Examining the Understanding and Management of Risk in the Film Industry
Title | Examining the Understanding and Management of Risk in the Film Industry PDF eBook |
Author | |
Publisher | |
Pages | |
Release | 2020 |
Genre | |
ISBN | 9781913380243 |
Examining the Understanding and Management of Risk in the Film Industry
Title | Examining the Understanding and Management of Risk in the Film Industry PDF eBook |
Author | Michael l Franklin |
Publisher | |
Pages | 30 |
Release | 2020 |
Genre | |
ISBN | 9781913380236 |
Risk in the Film Business
Title | Risk in the Film Business PDF eBook |
Author | Michael Franklin |
Publisher | Taylor & Francis |
Pages | 220 |
Release | 2022-07-25 |
Genre | Business & Economics |
ISBN | 1000618072 |
This book explores the complex, multifaceted and contested subject of risk in the film business. How risk is understood and managed has a substantial impact upon which films are financed, produced and seen. Founded on substantial original research accessing the highest level of industry practitioners, this book examines the intertwined activity of independents, large media companies including major studios, the international marketplace, and related audio-visual sectors such as high-end television. The book shows how risk is generally framed, or even intuited, rather than calculated, and that this process occurs across a sliding scale of formality. This work goes beyond broad creative industries characterisations of a "risky sector" and concentrations on Box Office return modelling, to provide a missing middle. This means a coherent analytic coverage of business organisation and project construction to address the complex practicalities that mobilise strategic operations in relation to risk, often in unseen business-to-business contexts. Informed by economic sociology’s concepts addressing market assemblage and valuation, alongside applications of science and technology studies to media and communications, the book respects both the powerful roles of social and institutional actors, and affordances of new technologies in dealing with the persistent known unknown – the audience. Examining a persistent business issue in a new way, this book analyses top level industry practice through established mechanisms, and innovations like data analytics. The result is a book that will be essential reading for scholars with an interest in the film business as well as risk management more broadly.
The International Film Business
Title | The International Film Business PDF eBook |
Author | Angus Finney |
Publisher | Routledge |
Pages | 535 |
Release | 2022-05-25 |
Genre | Art |
ISBN | 1000552004 |
Examining the independent film sector as a business on an international scale, author Angus Finney addresses the specific skills and knowledge required to successfully navigate the international film business. Finney describes and analyses the present structure of the film industry as a business, with a specific focus on the film (and entertainment) value chain and takes readers through the status of current digital technology, exploring ways in which this is changing the structure and opportunities offered by the industry in the future. The textbook provides information and advice on the different business and management skills and strategies that students and emerging practitioners will need to effectively engage with the industry in an international context. Case studies of films and TV, including Squid Game (2021), Parasite (2019), Game of Thrones (2011-2019) and The Best Exotic Marigold Hotel (2011), are supplemented by company case studies on Redbus, Renaissance, Pixar, with additional new chapters focusing on Netflix, TikTok and the Metaverse. This third edition of The International Film Business includes up-to-date information on the status of the international film industry during and post COVID-19; expanded content looking at the TV industry and streaming services; new case studies and dedicated sections on the Streaming Wars and the Chinese Film Industry and a new chapter looking at the changes in digital production in the context of the global and territorial film and TV industry. Written for students of Film Business and emerging practitioners, this book will take readers through the successes and failures of a variety of real film companies and projects and features exclusive interviews with leading practitioners in all sectors of the industry, from production to exhibition.
Hollywood Economics
Title | Hollywood Economics PDF eBook |
Author | Arthur De Vany |
Publisher | Psychology Press |
Pages | 334 |
Release | 2004 |
Genre | Business & Economics |
ISBN | 9780415312615 |
Movies expected to perform well can flop, whilst independent movies with low budgets can be wildly successful. In this text, De Vany casts his eye over all aspects of the business to present some intriguing conclusions.
The Risk and Return Trade-off in the Film Industry
Title | The Risk and Return Trade-off in the Film Industry PDF eBook |
Author | Emanuele Teti |
Publisher | |
Pages | 840 |
Release | 2008 |
Genre | Motion picture industry |
ISBN |
The International Film Business
Title | The International Film Business PDF eBook |
Author | Angus Finney |
Publisher | Routledge |
Pages | 303 |
Release | 2014-10-10 |
Genre | Performing Arts |
ISBN | 1136295038 |
The International Film Business examines the independent film sector as a business, and addresses the specific skills and knowledge it demands. It describes both the present state of the industry, the significant digital and social media developments that are continuing to take place, and what changes these might effect. The International Film Business: describes and analyses the present structure of the film industry as a business, with a specific focus on the film value chain discusses and analyses current digital technology and how it potentially may change the structure and opportunities offered by the industry in the future provides information and advice on the different business and management skills and strategies includes case studies on a variety of films including The Guard (2011), The King’s Speech (2010), The Best Exotic Marigold Hotel (2012), Cloverfield (2008), Pobby & Dingan (aka Opal Dream, 2005), Confessions of a Dangerous Mind (2002), The Reckoning (2002)and The Mother (2003), and company case studies on Pixar, Renaissance, Redbus and Zentropa. Further case studies on films that failed to go into production include Neil LaBute’s Vapor and Terry Gilliam’s Good Omens. Taking an entrepreneurial perspective on what future opportunities will be available to prepared and informed students and emerging practitioners, this text includes case studies that take students through the successes and failures of a variety of real film companies and projects and features exclusive interviews with leading practitioners in all sectors of the industry, from production to exhibition.