In the face of seemingly relentless American optimism, Eugene O'Neill's plays reveal an America many would like to ignore, a place of seething resentments, aching desires, and family tragedy, where failure and disappointment are the norm and the American dream a chimera. Though derided by critics during his lifetime, his works resonated with aud...

The American classic—as you’ve never experienced it before. This multimedia edition, edited by William Davies King, offers an interactive guide to O’Neill’s masterpiece. -- Hear rare archival recordings of Eugene O’Neill reading key scenes. -- Discover O’Neill’s creative process through the tiny pencil notes in his original manuscripts and outlines. -- Watch actors wrestle with the play in exclusive rehearsal footage. -- Experience clips from a full production of the play. -- Tour Monte Cristo Cottage, the site of the events in Long Day’s Journey Into Night, and Tao House, where the play was written. -- Delve into O’Neill’s world through photographs, letters, and diary entries. And much, much more in this multimedia eBook.

En su duodécimo libro, Yvonne Shafer se centra una vez más en Eugene O'Neill. Su libro anterior, 'Performing O'Neill', presentaba información fascinante sobre los actores (James Earl jones, Jason Robards, etc.) que crearon sus papeles. 'Eugene O'Neill and American Society' se aparta del análisis biográfico familiar de las obras hacia aspectos como su actitud antibélica, su interacción con los afroamericanos, su sorprendente amor por los musicales y su caracterización de mujer. Shafer que ha participado en el mundo del teatro como actriz, directora, crítica y erudita, ha impartido clases y conferencias en lugares como China, Noruega y Bélgica. Su representación de Eugene O'Neil On Stage ha deleitado al público de Alemania, Estados Unidos y la Universitat de València entre otros lugares de España.

THE STORY: Originally produced on Broadway, revived to sellout houses in 1996 starring Al Pacino, HUGHIE was one of O'Neill's last works. It was originally intended as part of a series of short plays, but it became the lone survivor when O'Neill de

"If one were to climb the beanstalk of American drama, what would be discovered at the very top is a giant. His name is Eugene O'Neill. He towers above American drama like a colossus, and for many critics -- theatrical reviewers and scholars -- other playwrights were but petty things to walk under his huge legs and peep about. ...'Monumental' is the word most often used to describe O'Neill's work, from Strange Interlude to A Touch of the Poet. This word may be used as well to describe O'Neill and his reputation. No one ever accused O'Neill, or his work, of being too small." So says editor Martine in introducing this collection with his own compendious bibliography of O'Neill scholarship. ISBN 0-8161-8683-9 : $28.50.

The only American dramatist awarded the Nobel Prize for Literature, Eugene O’Neill wrote with poetic expressiveness, emotional intensity, and immense dramatic power. This Library of America volume (the first in a three-volume set) contains twenty-nine plays he wrote between 1913, when he began his career, and 1920, the year he first achieved Broadway success. Many of O’Neill’s early plays are one-act melodramas whose characters are caught in extreme situations. Thirst and Fog depict shipwreck survivors, The Web a young mother trapped in the New York underworld, and Abortion the aftermath of a college student’s affair with a stenographer. His first distinctive works are four one-act plays about the crew of the tramp steamer Glencairn that render sailors’ speech with masterful faithfulness. Bound East for Cardiff, In the Zone, The Long Voyage Home, and The Moon of the Caribbees portray these “children of the sea” as they watch over a dying man, sail though submarine-patrolled waters, take their shore leave in a London dive, and drink rum in a moonlit tropical anchorage. In Beyond the Horizon Robert Mayo begins a tragic chain of events by abandoning his dream of a life at sea, choosing instead to marry the woman his brother loves and remain on his family farm. The sea in “Anna Christie” is both “dat ole devil” to coal barge captain Chris Christopherson and a source of spiritual cleansing to his daughter Anna, an embittered prostitute. When a swaggering stoker falls in love with her, Anna becomes the apex of a three-sided struggle full of enraged pride, grim foreboding, and stubborn hope. Both of these plays won the Pulitzer Prize and helped establish O’Neill as a successful Broadway playwright. The Emperor Jones depicts the nightmarish journey through a West Indian forest of Brutus Jones, a former Pullman porter turned island ruler. Fleeing his rebellious subjects, Jones confronts his violent deeds and the tortured history of his race in a series of hallucinatory episodes whose expressionist quality anticipates many of O’Neill’s later plays. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

Stricken with guilt and grief when his father, mother and brother died in quick succession, Eugene O'Neill mourned deeply for two decades. This critical biography presents an understanding of O'Neill's life, work and slow grieving.