A rant-ish memoir by the veteran stand-up comedian and former cohost of That Metal Show, with a foreword by Jim Norton. Twitter Trolls. Facebook Freaks. Instagram Exhibitionists. These are just a few of the creatures our technology-obsessed culture has spawned in its quest to simplify our lives. The madness is so universal now that everyone has dealt with it. You log in to Facebook, read a stupid post, and immediately want to tell your "friend" to go have relations with himself. Sure, social media may keep us connected, but it is a breeding ground for idiots, and these idiots have crowd-sourced a storm of useless information, corny jokes, and douchebag drama that's wasting our time and screwing with our peace of mind. Thankfully, popular comedian and television host Jim Florentine has a solution for those of us on the verge of bashing our iPhones to bits. In Everybody Is Awful, Florentine attacks awful people and awful situations with the same biting satire and cringe-worthy humor that made him famous on television shows like Crank Yankers, Meet the Creeps, and That Metal Show. Along the way, Everybody Is Awful takes readers through the author's formative years, a time filled with rebellion and horrible behavior, to the crazy early days of his career as a stand-up comedian. Florentine also recounts how he developed an obsession with pranks that morphed into his uniquely vigilante style of comedy and made him one of the most legendary prank callers of all time. Florentine excels at channeling the core rage we all feel at the seemingly small annoyances of life, and his fans love the cathartic experience of his hilarious ranting and raving, a tradition continued in Everybody Is Awful. Acting as a de facto therapist, Florentine diagnoses awful behavior, shames awful people, and offers comedic takes on how to reclaim our lives from it all.

From the break-out star of BuzzFeed comes a collection of hilariously anguished essays chronicling awful and humiliating moments from his life so far, proving “the mantra of his life and career: being a human is hard work, so you may as well make your story funny when you can” (Bustle). Matt Bellassai has no idea what he’s doing. Well, to be fair, he did become semi-Internet famous by getting drunk at work, making him a socially acceptable—nay—professional alcoholic. He’s got some things figured out. But the rest is all just a terrible, disgusting mess. This is Matt’s book. Just to clarify, though, it is absolutely not a memoir; Matt is far too young to have done anything worth remembering (though he did win an actual People’s Choice Award for his BuzzFeed web series, “Whine About It,” which is pretty good, if you ask his mother). This is also most certainly not a book of advice; he is too woefully ill-prepared for life to offer anything in the way of counsel. Call this a collection of awful moments that led to his grumbling, blundering adulthood—a chronicle of little indignities that, when taken together, amount to a life of hilarious anguish. With keen wit and plenty of self-deprecation, Matt reveals how hard it is to shed his past as the Midwest’s biggest nerd, and how he came out to his friends and family (the closet was a bit messy). Matt also wrestles with the humiliations of adulthood, like giving up on love in New York City, and combating the inner voice that tells him to say aloud all the things the rest of us are smart enough to keep to ourselves. You probably don’t need this book, but let’s be honest—you do. Since you’re already reading, you might as well pull up a chair, grab your glass(es) of wine, and enjoy.

NATIONAL BESTSELLER • The Pulitzer Prize–winning author of Empire Falls returns to North Bath, the Rust Belt town first brought to unforgettable life in Nobody’s Fool. Now, ten years later, Doug Raymer has become the chief of police and is tormented by the improbable death of his wife—not to mention his suspicion that he was a failure of a husband. Meanwhile, the irrepressible Sully has come into a small fortune, but is suddenly faced with a VA cardiologist’s estimate that he only has a year or two left to live. As Sully frantically works to keep the bad news from the important people in his life, we are reunited with his son and grandson . . . with Ruth, the married woman with whom he carried on for years . . . and with the hapless Rub Squeers, who worries that he and Sully aren’t still best friends. Filled with humor, heart, and hard-luck characters you can’t help but love, Everybody’s Fool is a crowning achievement from one of the great storytellers of our time. Look for Everybody’s Fool, available now, and Somebody’s Fool, coming soon.

This modern riff on the fifteenth-century morality play Everyman follows Everybody (chosen from amongst the cast by lottery at each performance) as they journey through life’s greatest mystery—the meaning of living.

Individuals seek ways to repress the sense of violence within themselves and often resort to medial channels. The hunger of the individual for violence is a trigger for the generation of violent content by media, owners of political power, owners of religious power, etc. However, this content is produced considering the individual’s sensitivities. Thus, violence is aestheticized. Aesthetics of violence appear in different fields and in different forms. In order to analyze it, an interdisciplinary perspective is required. The Handbook of Research on Aestheticization of Violence, Horror, and Power brings together two different concepts that seem incompatible—aesthetics and violence—and focuses on the basic motives of aestheticizing and presenting violence in different fields and genres, as well as the role of audience reception. Seeking to reveal this togetherness with different methods, research, analyses, and findings in different fields that include media, urban design, art, and mythology, the book covers the aestheticization of fear, power, and violence in such mediums as public relations, digital games, and performance art. This comprehensive reference is an ideal source for researchers, academicians, and students working in the fields of media, culture, art, politics, architecture, aesthetics, history, cultural anthropology, and more.