Every week, the comic book artist Riad Sattouf has a chat with his friend's daughter, Esther. She tells him about her life, about school, her friends, her hopes, dreams and fears, and then he works it up into a comic strip. This book consists of 52 of those strips, telling between them the story of a year in the life of this sharp, spirited and funny child. The result is a moving, insightful and utterly addictive glimpse into the real lives of children growing up in today's world.

The author of The Arab of the Future chronicles the hilarious and heartbreaking true life of a young girl growing up in Paris. "Funny, well-observed...contains immense daring and depth...Sattouf has drawn a portrait of a generation." —Observer, "Graphic Novel of the Month" Once a week for three years, the comic book artist Riad Sattouf had a chat with his friend’s outgoing young daughter, Esther, in which she told him about her family, her school, her friends, her hopes, her dreams, and her fears. After each meeting, he would create a one-page comic strip based on what she had said. Esther’s Notebooks gathers 156 of those strips, spanning Esther’s life from ages nine through twelve, giving us a delightful look into the daily dramas of this thoughtful, intelligent, and high-spirited girl. As The Guardian noted: “Each page of Esther’s Notebooks is self-contained—there’s usually a neat punchline—but read them all, and you come to see that Sattouf has drawn a portrait of a generation: their hopes, dreams and cultural references; the way that their personalities, backgrounds—many of the children portrayed have parents who are immigrants—and preconceived ideas about sexuality begin to play out even before they’ve begun secondary school. The result is a bit like a cartoon version of Michael Apted’s landmark TV series, Up. These funny, well-observed comics are fantastically daring.”

THE INSTANT NEW YORK TIMES BESTSELLER! Starred reviews from Kirkus Reviews * Publishers Weekly * Library Journal Named a “Must-Read” by TODAY, Us Weekly, Bustle, BuzzFeed, Goodreads, Entertainment Weekly, Publishers Weekly, Southern Living, Book Riot, Woman’s Day, The Toronto Star, and more! For two sworn enemies, anything can happen during the Hawaiian trip of a lifetime—maybe even love—in this romantic comedy from the New York Times bestselling authors of Roomies. Olive Torres is used to being the unlucky twin: from inexplicable mishaps to a recent layoff, her life seems to be almost comically jinxed. By contrast, her sister Ami is an eternal champion...she even managed to finance her entire wedding by winning a slew of contests. Unfortunately for Olive, the only thing worse than constant bad luck is having to spend the wedding day with the best man (and her nemesis), Ethan Thomas. Olive braces herself for wedding hell, determined to put on a brave face, but when the entire wedding party gets food poisoning, the only people who aren’t affected are Olive and Ethan. Suddenly there’s a free honeymoon up for grabs, and Olive will be damned if Ethan gets to enjoy paradise solo. Agreeing to a temporary truce, the pair head for Maui. After all, ten days of bliss is worth having to assume the role of loving newlyweds, right? But the weird thing is...Olive doesn’t mind playing pretend. In fact, the more she pretends to be the luckiest woman alive, the more it feels like she might be. With Christina Lauren’s “uniquely hilarious and touching voice” (Entertainment Weekly), The Unhoneymooners is a romance for anyone who has ever felt unlucky in love.

The penultimate installment in the bestselling French graphic memoir series—hailed as “exquisitely illustrated” and “irresistible”—covering the years of Riad Sattouf’s adolescence, from 1987-1992. In the fourth volume of The Arab of the Future, little Riad has grown into a teenager. In the previous books, his childhood was complicated by the pull of his two cultures—French and Syrian—and his parents’ deteriorating relationship. Now his father, Adbel-Razak, has left to take a job in Saudi Arabia, and after making a pilgrimage to Mecca, turns increasingly towards religion. But after following him from place to place and living for years under the harsh conditions of his impoverished village, Riad’s mother Clementine has had enough. Refusing to live in a country where women have no rights, she returns with her children to live in France with her own mother... until Abdel-Razak shows up unexpectedly to drag the family on yet another journey. As the series builds to a climax, we see Riad struggle with problems both universal (bullies at school) and specific (his mother’s sudden illness, the judgment of his religious relatives). And as Abdel-Razak returns again to the same fantastical dreams he pursued in previous books, we see him become more and more unhinged, until ultimately he crosses the line from idealism to fanaticism, leading to a dramatic breaking point. Full of the same gripping storytelling and lush visual style for which Sattouf’s previous works have won numerous awards, The Arab of the Future 4 continues the saga of the Sattouf family and their peripatetic life in France and the Middle East.

She's about to make a deal with the college bad boy... Hannah Wells has finally found someone who turns her on. But while she might be confident in every other area of her life, she's carting around a full set of baggage when it comes to sex and seduction. If she wants to get her crush's attention, she'll have to step out of her comfort zone and make him take notice...even if it means tutoring the annoying, childish, cocky captain of the hockey team in exchange for a pretend date. ...and it's going to be oh so good All Garrett Graham has ever wanted is to play professional hockey after graduation, but his plummeting GPA is threatening everything he's worked so hard for. If helping a sarcastic brunette make another guy jealous will help him secure his position on the team, he's all for it. But when one unexpected kiss leads to the wildest sex of both their lives, it doesn't take long for Garrett to realize that pretend isn't going to cut it. Now he just has to convince Hannah that the man she wants looks a lot like him.

VOLUME 1 IN THE UNFORGETTABLE STORY OF AN EXTRAORDINARY CHILDHOOD The Arab of the Future tells the unforgettable story of Riad Sattouf's childhood, spent in the shadows of three dictators - Muammar Gaddafi, Hafez al-Assad, and his father. A GUARDIAN BOOK OF THE YEAR | AN OBSERVER GRAPHIC BOOK OF THE YEAR | A NEW YORK TIMES CRITICS' TOP BOOK OF THE YEAR 'I tore through it... The most enjoyable graphic novel I've read in a while' Zadie Smith 'I joyously recommend this book to you' Mark Haddon 'Riad Sattouf is one of the great creators of our time' Alain De Botton 'Beautifully-written and drawn, witty, sad, fascinating... Brilliant' Simon Sebag Montefiore In a striking, virtuoso graphic style that captures both the immediacy of childhood and the fervour of political idealism, Riad Sattouf recounts his nomadic childhood growing up in rural France, Gaddafi's Libya, and Assad's Syria - but always under the roof of his father, a Syrian Pan-Arabist who drags his family along in his pursuit of grandiose dreams for the Arab nation. Riad, delicate and wide-eyed, follows in the trail of his mismatched parents: his mother, a bookish French student, is as modest as his father is flamboyant. Venturing first to the Great Socialist People's Libyan Arab State and then joining the family tribe in Homs, Syria, they hold fast to the vision of the paradise that always lies just around the corner. And hold they do, though food is scarce, children kill dogs for sport, and with locks banned, the Sattoufs come home one day to discover another family occupying their apartment. The ultimate outsider, Riad, with his flowing blond hair, is called the ultimate insult... Jewish. And in no time at all, his father has come up with yet another grand plan, moving from building a new people to building his own great palace. Brimming with life and dark humour, The Arab of the Future reveals the truth and texture of one eccentric family in an absurd Middle East, and also introduces a master cartoonist in a work destined to stand alongside Maus and Persepolis. Translated by Sam Taylor. 'ENGROSSING' New York Times 'A PAGE TURNER' Guardian 'MARVELLOUS... BEGS TO BE READ IN ONE LONG SITTING' Herald 'AN OBJECT OF CONSENSUAL RAPTURE' New Yorker 'ONE OF THE GREATEST CARTOONISTS OF HIS GENERATION' Le Monde