Ethnic Jewellery from Indonesia: Continuity, Creativity and Evolution is a compelling introduction to the little known visual power and beauty of the body adornments used by the myriad peoples of Indonesia s outer islands, including Sumatra, Borneo, Sulawesi, Sumba and Maluku. Illustrated with more than 500 rare pieces that have been accumulated since the 1970s by collector Manfred Giehmann, the book explores the depth and breadth of an ancient and magnificent tradition, revealing the fruits of careful documentation that has taken place over a period of decades. It will provide information on the origin, meaning and purpose of the jewellery items, as well as unique insights into the people who crafted and wore the jewellery for ritual or ceremonial functions. Ethnic Jewellery: Continuity, Creativity and Evolution is a definitive work on the subject and a testimony to the greatness of a fast-disappearing Indonesian tradition."

Gold Jewellery of the Indonesian Archipelago features more than 500 stunning, never-before published examples of tribal, ethnic, ancient and courtly body ornaments from Indonesia's outer islands - Sumatra, Borneo, Sulawesi, the Lesser Sunda Islands and Maluku. Written by Anne Richter, author of Arts and Crafts of Indonesia and Jewelry of Southeast Asia, and Bruce Carpenter, acknowledged expert with more than 20 years of experience in the field of Indonesian art, history and culture, and more than 16 books to his name, this volume provides a compelling introduction to the little-known visual power and beauty of Indonesian jewellery. Illustrated with archival artwork and maps as well as photos of carefully selected rare ornamental adornments, this book also traces the historical origins of Indonesia's remarkably diverse culture and peoples.

The care with which this book has been prepared is simply astonishing. Its history began when Truus and Joost Daalder acquired their first examples of non-European ethnic body adornment around 1980, four years after their arrival in Adelaide.

Colette Ghysels herself provides detailed captions for all the illustrations, identifying materials and craft methods, giving tribal names and uses for the objects, and offering a more sophisticated appreciation not only of the value, rarity, and significance, but of the beauty of each work.

The first book to examine the rich jewelry traditions of the Batak people in Indonesia is a gorgeous tribute to a vanishing way of life. Batak jewelry is characterized by a wide variety of materials and forms, and has many functions: Jewels can be status symbols, badges of rank, attributes of membership into a certain age group, amulets and talismans, or simply ornaments. Men, women, small children, and even babies were once adorned with gold, silver, brass, bronze, or the gold-and-copper alloy known as suasa. Today, the Batak wear traditional jewelry only for celebrations like weddings, and these stunning works are rapidly disappearing, being melted down or sold. The nearly 300 precious works shown here are artifacts of a once-flourishing jewelry tradition.

Jewellery sets off beauty and reveals wealth. Moreover, jewellery had a magical function in

A selection of rings from the Ghysels collection and a complete monography about the different tipologies, shapes, materials and functions of rings in the history and culture of different peoples and countries in the world.