Denis Feeney is one of the most distinguished scholars of Latin literature and Roman culture in the world of the last half-century. These two volumes conveniently collect and present afresh all his major papers, covering a wide range of topics and interests. Ancient epic is a major focus, followed by Latin lyric, historiography and elegy. Ancient literary criticism and the technology of the book are recurrent themes. Many papers address the problems of literary responses to religion and ritual, with an interdisciplinary methodology drawing on comparative anthropology and religion. The transition from Republic to Empire and the emergence of the Augustan principate form the background to the majority of the papers, and the question of how literary texts are to be read in historical context is addressed throughout. All quotations from ancient and modern languages have now been translated and Stephen Hinds has contributed a foreword.

Denis Feeney is one of the most distinguished scholars of Latin literature and Roman culture in the world of the last half-century. These two volumes conveniently collect and present afresh all his major papers, covering a wide range of topics and interests. Ancient epic is a major focus, followed by Latin lyric, historiography and elegy. Ancient literary criticism and the technology of the book are recurrent themes. Many papers address the problems of literary responses to religion and ritual, with an interdisciplinary methodology drawing on comparative anthropology and religion. The transition from Republic to Empire and the emergence of the Augustan principate form the background to the majority of the papers, and the question of how literary texts are to be read in historical context is addressed throughout. All quotations from ancient and modern languages have now been translated and Stephen Hinds has contributed a foreword.

Latin Explorations, first published in 1963, offers a fresh approach to Roman poetry from Catullus to Ovid. Traditionally, the period is divided for specialist studies – Lyric, Epic and Elegy. In each of them, techniques of interpretation prevail, isolated from contemporary ideas about poetry and dominated by barriers between ‘textual’, ‘exegetical’ and ‘aesthetic’ criticism. Kenneth Quinn discerns in Roman poetry of this period the adolescence, maturity and decay of a single coherent tradition whose internal unity surpasses differences of form. His argument attempts to reverse the dissociation of purely academic research from appreciative criticism, whilst also incorporating the work of textual scholars. Each chapter is supported by a detailed analysis of the texts: nearly 700 lines of poetry are discussed and translated. Latin Explorations will be of significant value not only to students of the Classics, but also to the ‘Latinless’ general reader who is interested in Roman literature.

Denis Feeney is one of the most distinguished scholars of Latin literature and Roman culture in the world of the last half-century. These two volumes conveniently collect and present afresh all his major papers, covering a wide range of topics and interests. Ancient epic is a major focus, followed by Latin lyric, historiography and elegy. Ancient literary criticism and the technology of the book are recurrent themes. Many papers address the problems of literary responses to religion and ritual, with an interdisciplinary methodology drawing on comparative anthropology and religion. The transition from Republic to Empire and the emergence of the Augustan principate form the background to the majority of the papers, and the question of how literary texts are to be read in historical context is addressed throughout. All quotations from ancient and modern languages have now been translated and Stephen Hinds has contributed a foreword.

A cumulative list of works represented by Library of Congress printed cards.

The relationship between the genres of elegy and epigram has been much debated and from a dizzying variety of angles. The contributors to this volume explore the impact of Hellenistic Greek epigram on Latin erotic elegy in the light of the recent discovery and publication of papyrus book-rolls, especially those containing Hellenistic Greek epigram collections. Individual chapters approach the interrelations of Greek epigram and Latin elegy through the theoretical frameworks of intermediality (the contamination of the two different media of stone inscription and book roll) and textual criticism (applying to the Latin elegist Propertius the editorial lessons learned from the papyrus collections of Greek epigrams). Some chapters focus on the reception of specific Greek epigrams, particularly those of Meleager and Philodemus, in particular elegies of Propertius and Ovid, while others take the Latin elegists as their focus and examine their appropriation of both the thematic motifs of Greek epigram and the organizational structures of Hellenistic epigram books. All bear witness to the importance of Hellenistic Greek epigram to the authors of Latin erotic elegy, consolidate our understanding of the formal relations between the two genres in the Hellenistic and Roman worlds, and deepen our appreciation of individual Greek epigrams and Latin elegies.