In this Ethnic Blends Ebook, multi-ethnic church pioneer Mark DeYmaz provides an up-close and personal look at seven common challenges to mixing diversity into your local church. Through real-life stories and practical illustrations, DeYmaz shows how to overcome the obstacles in order to build a healthy multi-ethnic church. He also includes the insights of other effective, multi-ethnic local church pastors from around the country.Increasingly, church leaders are recognizing the intrinsic power and beauty of the multi-ethnic church. Yet, more than a good idea, it's a biblical, first-century standard with far-reaching evangelistic potential. How can your church overcome the obstacles in order to become a healthy, fruitful multi-ethnic church of faith? And why should you even try?“Ethnic Blends will help every church broaden its horizon of outreach, love and care for their city. Acts 1:8 commands us to reach the uttermost parts of the earth. Today, the "uttermost parts" are found within a few miles of where you live. God called us to reach people, love people and help them grow in Christ, no matter their background. Mark's book helps us recapture that vision in a powerful way.” —Jonathan Falwell, pastor, Thomas Road Baptist Church

In this Leadership Network Innovation series book, Ethnic Blends, Mark DeYmaz will help you navigate seven common challenges in building a healthy multi-ethnic church. The rise of multi-ethnic churches could become the new Reformation in this century. Yet the movement is in a pioneer stage, and there have been few road maps ... until now.

An A to Z Catalog of Innovative Spices and Flavorings Designed to be a practical tool for the many diverse professionals who develop and market foods, the Handbook of Spices, Seasonings, and Flavorings combines technical information about spices-forms, varieties, properties, applications, and quality specifications- with informatio

Discipleship is eschatological in nature, because the church that makes and receives disciples is eschatological in nature. Often eschatology is thought to refer only to “last things” doctrines. However, eschatology in its broader sense encompasses the Christian view of time and the future of the world, informing both one’s evangelism and ecclesiology. Failing to relate the eschatological dimension to discipleship leaves one with an incomplete worldview, imbalanced discipleship, and eventually, a tragic inability to model the Christian way of life. By answering questions like “What time is it?” and “Where is history going?” Trevin Wax helps Christians view the past, present, and future biblically, and shapes their understanding of following Jesus.

This book, People of Faith, People of Jeong (Qing), seeks to reveal and understand the current state and the future prospective of Asian Canadian immigrant churches (ACIC), including Chinese, Taiwanese, and Korean churches. Starting with a brief chronicle of ACIC history, this book shares the journeys and the stories of current members of lay and clergy from various ACIC. The chapters attempt to explain the influence and the impact that jeong and faith have on these churches, to envisage the future of ACIC, and to draw relevant implications for the betterment of these churches going into the future. This book reflects the real voices and sentiments of the first- and the second-generation members of these ethnic Asian immigrant churches in the Greater Toronto Area (GTA). It is original, authentic, comprehensive, and inclusive in its perspectives—the first book of its kind on Asian immigrant churches in Canada. The book will serve as an inspiration and a practical guide for immigrant churches in cross-cultural and cross-generational transitions. It offers laypeople, church leaders, and clergies a critical reference as they navigate through the future of churches in North America and beyond.

Indigenous peoples of Brazil have come to faith in Christ in large numbers in recent decades. As Christianity takes root in each culture, it may incorporate expressive forms of music and art, which can range from those identical to earlier cultural forms to those which are fully imported. But what happens when musicians and artists of a local indigenous community fuse elements from a variety of genres and create their own music? Are they just imitations of external forms? Or are they authentic creations from elements that have now become their own sounds, too? Christian musicians among the Xerente (pronounced Sheh-´ren-teh) have created their own fusion genre(s) to express their faith, communicate the gospel, and edify their churches. Their music includes elements from their cultural tradition as well as from (secular) genres of the northeastern region of Brazil. Is it, then, authentically Xerente? As we discuss in this book, independent of tangible markers or its long history, the authenticity of an art form can be demonstrated through a number of connections with the community and signposted by its meaning and function among the people, as well as the competence and agency of the people in their artistic choices.

New Orleans jazz, Dixieland, Chicago jazz, swing, bebop, cool jazz, hard bop, and free jazz: up until today, the history of jazz is told as a "tradition" consisting of fixed components including a succession of jazz styles. How did this construction of music history emerge? What were the alternative perspectives? And why did the narrative of a fixed tradition catch on? In this study, Mario Dunkel examines narratives of jazz history from the beginnings of jazz until the late 1950s. According to Dunkel, the jazz tradition is simultaneously an attempt to approach historical reality and the product of competition between different narratives and cultural myths. From the middlebrow culture of the 1920s to the New Deal, the African American civil rights movement and the role of the U.S. in the Cold War, Dunkel shows in detail how the jazz tradition, as a global narrative of the twentieth century, is intertwined with greater social and cultural developments.