From one of Latin America's finest writers comes a mesmerizing novel about life of the legendary Eva Peron, the famed wife of an Argentine dictator, told backwards from death to childhood. • Now a 7-part Limited Series on Hulu. Bigger than fiction, Eva Peron was the poor-trash girl who reinvented herself as a beauty, snared Argentina's dictator, reigned as uncrowned queen of the masses, and was struck down by cancer. When her desperate but foxy husband brings Europe's leading embalmer to Eva's deathbed to make her immortal, the fantastical comedy begins. "Finally, this is the novel I always wanted to read." —Gabriel Garcia Marquez

In the colorful, tumultuous setting of postwar Argentina, Eva Peron wielded a power--spiritual and practical--that has few parallels outside of hereditary monarchy. In this "fascinating, frightening, straightforward" (Cleveland Plain Dealer) biography, Fraser and Navarro have produced "a work of great political sophistication. . . . Factual, nuanced, and absorbing" (Kirkus Reviews). Photos.

The story of one of the most fascinating women of all time—Maria Eva Duarte, who rose from poverty to become one of the richest, most powerful women in the world. Eva Perón was a star and a legend during her lifetime, one of the most alluring women of the twentieth century. Through the hit Broadway musical Evita by Andrew Lloyd Webber, her story became famous, and with the release of the film starring Madonna as Eva Perón, her life became a media obsession once again. Evita, as she preferred to style herself, was the beautiful and legendary woman who rose up from poverty to become the hypnotically powerful first lady of Argentina. To millions of poor people, she was a savior; to her enemies, she was a monstrous dictator. In this riveting biography, John Barnes explores the astonishing paradox of this champion of the poor who attacked the rich and, in the process, made herself the wealthiest woman in the world.

Eva Perón remains Argentina's best-known and most iconic personality, surpassing even sporting superstars such as Diego Maradona or Lionel Messi, and far outlasting her own husband, President Juan Domingo Perón - himself a remarkable and charismatic political leader without whom she, as an uneducated woman in an elitist and male-dominated society, could not have existed as a political figure. In this book, Jill Hedges tells the story of a remarkable woman whose glamour, charisma, political influence and controversial nature continue to generate huge amounts interest 60 years after her death. From her poverty-stricken upbringing as an illegitimate child in rural Argentina, Perón made her way to the highest echelons of Argentinean society, via a brief acting career and her relationship with Juan. After their political breakthrough, her charitable work and magnetic personality earned her wide public acclaim and there was national mourning following her death from cancer at the age of just 33. Based on new sources and first-hand interviews, the book will seek to explore the personality and experiences of 'Evita' and the contemporary events that influenced her and were in turn influenced by her. As the first substantive biography of Eva Perón in English, this book will be essential reading for anyone interested in modern Argentinean history and the cult of 'Evita'.

Evita, Inevitably sheds new light on the history and culture of Argentina by examining the performances and reception of the country’s most iconic female figures, in particular, Eva Perón, who rose from poverty to become a powerful international figure. The book links the Evita legend to a broader pattern of female iconicity from the mid-nineteenth century onward, reading Evita against the performances of other female icons: Camila O’Gorman, executed by firing squad over her affair with a Jesuit priest; Difunta Correa, a devotional figure who has achieved near-sainthood; cumbia-pop performer Gilda; the country’s patron saint, the Virgin of Luján; and finally, Argentina’s president, Cristina Fernández de Kirchner. Employing the tools of discursive, visual, and performance analysis, Jean Graham-Jones studies theatrical performance, literature, film, folklore, Catholic iconography, and Internet culture to document the ways in which these “femicons” have been staged.