In Venus in Exile renowned cultural critic Wendy Steiner explores the twentieth century's troubled relationship with beauty. Disdained by avant-garde artists, feminists, and activists, beauty and its major symbols of art—the female subject and ornament—became modernist taboos. To this day it is hard to champion beauty in art without sounding aesthetically or politically retrograde. Steiner argues instead that the experience of beauty is a form of communication, a subject-object interchange in which finding someone or something beautiful is at the same time recognizing beauty in oneself. This idea has led artists and writers such as Marlene Dumas, Christopher Bram, and Cindy Sherman to focus on the long-ignored figure of the model, who function in art as both a subject and an object. Steiner concludes Venus in Exile on a decidedly optimistic note, demonstrating that beauty has created a new and intensely pleasurable direction for contemporary artistic practice.

As the most prominent German-Jewish Romantic writer, Heinrich Heine (1797-1856) became a focal point for much of the tension generated by the Jewish assimilation to German culture in a time marked by a growing emphasis on the shared ancestry of the German Volk. As both an ingenious composer of Romantic verse and the originator of modernist German prose, he defied nationalist-Romantic concepts of creative genius that grounded German greatness in an idealist tradition of Dichter und Denker. And as a brash, often reckless champion of freedom and social justice, he challenged not only the reactionary ruling powers of Restoration Germany but also the incipient nationalist ideology that would have fateful consequences for the new Germany--consequences he often portended with a prophetic vision born of his own experience. Reaching to the heart of the `German question,' the controversies surrounding Heine have been as intense since his death as they were in his own lifetime, often serving as an acid test for important questions of national and social consciousness. This new volume of essays by scholars from Germany, Britain, Canada, and the United States offers new critical insights on key recurring issues in his work: the symbiosis of German and Jewish culture; emerging nationalism among the European peoples; critical views of Romanticism and modern philosophy; European culture on the threshold to modernity; irony, wit, and self-critique as requisite elements of a modern aesthetic; changing views on teleology and the dialectics of history; and final thoughts and reconsiderations from his last, prolonged years in a sickbed. Contributors: Michael Perraudin, Paul Peters, Roger F. Cook, Willi Goetschel, Gerhard Höhn, Paul Reitter, Robert C. Holub, Jeffrey Grossman, Anthony Phelan, Joseph A. Kruse, and George F. Peters. Roger F. Cook is professor of German at the University of Missouri, Columbia.

Combines material and literary cultural approaches to the study of the reception of Augustus and his age during the reign of the emperor Domitian

The story of the Olympia Press is one of the most flamboyant in publishing history. In the 1950s, when dirty books (and great ones) were being banned in Britain and America, Maurice Girodias launched a career in Paris that earned him the nickname the "Prince of Porn". John de St. Jorre gives a high-spirited account of this infamous publisher whose eclectic list included Lolita, The Ginger Man, Henry Miller's several Tropics, and the outrageous romp called Candy. Photos.

Beneath the original Venetian glass and rosewood case at La Specola in Florence lies Clemente Susini's Anatomical Venus (c. 1790), a perfect object whose luxuriously bizarre existence challenges belief. It - or, better, she - was conceived of as a means to teach human anatomy without need for constant dissection, which was messy, ethically fraught and subject to quick decay. This life-sized wax woman is adorned with glass eyes and human hair and can be dismembered into dozens of parts revealing, at the final remove, a beatific foetus curled in her womb. Sister models soon appeared throughout Europe, where they not only instructed the specialist students, but also delighted the general public. Deftly crafted dissectable female wax models and slashed beauties of the world's anatomy museums and fairgrounds of the 18th and 19th centuries take centre stage in this disquieting volume. Since their creation in late 18th-century Florence, these wax women have seduced, intrigued and amazed. Today, they also confound, troubling the edges of our neat categorical divides: life and death, science and art, body and soul, effigy and pedagogy, spectacle and education, kitsch and art. Incisive commentary and captivating imagery reveal the evolution of these enigmatic sculptures from wax effigy to fetish figure and the embodiment of the uncanny.

When a government official dies on the operating table, the president calls in the computer cops On Venus, a radical exile escapes from a maximum-security prison, pledging to return to Washington and assassinate the president. Transport between Earth and the solar colonies is tightly regulated, but the exile knows a shortcut: the top-secret transvection machine, an experimental device that could theoretically be used to teleport men from planet to planet. Vander Defoe, the tool’s creator, is busy securing it when he feels a pain in his stomach: His appendix is about to explode. Defoe dies in the operating room during routine computerized surgery, and the case falls in the lap of the Computer Investigation Bureau, which has jurisdiction over all computer-related crimes. As the team tries to determine who corrupted the system that killed Defoe, it finds that in this case, all roads lead to Venus. The Transvectioon Machine is the first book in the Carl Crader Mysteries, but you may enjoy reading the series in any order.

Startling and scandalous, this is an intimate insider's story of Osama bin Laden's retinue in the ten years after 9/11, a family in flight and at war. From September 11, 2001 to May 2, 2011, Osama Bin Laden evaded intelligence services and special forces units, drones and hunter killer squads. The Exile tells the extraordinary inside story of that decade through the eyes of those who witnessed it: bin Laden's four wives and many children, his deputies and military strategists, his spiritual advisor, the CIA, Pakistan's ISI, and many others who have never before told their stories. Investigative journalists Cathy Scott-Clark and Adrian Levy gained unique access to Osama bin Laden's inner circle, and they recount the flight of Al Qaeda's forces and bin Laden's innocent family members, the gradual formation of ISIS by bin Laden's lieutenants, and bin Laden's rising paranoia and eroding control over his organization. They also reveal that the Bush White House knew the whereabouts of bin Laden's family and Al Qaeda's military and religious leaders, but rejected opportunities to capture them, pursuing war in the Persian Gulf instead, and offer insights into how Al Qaeda will attempt to regenerate itself in the coming years. While we think we know what happened in Abbottabad on May 2, 2011, we know little about the wilderness years that led to that shocking event. As authoritative in its scope and detail as it is propuslively readable, The Exile is a landmark work of investigation and reporting.