This work presents the Nicomachean Ethics in a fresh English translation by Christopher Rowe that strives to be meticulously accurate yet also accessible. The translation is accompanied by Sarah Broadie's detailed line-by-line commentary, which brings out the subtlety of Aristotle's thought as it develops from moment to moment. In addition, a substantial introductory section features a thorough examination of the text's main themes and interpretative problems and also provides preambles to each of the ten books of the Nicomachean Ethics. An indispensable resource for students approaching the Nicomachean Ethics for the first time, this detailed treatment is ideal for courses in classical or ancient philosophy, the philosophy of Aristotle, and ethics.

The Metaphysics presents Aristotle's mature rejection of both the Platonic theory that what we perceive is just a pale reflection of reality and the hardheaded view that all processes are ultimately material. He argued instead that the reality or substance of things lies in their concrete forms, and in so doing he probed some of the deepest questions of philosophy: What is existence? How is change possible? And are there certain things that must exist for anything else to exist at all? The seminal notions discussed in The Metaphysics - of 'substance' and associated concepts of matter and form, essence and accident, potentiality and actuality - have had a profound and enduring influence, and laid the foundations for one of the central branches of Western philosophy.

This book examines the reason and intent behind the many Senecan and pseudo-Senecan quotations in Fernando de Rojas' masterpiece Celestina (1499), which enjoyed enormous popularity in sixteenth-century Europe. The author considers the importance attached to Senecan thought in the oral, scholarly and literary traditions of fifteenth-century Spain and demonstrates how readers' tastes and sensibilities were shaped by it. The main themes of Celestina, such as self-seeking friendship and love, pleasure and sorrow, gifts and riches, greed, suicide and death, are shown to be rooted in this intellectual background. The Senecan tradition, albeit treated in a satirical vein, is also seen as underlying the later additions and interpolations to the text, with a shift towards Seneca's tragedies in response to changes in fashion; Professor Fothergill-Payne reveals that even the Petrarchan quotations in Celestina have Senecan sources. Seneca and Celestina thus offers a fresh perspective on the literary and intellectual sources that shaped this famous book.

De mundo is a protreptic to philosophy in the form of a letter to Alexander the Great and is traditionally ascribed to Aristotle. It offers a unique view of the cosmos, God and their relationship, which was inspired by Aristotle but written by a later author. The author provides an outline of cosmology, geography and meteorology, only to argue that a full understanding of the cosmos cannot be achieved without a proper grasp of God as its ultimate cause. To ensure such a grasp, the author provides a series of twelve carefully chosen interlocking analogies, building a complex picture in the reader's mind. The work develops a distinctly Aristotelian picture of God and the cosmos while paying tribute to pre-Aristotelian philosophers and avoiding open criticism of rival schools of philosophy. De mundo exercised considerable influence in late antiquity and then in the Renaissance and Early Modern times.