Redigeret af Henning Laugerud og Laura Katrine Skinnebach.Sekulariseringen af den vestlige kultur er om ikke en myte, sa betydeligt overvurderet. I dagens aktuelle debatter om religiositet, anerkender langt de fleste kristendommens indflydelse pa Europas historie, filosofi og kultur.Instruments of Devotion er en tvAerfaglig antologi skrevet af internationalt anerkendte forskere fra The European Network on the Instruments of Devotion, ENID, og i 11 artikler fokuseres specifikt pa de instrumentielle aspekter af andagt og fromhedspraksis i perioden fra det 14. arhundrede og frem til i dag. Artiklerne diskuterer relationen mellem den materielle kultur og det religiose liv; hvordan musik, bonneboger, litteratur og billeder har udtrykt og intensiveret fromhed og pietet i den kristne kultur i et historisk perspektiv.Antologiens mange forskelligartede indgangsvinkler spAender fra middelalderens visuelle teorier til postmodernismens perspektiver pa katolicismen og illustrerer saledes det komplekse monster af Aendringer, kontinuitet og sammenhAenge i den europAeiske kultur- og pietetshistorie.

Examining correlations between the material and the mystical, this books investigates collective writing and devotional culture in late medieval piety.

Domestic devotion has become an increasingly important area of research in recent years, with the publication of a number of significant studies on the early modern period in particular. This Special Issue aims to build on these works and to expand their range, both geographically and chronologically. This collection focuses on lived religion and the devotional practices found in the domestic settings of late medieval and early modern Europe. More particularly, it investigates the degree to which the experience of personal or familial religious practice in the domestic realm intersected with the more public expression of faith in liturgical or communal settings. Its broad geographical range (spanning northern, southern, central and eastern Europe) includes practices related to Christianity, Judaism and Islam. This Special Issue will be of interest to historians, art historians, medievalists, early modernists, historians of religion, anthropologists and theologians, as well as those interested in the history of material religious culture. It also offers important insights into research areas such as gender studies, histories of the emotions and histories of the senses.

Many forms of present-day Western spirituality contribute to people’s well-being, whereas others have raised criticism. The study of these different forms is, however, complicated by their continuously diverging practices and ideas. By bringing to bear a multidisciplinary approach, the ten specialists of this volume are able to analyze diverse new instances of spirituality, e.g. in religious contexts (Buddhism, Christianity), popular use, organizations and enterprises, (alternative) health service, and works of art. Most contributions also discuss methods and theories. In their editorial chapters, Elisabeth Hense, Frans Jespers and Peter Nissen show the remarkable overlaps in the approaches, definitions and evaluations of the contributions in this volume and provide a theoretical framework. Both the fresh analyses and the theoretical reflections in this volume point the way to new approaches in this field of study. Contributors include: Jerry Biberman, Mark Elliott, Miguel Farias, Johan Goud, Paul Heelas, Elisabeth Hense, Frans Jespers, Hubert Knoblauch, Peter Nissen, Paul van der Velde

In this study, E. Frances King explores how people first learn to relate to the images and artefacts of religious belief within their domestic environments, instilling a sense of religious belonging that becomes emotionally linked to family, community, and homeland.

This prize-winning account of the pre-Reformation church recreates lay people's experience of religion, showing that late-medieval Catholicism was neither decadent nor decayed, but a strong and vigorous tradition. For this edition, Duffy has written a new introduction reflecting on recent developments in our understanding of the period. "A mighty and momentous book: a book to be read and re-read, pondered and revered; a subtle, profound book written with passion and eloquence, and with masterly control."--J. J. Scarisbrick, The Tablet "Revisionist history at its most imaginative and exciting. . . . [An] astonishing and magnificent piece of work."--Edward T. Oakes, Commonweal "A magnificent scholarly achievement, a compelling read, and not a page too long to defend a thesis which will provoke passionate debate."--Patricia Morison, Financial Times "Deeply imaginative, movingly written, and splendidly illustrated."--Maurice Keen, New York Review of Books Winner of the Longman-History Today Book of the Year Award

This book addresses the history of the senses in relation to affective piety and its role in devotional practices in the late Middle Ages, focusing on the sense of touch. It argues that only by deeply analysing this specific context of perception can the full significance of sensory religious experience in the Late Middle Ages be understood. Considering the centrality of the body to medieval society and Christianity, this collection explores a range of devotional practices, mainly relating to the Passion of Christ, and features manuscripts, works of devotional literature, art, woodcuts and judicial records. It brings together a multidisciplinary group of scholars to offer a variety of methodological approaches, in order to understand how touch was encoded, evoked and purposefully used. The book further considers how touch was related to the medieval theory of perception, examining its relation to the inner and outer senses through the eyes of visionaries, mystics, theologians and confessors, not only as praxis but from different theoretical points of view. While considered the most basic of spiritual experience, the chapters in this book highlight the all-pervasive presence of touch and the significance of ‘affective piety’ to Late Medieval Christians. Chapter 3: Drama, Performance and Touch in the Medieval Convent and Beyond is Open Access under a CC BY 4.0 license at link.springer.com