This book outlines an innovative approach to the study of literature called pragmapoetics, a philosophy of poetic utterances. The book posits that studies are as much a branch of linguistics as they are of the philosophy of language and mind, and considers the poetic self-referential function a profound feature of life and intentionality. As a structuralist thinker, the author is drawn towards graphical definitions for their greater elucidative power. This collection contains three sections: “General Poetics,” “Pragmapoetics,” and “Estonian and Comparative Poetics,” consisting of nineteen of the author’s works from 1996 up to 2022, which best represent his approach.

This collection of essays examines the unprecedented reach, magnitude and complexity of global challenges—political, economic, technological, social and environmental. It advocates fundamental changes in theory, research, public policy, and institutions, and advances new thinking on global leadership, human security, human-centered economics, and human rights. The book also proposes measures to break down the barriers between academic disciplines and between research and policy-making, and reconciles the objective facts of science with the subjective truths of the arts and human values. It replaces mechanistic analytic thinking with integrated knowledge, bridging the divide between abstract theory and the living complexity of social reality.

"1968. Riga. News of the Prague Spring washes across Europe, causing ripples on either side of the Iron Curtain. A young Estonian woman has agreed to pose as a model for a famous, sculptor, who is trying to evade military service and escape to the West. Although the model has only a vague awareness of politics -- her interest in life is primarily poetic -- the consequences of the politics of both past and present repeatedly make themselves felt. Chance remarks overheard prompt memories of people and places, language itself becomes fluid, by turns deceptive and reassuring. The Beauty of History is a novel of poetic intensity, of fleeting moods and captured moments. It is powerfully evocative of life within the Baltic States during the Soviet occupation, and of the challenge to artists to express their individuality whilst maintaining at least an outward show of loyalty to the dominant ideology. Written on the cusp of independence, as Estonia and Latvia sought to regain their sovereignty in 1991, this is a novel that can be seen as an historic document -- wistful, unsettling, and beautiful"--Back cover.

Critiquing the fictive nature of socially accepted values about gender, the authors unravel the strategies adopted by writers and filmmakers in (de)constructing the gendered self in mainland China, Taiwan and Hong Kong.

Emerging from the ruins of the former Soviet Union, the literature of the Baltic states of Lithuania, Latvia and Estonia is analyzed from the fruitful perspective of postcolonialism, a theoretical approach whose application to former second-world countries is in its initial stages. This groundbreaking volume brings scholars working in the West together with those who were previously muffled behind the Iron Curtain. They gauge the impact of colonization on the culture of the Baltic states and demonstrate the relevance of concepts first elaborated by a wide range of critics from Frantz Fanon to Homi Bhabha. Examining literary texts and the situation of the intellectual reveals Baltic concerns with identity and integrity, the rewriting of previously blotted out or distorted history, and a search for meaning in societies struggling to establish their place in the world after decades - and perhaps millennia - of oppression. The volume dips into the late Tsarist period, then goes more deeply into Soviet deportations to the Gulag, while the main focus is on works of the turning-point in the late 1980s and 1990s. Postcolonial concepts like mimicry, subjectivity and the Other provide a new discourse that yields fresh insights into the colonized countries' culture and their poignant attempts to fight, to adapt and to survive. This book will be of interest to literary critics, Baltic scholars, historians and political scientists of Eastern Europe, linguists, anthropologists, psychologists, sociologists, working in the area of postcommunism and anyone interested in learning more about these ancient and vibrant cultures.

The poetics of intertextuality proposed in this book, based mainly on semiotics, elucidates factors determining the socio-historically elusive border between general intertextuality and citationality, and explores modes of intertextual representation.

This book examines the emplotment of India in the Western literary imagination. Basing her discussion on the reception of an emblematic Sanskrit text, Kālidāsa's Śākuntala, Figueira studies how and why this text was distorted in translation, criticism, and adaptation, and isolates the linguistic errors and cultural distortions that can be grouped into trends and patterns. The unique situation of Śākuntala's reception affords the author the opportunity to look at the way Europeans projected their cultural needs upon India. The author puts into perspective an entire social and intellectual history of Europe's encounter with Indian culture, an examination of its cultural and political consequences, and a philosophical inquiry into differences between Eastern and Western world views.