Acclaimed mixed-media artist Mike Bernard has been at the forefront of collage painting for decades and his work has a sought-after vitality. He brings his latest guidance, ideas and techniques on a subject about which he is passionate: coastal painting. From his home near the Devon coast, he and co author (art writer) Susie Hodge, cover all aspects of mixed media painting. From considering composition and looking for contrasts to reducing elements for greater impact (and even moving towards abstraction). From working with limited palettes to including imaginary colours to a painting. From collaging with torn magazines, tin foil, plastic, newsprint to combining inks, oil pastels, PVA, acrylic and watercolours. From playing with proportion to create mood to using thick and thin oils for effect. And, of course, how to capture the mood and atmosphere of coastal life, from quiet stretches to busy harbours around the world. The authors include several step-by-step projects to demonstrate techniques plus a series of experimental exercises helps the reader try something new. A masterclass from a popular artist with stunning artwork of coasts from around the globe.

In this ground-breaking art book, leading artist Mike Bernard reveals every aspect of working with collage, paint and other mixed-media approaches. Everything from the initial inspiration for a painting through to design, colour, surface qualities and finishing touches is covered. With detailed information and advice on collage techniques, the book demonstrates how you can develop original results by starting with paper collage and then working freely with paint and other materials. The book includes numerous illustrations covering every step of the working process, as well as a wide selection of subject matter, location sketches, watercolour studies and striking finished paintings. Mike Bernard's work is known for exciting textures, strong colour and the effects of light; all combined into original semi-abstract images of landscapes, still life and figure compositions. His techniques, particularly paper collage, are important ones for all artists looking to expand their repertoire.

Increasing population, expanding industry and commerce, and tourism are placing added pressures on an already highly-utilized coastal zone. This book, through a series of case studies, illustrates the variety of changes already made along the coastlines of the world. The examples used are mainly from China, Japan, The Netherlands, and the United States, all countries with extensively engineered shorelines. Modifications emphasized include those associated with protection against coastal erosion, building of artificial beaches and islands, reclamation for aquaculture and agriculture, and the construction of harbors. The information in this book should be useful for all planners and engineers involved in the construction of coastal engineering works and for students interested in coastal modification.

This new Encyclopedia of Coastal Science stands as the latest authoritative source in the field of coastal studies, making it the standard reference work for specialists and the interested lay person. Unique in its interdisciplinary approach. This Encyclopedia features contributions by 245 well-known international specialists in their respective fields and is abundantly illustrated with line-drawings and photographs. Not only does this volume offer an extensive number of entries, it also includes various appendices, an illustrated glossary of coastal morphology and extensive bibliographic listings.

The Intergovernmental Panel on Climate Change (IPCC) is the leading international body for assessing the science related to climate change. It provides policymakers with regular assessments of the scientific basis of human-induced climate change, its impacts and future risks, and options for adaptation and mitigation. This IPCC Special Report on the Ocean and Cryosphere in a Changing Climate is the most comprehensive and up-to-date assessment of the observed and projected changes to the ocean and cryosphere and their associated impacts and risks, with a focus on resilience, risk management response options, and adaptation measures, considering both their potential and limitations. It brings together knowledge on physical and biogeochemical changes, the interplay with ecosystem changes, and the implications for human communities. It serves policymakers, decision makers, stakeholders, and all interested parties with unbiased, up-to-date, policy-relevant information. This title is also available as Open Access on Cambridge Core.

Trailblazing women working in digital arts media and education established the Midwest as an international center for the artistic and digital revolution in the 1980s and beyond. Foundational events at the University of Illinois and the School of the Art Institute of Chicago created an authentic, community-driven atmosphere of creative expression, innovation, and interdisciplinary collaboration that crossed gender lines and introduced artistically informed approaches to advanced research. Interweaving historical research with interviews and full-color illustrations, New Media Futures captures the spirit and contributions of twenty-two women working within emergent media as diverse as digital games, virtual reality, medicine, supercomputing visualization, and browser-based art. The editors and contributors give voice as creators integral to the development of these new media and place their works at the forefront of social change and artistic inquiry. What emerges is the dramatic story of how these Midwestern explorations in the digital arts produced a web of fascinating relationships. These fruitful collaborations helped usher in the digital age that propelled social media. Contributors: Carolina Cruz-Niera, Colleen Bushell, Nan Goggin, Mary Rasmussen, Dana Plepys, Maxine Brown, Martyl Langsdorf, Joan Truckenbrod, Barbara Sykes, Abina Manning, Annette Barbier, Margaret Dolinsky, Tiffany Holmes, Claudia Hart, Brenda Laurel, Copper Giloth, Jane Veeder, Sally Rosenthal, Lucy Petrovic, Donna J. Cox, Ellen Sandor, and Janine Fron.