Exploring Suburbia is the first book-length study of suburbia in Australian literature; it addresses a long-neglected and underexamined area within Australian literature and analyzes novels by some of Australia's most important writers from a new perspective, in addition to examining novels previously neglected by critics. This book provides new insights and perspectives on fourteen Australian novels, several of which are canonical works that have been analyzed extensively by other scholars. This study will lead to a reassessment of the novels and authors under discussion and prompt further research into suburbia in Australian literature. It demonstrates that that the authors who have explored suburbia since 1961 have already moved Australian literature in a new direction, away from the traditional focus on the bush and the city, demonstrating that the literal and theoretical space between the city and the bush contains the most interesting and important engagements with contemporary Australian culture. Exploring Suburbia is an important addition for collections in literature. It will also be an excellent textbook for professors teaching courses on space and culture in literature. It will also, of course, be an essential read for courses in Australian and international literature.

After Suburbia presents a cross-section of state-of-the-art scholarship in critical global suburban research and provides an in-depth study of the planet’s urban peripheries to grasp the forms of urbanization in the twenty-first century. Based on cutting-edge conceptual thought and steeped in richly detailed empirical work conducted over the past decade, After Suburbia draws on research from Asia, Africa, Australia, Europe, and the Americas to showcase comprehensive global scholarship on the urban periphery. Contributors explicitly reject the traditional centre-periphery dichotomy and the prioritization of epistemologies that favour the Global North, especially North American cases, over other experiences. In doing so, the book strongly advances the notion of a post-suburban reality in which traditional dynamics of urban extension outward from the centre are replaced by a set of complex contradictory developments. After Suburbia examines multiple centralities and diverse peripheries which mesh to produce a surprisingly contradictory and diverse metropolitan landscape.

For decades the suburbs have been where art happens despite: despite the conformity, the emptiness, the sameness. Time and again, the story is one of gems formed under pressure and that resentment of the suburbs is the key ingredient for creative transcendence. But what if, contrary to that, the suburb has actually been an incubator for distinctly American art, as positively and as surely as in any other cultural hothouse? Mixing personal experience, cultural reportage, and history while rejecting clichés and pieties and these essays stretch across the country in an effort to show that this uniquely American milieu deserves another look.

This collection of critical essays explores the literary and visual cultures of modern Irish suburbia, and the historical, social and aesthetic contexts in which these cultures have emerged. The lived experience and the artistic representation of Irish suburbia have received relatively little scholarly consideration and this multidisciplinary volume redresses this critical deficit. It significantly advances the nascent socio-historical field of Irish suburban studies, while simultaneously disclosing and establishing a history of suburban Irish literary and visual culture. The essays also challenge conventional conceptions of what constitutes the proper domain of Irish writing and art and reveal that, though Irish suburban experience is often conceived of pejoratively by writers and artists, there are also many who register and valorise the imaginative possibilities of Irish suburbia and the meanings of its social and cultural life.

A multidisciplinary team of specialists list historical and contemporary research on suburbanization with particular emphasis on the UK, North America, Australia and South Africa.

This book chronicles and explains the role of suburbs in North American cities since the mid-twentieth century. Examining fifteen case studies from New York to Vancouver, Atlanta to Chicago, Montreal to Phoenix, The Life of North American Suburbs traces the insightful connection between the evolution of suburbs and the cultural dynamics of modern society. Suburbs are uniquely significant spaces: their creation and evolution reflect the shifting demographics, race relations, modes of production, cultural fabric, and class structures of society at large. The case studies investigate the place of suburbs within their wider metropolitan constellations: the crucial role they play in the cultural, economic, political, and spatial organization of the city. Together, the chapters paint a compelling portrait of North American cities and their dynamic suburban landscapes.

The suburban landscape is inseparable from American culture. Suburbia does not only relate to the geographical concept, but also describes a cultural space incorporating people’s hopes for a safe and prosperous life. Suburbia marks a dynamic ideological space constantly influenced and recreated by both the events of everyday life and artistic discourse. Fictional texts do not merely represent suburbia, but also have a decisive role in the shaping of suburban spaces. The widely held idealized image of suburbia evolved in the 1950s. Today, reality deviates from the concept of suburbs projected back then, due to e.g. high divorce rates and an increase of crime. Nevertheless, the nostalgic view of the suburbs as the “Promised Land" has survived. Postwar critics object to this perception, considering the suburbs rather as depressing landscapes of mass-consumption, conformity and alienation. This book exemplifies the dualistic representation of suburbs in contemporary American cinema by analyzing Pleasantville, The Truman Show and American Beauty. It examines how utopian concepts of suburbia are created culturally and psychologically in the films, and how the underlying anxieties of the suburban experience, visualized by the dystopian narratives, challenge this ideal.