Brilliant photographs present a world of possible opposites. "Beautiful, elegantly composed, nourishing to eye and mind."--Kirkus Reviews. "Another winner from an artist with a seemingly unlimited imagination."--Horn Book.

Explore the humorous world of opposites with the #1 bestselling illustrator of The Day the Crayons Quit and his band of Hueys! "What's the opposite of the beginning?" A sensible question to ask when opening a book that teaches the reader about opposites. But maybe we should start with something a little easier? For example, it's quite unlucky when a Huey finds himself stranded on a hot, deserted island—but how lucky it is when a fan arrives to provide some cool air! Oh, wait . . . nowhere to plug it in? Unlucky, once again. Now for a harder one: What’s the difference between half full and half empty? Stumped? Don’t worry, that one will make a Huey’s head hurt too. In this funny concept book from the illustrator of the #1 New York Times bestselling The Day the Crayons Quit, Oliver Jeffers takes us on a delightful ride through the world of contraries. Praise for The Hueys in What's the Opposite? * "Even readers who know the basics of opposites will get their minds blown here, as a glass is considered half full on one page but also half empty on the next. It’s not easy to be so very simple and so very clever, but Jeffers manages in this laugh-aloud offering that will get groups giggling."—Booklist, starred review * "An amusing twist on the traditional concept book by a beloved master of shape and line."—School Library Journal, starred review "A clever concept book from beginning to end."—Kirkus Reviews

“Laura Steven simultaneously destroyed the patriarchy and made me laugh so hard I choked. I will protect Izzy O'Neill with my life.” —Becky Albertalli, author of SIMON VS. THE HOMO SAPIENS AGENDA Bitingly funny and shockingly relevant, The Exact Opposite of Okay is a bold, brave, and necessary read for fans of Louise O’Neill and Jennifer Mathieu. Eighteen-year-old Izzy O’Neill knows exactly who she is—a loyal friend, an aspiring comedian, and a person who believes that milk shakes and Reese’s peanut butter cups are major food groups. But after she’s caught in a compromising position with the son of a politician, it seems like everyone around her is eager to give her a new label: slut. Izzy is certain that the whole thing will blow over and she can get back to worrying about how she doesn’t reciprocate her best friend Danny’s feelings for her and wondering how she is ever going to find a way out of their small town. Only it doesn’t. And while she’s used to laughing her way out of any situation, as she finds herself first the center of high school gossip and then in the middle of a national scandal, it’s hard even for her to find humor in the situation. Izzy may be determined not to let anyone else define who she is, but that proves easier said than done when it seems like everyone has something to say about her.

A piercing novel about the unnerving process of growing up, and a girl finding her feet. Gretchen Meyers doesn't know exactly what went wrong, but life in the eleventh grade is beginning to suck. As if having a semi-nudist, food-obsessed family wasn't awkward enough, she has lost her best friend to the fanatical school swim team, and her chemistry grade is so close to negative digits that only emergency tutoring can save it. So far, so high school. Then James/Dean rolls into her life -- also known as her zit-faced chemistry tutor James and his slightly less zit-faced cousin Dean. Kind-hearted rebels without a cause, they draw Gretchen out of classroom hell, and briefly the world seems full of possibility. But everything changes over the course of one awful night. Bewildered by harsh new emotions of grief and love, Gretchen realizes she must now decide who she wants to be and what it means to be loyal. Written partly in verse, as self-confessed poetry geek Gretchen finds new ways of expressing herself, The Opposite of Geek is a tale of haiku, high school, and heartache. Rich with humour, it explores all the anguished details of teenage life through the words of one girl who is finding her way.

"I remember screaming very loudly. In TV shows, that's where the ad break comes in, while some ninny is screaming her head off. No ad break in life, though". Lissa Wilson has seen more than enough death in her family, so when people start being savagely killed whenever she has a night out in Melbourne with her beautiful new boyfriend, she's determined to investigate and make the killings stop. Even when she realises the murders must be the work of a vampire. Things had been looking up for this librarian and 21st century geekgirl, but the murders make her remember why she prefers books to people. People leave you. People can die. She finds herself teaming up with the painfully awkward Gary to get to the undead heart of the matter. But there are more challenges in store than Gary's appalling fashion sense. The idea of living forever can be a big temptation for someone who has lost so much... AUTHOR: Narrelle Harris was born in Newcastle, Australia and proceeded to move every few years until most of her friends thought she was in a Witness Protection program. Her itinerancy included three years abroad, teaching English in Egypt and Poland. Although now settled in Melbourne with her husband and her cat, she continues to relieve itchy feet with regular travel. Narrelle has also been a playwright, songwriter, actress, editor, public servant, kitchen hand and - once only - a very bad telemarketer.

The instant New York Times bestseller and publishing phenomenon: Marina Keegan’s posthumous collection of award-winning essays and stories “sparkles with talent, humanity, and youth” (O, The Oprah Magazine). Marina Keegan’s star was on the rise when she graduated magna cum laude from Yale in May 2012. She had a play that was to be produced at the New York Fringe Festival and a job waiting for her at The New Yorker. Tragically, five days after graduation, Marina died in a car crash. Marina left behind a rich, deeply expansive trove of writing that, like her title essay, captures the hope, uncertainty, and possibility of her generation. Her short story “Cold Pastoral” was published on NewYorker.com. Her essay “Even Artichokes Have Doubts” was excerpted in the Financial Times, and her book was the focus of a Nicholas Kristof column in The New York Times. Millions of her contemporaries have responded to her work on social media. As Marina wrote: “We can still do anything. We can change our minds. We can start over…We’re so young. We can’t, we MUST not lose this sense of possibility because in the end, it’s all we have.” The Opposite of Loneliness is an unforgettable collection of Marina’s essays and stories that articulates the universal struggle all of us face as we figure out what we aspire to be and how we can harness our talents to impact the world. “How do you mourn the loss of a fiery talent that was barely a tendril before it was snuffed out? Answer: Read this book. A clear-eyed observer of human nature, Keegan could take a clever idea...and make it something beautiful” (People).

On screen, Sophia Heart Valentine is the toast of Tinseltown. She’s the entire package, after all. She can sing, act, dance—you name it. But off screen, she’s dealing with personal drama that feels awfully like a movie. Her dad is marrying a woman that she absolutely abhors. Her best guy friend is ignoring her feelings for him. And her agent is forcing her to star in a movie with Axel Brooks, Hollywood’s Prince and all around annoying guy on set. Who wants to be Hollywood’s Princess when you could be drama queen, right? But then again, Hollywood’s Princess does have a nicer ring