The definitive follow-up to Unorthodox (the basis for the award-winning Netflix series)—now updated with more than 50 percent new material—the unforgettable story of what happened in the years after Deborah Feldman left a religious sect in Williamsburg in order to forge her own path in the world. In 2009, at the age of twenty-three, Deborah Feldman packed up her young son and their few possessions and walked away from her insular Hasidic roots. She was determined to find a better life for herself, away from the oppression and isolation of her Satmar upbringing in Williamsburg, Brooklyn. And in Exodus, Revisited she delves into what happened next—taking the reader on a journey that starts with her beginning life anew as a single mother, a religious refugee, and an independent woman in search of a place and a community where she can belong. Originally published in 2014, Deborah has now revisited and significantly expanded her story, and the result is greater insight into her quest to discover herself and the true meaning of home. Travels that start with making her way in New York expand into an exploration of America and eventually lead to trips across Europe to retrace her grandmother’s life during the Holocaust, before she finds a landing place in the unlikeliest of cities. Exodus, Revisited is a deeply moving examination of the nature of memory and generational trauma, and of reconciliation with both yourself and the world.

The definitive follow-up to Unorthodox (the basis for the award-winning Netflix series)—now updated with more than 50 percent new material—the unforgettable story of what happened in the years after Deborah Feldman left a religious sect in Williamsburg in order to forge her own path in the world. In 2009, at the age of twenty-three, Deborah Feldman packed up her young son and their few possessions and walked away from her insular Hasidic roots. She was determined to find a better life for herself, away from the oppression and isolation of her Satmar upbringing in Williamsburg, Brooklyn. And in Exodus, Revisited she delves into what happened next—taking the reader on a journey that starts with her beginning life anew as a single mother, a religious refugee, and an independent woman in search of a place and a community where she can belong. Originally published in 2014, Deborah has now revisited and significantly expanded her story, and the result is greater insight into her quest to discover herself and the true meaning of home. Travels that start with making her way in New York expand into an exploration of America and eventually lead to trips across Europe to retrace her grandmother’s life during the Holocaust, before she finds a landing place in the unlikeliest of cities. Exodus, Revisited is a deeply moving examination of the nature of memory and generational trauma, and of reconciliation with both yourself and the world.

The author of the explosive New York Times bestselling memoir Unorthodox (now a Netflix limited series) chronicles her continuing journey as a single mother, an independent woman, and a religious refugee. In 2009, at the age of twenty-three, Deborah Feldman walked away from the rampant oppression, abuse, and isolation of her Satmar upbringing in Williamsburg, Brooklyn to forge a better life for herself and her young son. Since leaving, Feldman has navigated remarkable experiences: raising her son in the “real” world, finding solace and solitude in a writing career, and searching for love. Culminating in an unforgettable trip across Europe to retrace her grandmother’s life during the Holocaust, Exodus is a deeply moving exploration of the mysterious bonds that tie us to family and religion, the bonds we must sometimes break to find our true selves.

In Exodus Revisited, Leon Uris returns to the scene of his famous bestselling novel, Exodus, which has sold over five million copies. With power, compassion, and love, he writes a revealing commentary to accompany the sensitive and haunting photographs of Dimitrios Harissiadis. Israel is a land of contrasts--of modern hotels and ancient olive trees; of young girls in slacks and elders with traditional beards. It is a country of harsh desert, lush farmland, sandy beaches, and sun-dappled seas. Israel is the common homeland of the Jew, the Christian, and the Muslim. It is a nation with a living history, a memory of violence and pain, a hope for the future, and a promise in its people.

Who wrote the first five books of the Bible? Does it really matter who did? The Books of Moses Revisited explores this question by comparing the covenants of Exodus/Leviticus and Deuteronomy with the inter-state treaties of the late second millennium BC. Some compelling similarities come to light, both in the pattern adopted and in many small details. Lawrence clearly demonstrates this with many examples and diagrams, yet without assuming that readers possess a detailed knowledge of ancient history and linguistics. Despite the entrenchment of the widely held theory--the so-called Documentary Hypothesis--that the first five books of the Bible were the product of an anonymous editor living many centuries after Moses, this book argues that the first five books of the Bible bear many hallmarks of being late second millennium BC compositions and that Moses should not be ruled out as being the author. The book also explores how several ancient texts--the Egyptian Story of Sinuhe, the Mesopotamian Epic of Gilgamesh, and Homer's Iliad and Odyssey--were transmitted in antiquity and suggests that a similar process also lies behind the transmission of the first five books of the Bible.

2002 — A Choice Outstanding Academic Book The struggle to forge a collective national identity at the expense of competing plural identities has preoccupied Israeli society since the founding of the state of Israel. In this book, Yosefa Loshitzky explores how major Israeli films of the 1980s and 1990s have contributed significantly to the process of identity formation by reflecting, projecting, and constructing debates around Israeli national identity. Loshitzky focuses on three major foundational sites of the struggle over Israeli identity: the Holocaust, the question of the Orient, and the so-called (in an ironic historical twist of the "Jewish question") Palestinian question. The films she discusses raise fundamental questions about the identity of Jewish Holocaust survivors and their children (the "second generation"), Jewish immigrants from Muslim countries or Mizrahim (particularly the second generation of Israeli Mizrahim), and Palestinians. Recognizing that victimhood marks all the identities represented in the films under discussion, Loshitzky does not treat each identity group as a separate and coherent entity, but rather attempts to see the conflation, interplay, and conflict among them.

Israel’s exodus from Egypt is the Bible’s enduring emblem of deliverance. But more than just an epic moment, the exodus shapes the telling of Israel’s and the church’s gospel. In this guide for biblical theologians, preachers, and teachers, Bryan Estelle traces the exodus motif as it weaves through the canon of Scripture, wedding literary readings with biblical-theological insights.