Through Women’s Eyes: An American History with Documents was the first text to present a narrative of U.S. women’s history within the context of the central developments of the United States and to combine this core narrative with written and visual primary sources in each chapter. The authors’ commitment to highlighting the best and most current scholarship, along with their focus on women from a broad range of ethnicities, classes, religions, and regions, has helped students really understand U.S. history Through Women’s Eyes.

The author has analyzed, sorted, and organized material from almost 500 accounts of travels in Great Britain into a veritable cavalcade of social history. This is a book filled with life and vitality, written with a light touch and always with an eye to social comedy. It presents a true and realistic picture of these people and their periods.

Positioned at a crossroads between feminist geographies and modernist studies, Excursions into Modernism considers transnational modernist fiction in tandem with more rarely explored travel narratives by women of the period who felt increasingly free to journey abroad and redefine themselves through travel. In an era when Western artists, writers, and musicians sought 'primitive' ideas for artistic renewal, Joyce E. Kelley locates a key similarity between fiction and travel writing in the way women authors use foreign experiences to inspire innovations with written expression and self-articulation. She focuses on the pairing of outward journeys with more inward, introspective ones made possible through reconceptualizing and mobilizing elements of women’s traditional corporeal and domestic geographies: the skin, the ill body, the womb, and the piano. In texts ranging from Jean Rhys’s Voyage in the Dark to Virginia Woolf’s The Voyage Out and from Evelyn Scott’s Escapade to Dorothy Richardson’s Pilgrimage, Kelley explores how interactions between geographic movement, identity formation, and imaginative excursions produce modernist experimentation. Drawing on fascinating supplementary and archival materials such as letters, diaries, newspaper articles, photographs, and unpublished drafts, Kelley’s book cuts across national and geographic borders to offer rich and often revisionary interpretations of both canonical and lesser-known works.

In the 1890s American journalist Elizabeth L. Banks became an international phenomenon through a series of newspaper articles. Disguising herself in various costumes, Banks investigated and made public the working conditions of women in London. Writing from the perspective of an American girl, she explored and exposed a variety of employment, ranging from parlor maid to flower girl to American heiress. Banks demonstrated the capability of women for positions in journalism long held only by men.

With independence, India experienced a dramatic social rupture but also a recuperation of political autonomy and a new sense of optimism that promised opportunities. The country became a crucible for experimentation in modern and utopian architecture with new buildings, cities and museums giving public face to the nation. Indian architects and architectural projects claimed international attention, and a generation of women entered professions such as architecture and design that had previously been closed to them. They emerged as a pronounced political force, and important patrons of art, architecture and public space. The mid-19th and 20th centuries saw a significant increase in women acting as arbiters of taste and shapers of the built environment. The emerging groups of female designers and female patrons were enabled by new norms for women. The essays in this volume address these developments, posing the important question: did, and do, women produce art and architecture that reflect a feminine perspective? How did women, otherwise invisible and denied attention in the public sphere, gain voice? The writers look at these questions through both the political frame of gender as well as through family lineage and dynastic connections, and their importance in women’s patronage of the arts. Published by Zubaan.

Demonstrates that US travelers abroad were not limited to the rich and privileged even in previous centuries, by presenting over 2,000 titles with full bibliographic citations and brief evaluative descriptions. Arranged alphabetically by author and indexed by place and author's occupation. Updated from the 1969 edition with titles subsequently discovered. Annotation copyrighted by Book News, Inc., Portland, OR