After a short period of independence, Estonia was occupied in World War II by the Red Army, then Nazi Germany, and again, for a lasting occupation, by the Soviets. No wonder that a greater part of the roughly one million Estonians had harshly eventful lives. This anthology contains 25 selected life stories collected from Estonians who lived through the tribulations of the 20th century, and describe the travails of ordinary people under numerous regimes. The autobiographical accounts provide authentic perspectives on events of this period, where time is placed in the context of life-spans, and subjects grounded in personal experience. Most of the life stories reveal sufferings under foreign (Russian) oppression. The product of a large-scale national project to record history by collecting autobiographical accounts, and a process of engaged selection for publication which followed. The variety of life-experiences recorded offers comparison across cultures, as well as an overview of the powerful neighbors as they relinquish and strengthen their hold on Estonia.

From Estonia's most celebrated children's author Eno Raud, comes a spirited tale of the wise, turned utterly foolish Gothamites, on a journey to capture light, solve riddles, and make sense of the world without a "grain of wisdom." Through Pritt Parn's brilliant and overflowing illustrations, the world of Gotham bounds beyond each page. In a faraway land live a bright, industrious people called the Gothamites. They are known for being model citizens, so much so that other communities constantly call upon them for advice, leaving the Gothamites with no time for themselves. Fed up, they hit on a solution: they'll become the most foolish people around: after all, no one wants foolish advice. Chaos ensues, brilliantly captured by Eno Raud's wordplay and Priit Parn's crowded illustrations. From one of Estonia's most cherished children's authors comes the spirited tale of a town that decides to wreak havoc in hilarious fashion.

Translated by Eric Dickens Treading Air follows the life of Ullo Paerand through 30 years of violent political upheaval. Abandoned by his father as a child, he grows up to become an electoral assistant to the parliamentary office in Tallinn and it is in this position that Ullo witnesses first the Soviet and then the German occupation of Estonia. Forced out of his honest profession Ullo becomes involved with the Resistance but, when many Estonians flee the country, he chooses to remain. An interlude of a decade shows much has changed since the end of the War; Soviet influence is marked in the style of government and the manner of the people. The narrative unfolds in stories imparted to an unknown "author" by a 70-year-old Ullo. Just before the end, however, Kross introduces a teasing ambiguity: Ullo dies before he is able to answer the last question about his life.

Any journey with Alexander Theroux is an education. Possessed of a razor-sharp and hyperliterate mind, he stands beside Thomas Pynchon as one of the sharpest cultural commentators of our time. So when he decided to accompany his wife ― the artist Sarah Son-Theroux ― on her Fulbright Scholarship to Estonia, it occasioned this penetrating examination of a country that, for many, seems alien and distanced from the modern world. For Theroux, the country and its people become a puzzle. His fascination with their language, manners, and legacy of occupation and subordination lead him to a revelatory examination of Estonia’s peculiar place in European history. All the while, his trademark acrobatic allusions, quotations, and digressions ― which take us fromHamlet through Jean Cocteau to Married… with Children ― render his travels as much internal and psychical as they are external and physical. Through these obsessive references to Western culture, we come to appreciate how insular the country has become, yet also marvel at its fierce individuality and preternatural beauty ― such is the skill of Theroux’s gaze. This travelogue of his nine months abroad also brims with anecdotes of Theroux’s encounters with Estonian people and ― in some of its most bitterly comedic episodes ― his fellow Americans whom he at times feels more alienated from than the frosty, humorless Europeans. Estonia: A Ramble Through the Periphery is as biting and satirical as it is witty and urbane; as curious and lyrical as it is brash and irreverent. It marks a new highlight in an already stellar career and a book that continues Fantagraphics’ exceptional line of prose works.

This publication contains the life stories of fifteen Estonian women whose lives were turned upside down in the conflagration of World War II and its aftermath. Caught in the hegemonic struggle of Germany and the Soviet Union, these women managed to survive and record their experiences in spite of the break-up of their families, deportation, incarceration, and years of deprivation and hardship. The editors provide the historical and cultural context in which these stories may be understood. The stories are analysed from sociological and gender theoretical perspectives.

Soldiers of Memory explores the complexities and ambiguities of World War II experience from the Estonian veterans' point of view. Since the end of World War II, contesting veteran cultures have developed on the basis of different war experiences and search for recognition in the public arena of history. The book reflects on this process by combining witness accounts with their critical analysis from the aspect of post-Soviet remembrance culture and politics. The first part of the book examines the persistent remembrance of World War II. Eight life stories of Estonian men are presented, revealing different war trajectories: mobilised between 1941 and 1944, the narrators served in the Red Army and its work battalions, fought against the Soviet Union in the Finnish Army, Waffen-SS, Luftwaffe, the German political police force and Wehrmacht, deserted from the Red Army, were held in German and Soviet prison and repatriation camps. The second part of the book offers a critical analysis of the stories from a multidisciplinary point of view: what were the possible life trajectories for an Estonian soldier under Soviet and German occupations in the 1940s? How did the soldiers cope with the extreme conditions of the Soviet rear? How are the veterans' memories situated in terms of different memory regimes and what is their position in the post-Soviet Estonian society? What role does ethnic and generational identity play in the formation of veterans' war remembrance? How do individuals cope with war trauma and guilt in life stories? Offering a wide range of empirical material and its critical analysis, Soldiers of Memory will be important for military, oral and cultural historians, sociologists, cultural psychologists, and anybody with an interest in the history of World War II, post/communism, and cultural construction of memory in contemporary Eastern European societies.