Acad. of Science. It was launched in 1943, blossomed for two years, then served as a cornerstone for other cooperative projects. The Committee provided a crucial foothold for those seeking a synthetics view of evolution in 1940s America. These forgotten documents show the Committee at work: building coalitions, defining priorities, & negotiating a common vision. They also show factions within the Committee competing for the leadership of this emerging community. Photo.

Explore the Borderlands... * The charred remains of Helen Conway, whose body "exploded." Was this a case of spontaneous combustion? * Discoveries of 130-foot-long boa constrictors and twelve-foot giant kangaroos. What other species have gone undiscovered? *In England, a town is pelted from the sky by hundreds of tiny rose-colored frogs. Is this a one-time event, an omen, or a bizarre natural phenomenon? Near-death experiences...lake monsters...crop circles...fairies...visions of the Virgin Mary...Using his vast research and privileged access to case files, noted paranormal investigator Mike Dash has compiled this unprecedented collection of the most baffling puzzles of our time. Touring the globe and sifting through a vast array of eyewitness accounts and film and photographic evidence, Dash separates genuine cases from hoaxes and dares to record those macabre, inexplicable, and terrifying events where there is no other explanation except--that what people saw, heard, and sometimes lived to tell about is true!

Borderlands: they stretch across national boundaries, and they create a unique space that extends beyond the international boundary. They extend north and south of what we think of as the actual “border,” encompassing even the urban areas of San Antonio, Texas, and Monterrey, Nueva León, Mexico, affirming shared identities and a sense of belonging far away from the geographical boundary. In Bridging Cultures: Reflections on the Heritage Identity of the Texas-Mexico Borderlands, editors Harriett Romo and William Dupont focus specifically on the lower reaches of the Rio Grande/Río Bravo as it exits the mountains and meanders across a coastal plain. Bringing together perspectives of architects, historians, anthropologists, sociologists, educators, political scientists, geographers, and creative writers who span and encompass the border, its four sections explore the historical and cultural background of the region; the built environment of the transnational border region and how border towns came to look as they do; shared systems of ideas, beliefs, values, knowledge, norms of behavior, and customs—the way of life we think of as Borderlands culture; and how border security, trade and militarization, and media depictions impact the inhabitants of the Borderlands. Romo and Dupont present the complexity of the Texas-Mexico Borderlands culture and historical heritage, exploring the tangible and intangible aspects of border culture, the meaning and legacy of the Borderlands, its influence on relationships and connections, and how to manage change in a region evolving dramatically over the past five centuries and into the future.

Examines the unique qualities of the foods of the desert areas of Mexico and the southwestern United States, discussing how the ecology and cultural history of the area shape its food.

This is an interdisciplinary volume exploring a range of historical, anthropological and literary ideas and issues in South Asian Borderlands. Going beyond the territorial and geo-political imaginaries of contemporary borderlands in South Asia, chapters in this book engage with the questions of sovereignty, control, policing as well as continuing affections across politically divided borderlands. Modern conceptions of nationhood have created categories of legality and illegality among historically, socially, economically and emotionally connected residents of South Asian borderlands. This volume provides unique insights into the interconnected lives and histories of these borderland spaces and communities.

Literary Nonfiction. Poetry. Latinx Studies. LGBTQIA Studies. Edited by Ricardo F. Vivancos-Pèrez and Norma Cantú. Rooted in Gloria Anzaldúa's experiences growing up near the U.S./Mexico border, BORDERLANDS/LA FRONTERA remaps our understanding of borders as psychic, social, and cultural terrains that we inhabit and that inhabit us all. Drawing heavily on archival research and a comprehensive literature review while contextualizing the book within her theories and writings before and after its 1987 publication, this critical edition elucidates Anzaldúa's complex composition process and its centrality in the development of her philosophy. It opens with two introductory studies; offers a corrected text, explanatory footnotes, translations, and four archival appendices; and closes with an updated bibliography of Anzaldúa's works, an extensive scholarly bibliography on Borderlands, a brief biography, and a short discussion of the Gloria E. Anzaldúa Papers. "Ricardo F. Vivancos-Pèrez's meticulous archival work and Norma Elia Cantú's life experience and expertise converge to offer a stunning resource for Anzaldúa scholars; for writers, artists, and activists inspired by her work; and for everyone. Hereafter, no study of Borderlands will be complete without this beautiful, essential reference."--Paola Bacchetta

Few genres were as popular and as enduring in twentieth-century Mexico as the Western. Christopher Conway’s lavishly illustrated Heroes of the Borderlands tells the surprising story of the Mexican Western for the first time, exploring how Mexican authors and artists reimagined US film and comic book Westerns to address Mexican politics and culture. Broad in scope, accessible in style, and multidisciplinary in approach, this study examines a variety of Western films and comics, defines their political messaging, and shows how popular Mexican music reinforced their themes. Conway shows how the Mexican Western responds to historical and cultural topics like the trauma of the Conquest, mestizaje, misogyny, the Cult of Santa Muerte, and anti-Americanism. Full of memorable movie stills, posters, lobby cards, comic book covers, and period advertising, Heroes of the Borderlands redefines our understanding of Mexican popular culture by uncovering a vibrant genre that has been hiding in plain sight.