This volume's contributors explore the links among sexuality, ethnography, race, and colonial rule through an examination of ethnopornography—the eroticized observation of the Other for supposedly scientific or academic purposes. With topics that span the sixteenth century to the present in Latin America, the United States, Australia, the Middle East, and West Africa, the contributors show how ethnopornography is fundamental to the creation of race and colonialism as well as archival and ethnographic knowledge. Among other topics, they analyze eighteenth-century European travelogues, photography and the sexualization of African and African American women, representations of sodomy throughout the Ottoman empire, racialized representations in a Brazilian gay pornographic magazine, colonial desire in the 2007 pornographic film Gaytanamo, the relationship between sexual desire and ethnographic fieldwork in Africa and Australia, and Franciscan friars' voyeuristic accounts of indigenous people's “sinful” activities. Outlining how in the ethnopornographic encounter the reader or viewer imagines direct contact with the Other from a distance, the contributors trace ethnopornography's role in creating racial categories and its grounding in the relationship between colonialism and the erotic gaze. In so doing, they theorize ethnography as a form of pornography that is both motivated by the desire to render knowable the Other and invested with institutional power. Contributors. Joseph A. Boone, Pernille Ipsen, Sidra Lawrence, Beatrix McBride, Mireille Miller-Young, Bryan Pitts, Helen Pringle, Pete Sigal, Zeb Tortorici, Neil L. Whitehead

Sources and Methods in the History of Sexuality outlines some of the challenges of retracing sexual acts, identities, and desires in the past, and shows how historians have responded to these methodological challenges with ingenuity and creativity. The volume acknowledges that the history of sexuality poses particularly interesting challenges in relation to sources due the peculiar nature of sexuality. On one hand, sexuality is frequently hidden and private, its practices often unknown, denied, and evaded, its desires fleeting or obsessive, its reality confused or illuminated by fantasy; yet on the other, sexuality consistently breaks into the public sphere through moral panics, waves of persecution, taxonomizing projects, and medical/juridical interventions. With vivid case studies from renowned contributors, the chapters provide different theoretical approaches along with more practical examples of how to study the history of sexuality. The volume has a broad chronology from the ancient world to the present, an extensive geography covering not only Europe and the Americas but also Latin America and Africa, and also includes a variety of gender and sexual expressions. The book also privileges texts that offer an intersectional approach, asking how sex and sexualities were constructed alongside/against other categories of difference. With accessible writing, this volume encourages the reader to think creatively about how to find evidence of sex/sexuality in the past and will be of value to students as well as scholars interested in the history of sexuality.

From the earliest accounts of contact with Europeans, Polynesians have been perceived as sensual and sexual beings. By the late 1800s, publications, lectures and stage plays about the Pacific became popular across Europe, and often contained exotic and erotic components. This book details the fusion of truth and fiction in the representation of Pacific Islanders, focusing on the sexualization of Polynesians in American cinema and other forms of mass communications and commercial entertainment. With messaging almost subliminal to American audiences, the Hollywood media machine produced hundreds of tropical film titles with images of revealing grass skirts, scanty sarongs, female toplessness and glistening exposed male pectorals. This critical filmography demonstrates how the concept of "sex sells," especially when applied on a large scale, shaped American social views on Polynesian people and their culture. Chapters document this phenomenon and an annotated filmography of sexualized tropes and several appendices conclude the book, including a glossary of Polynesian terms and a film index.

Pornography, Indigeneity and Neocolonialism examines how pornography operates as a representational system that authenticates settler colonies, focussing on American and Australian examples to reveal how pornography encodes whiteness, pleasure, colonisation and Indigeneity. This is the first text to use decolonial and queer theory to examine the role of pornography in America and Australia, as part of a network of neocolonial strategies that "naturalise" occupation. It is also the first study to focus on Indigenous people in pornography, providing a framework for understanding explicit representations of First Nations peoples. Pornography, Indigeneity and Neocolonialism defines the characteristics of heterosexual pornography in settler colonies, exposing how the landscape is presented as both exotic and domestic – a land of taboo pleasures that is tamed and occupied by and through white bodies. Examining the absence of Indigenous porn actors and arguing against the hypervisual fetishising of Black bodies that dominates racialised porn discourse, the book places this absence within the context of legal, political and military neocolonial Indigenous elimination strategies. This book will be of key interest to researchers and students studying porn studies, media and film studies, critical race studies and whiteness studies.

Offers expansive and intersecting understandings of erotic subjectivity, intimacy, and trauma in performance ethnography and in institutional and disciplinary settings. Focused on research within Africa and the African diaspora, contributors to this volume think through the painful iterations of trauma, systemic racism, and the vestiges of colonial oppression as well as the processes of healing and emancipation that emerge from wounded states. Their chapters explore an acoustemology of intimacy, woman-centered eroticism generated through musical performance, desire and longing in ethnographic knowledge production, and listening as intimacy. On the other end of the spectrum, authors engage with and question the fetishization of race in jazz; examine conceptions of vulgarity and profanity in movement and dance-ethnography; and address pain, trauma, and violation, whether physical, spiritual, intellectual, or political. Authors in this volume strive toward empathetic, ethical, and creative ethnographic engagements that summon vulnerability and healing. They propose pathways to aesthetic, discursive transformation by reorienting conceptions of knowledge as emergent, performative, and sonically enabled. The resulting book explores sensory knowledge that is frequently left unacknowledged in ethnographic work, advancing conversations about performed sonic and somatic modalities through which we navigate our entanglements as engaged scholars.

"Erotic Resistance is an act of memory preservation regarding San Francisco's foundational role in the erotic entertainment and sex industries of the United States. It highlights the contributions of women of color, queer women, and trans women who were instrumental at key moments in the city's history concerning labor as well as the LGBT and sex workers' rights movements. In the 1960s, topless entertainment became legal in San Francisco for the first time in US history, although cross-dressing continued to be criminalized. In yet another first instance in US history, San Francisco activist-strippers, who were also artists, led successful class action lawsuits and efforts to unionize in the strip club industry in the 1990s. Using diverse methods, including ethnography, visual and performance analysis, and historiography, Erotic Resistance relates these phenomena through archival materials, artworks, and original interviews with women who performed in San Francisco's burlesque scene and strip club industry during these time periods"--

Sigal argues that sixteenth century Nahua sexuality cannot be fully understood only through colonial sensibilities and sources. He examines legal documents, clerical texts, pictorial manuscripts, images and glyphs of Nahua gods and goddesses and descriptions of fertility rituals and other historical accounts and stories to show the complexity of Nahua sexuality.