“A rare playwright who could be a primary candidate for either the Nobel Prize in Literature or the Nobel Peace Prize.”—The New Yorker This new play about life and art by renowned playwright Athol Fugard is based on his early friendship with actor Andrew Huegonit, considered the finest classical actor of their native South Africa. It is the story of one great artist’s exit from the stage and another’s beginning theater career. Athol Fugard’s work includes Blood Knot, “Master Harold”…and the boys, and My Children! My Africa! He has been widely produced in South Africa and London, on Broadway and across the United States.

A book set ‘inside’ Google Street View in which the author imagines a fictional narrative set around a set of real locations which were captured by Google’s cameras, and which the reader navigates.

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Shakespearean Entrances offer a systematic study of entrances and exits on the Shakespearean stage. Elizabethan playwrights and players not only routinely handled these movements but they also used them to bring about various effects. Through analyzing the surviving play-texts, the author attempts to identify the unspoken but standard rules that lay behind the minimal and conventionalized stage directions 'Enter' and 'Exit'/'Exeunt'. The findings provide means by which to recover effects and meanings that the original audience would have appreciated.