This 3 volume collection includes 80 of the 130 papers published by Drake, most on Galileo but some on medieval and early modern science in general (principally mechanics). An essential supplement to Drake's translations and other books.

"Here, for the first time in English, are the philosophical essays - including the first statement of the "Duhem Thesis" - that formed the basis for Aim and Structure of Physical Theory, together with new translations of the historiographical essays presenting the equally celebrated "Continuity Thesis" by Pierre Duhem (1861-1916), a founding figure of the history and philosophy of science. Prefaced by an introduction on Duhem's intellectual development and continuing significance, here as well are important subsequent essays in which Duhem elaborated key concepts and critiqued such contemporaries as Henri Poincare and Ernst Mach. Together, these works offer a lively picture of the state of science at the turn of the century while addressing methodological issues that remain at the center of debate today."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

This 3 volume collection includes 80 of the 130 papers published by Drake, most on Galileo but some on medieval and early modern science in general (principally mechanics). An essential supplement to Drake's translations and other books.

This 3 volume collection includes 80 of the 130 papers published by Drake, most on Galileo but some on medieval and early modern science in general (principally mechanics). An essential supplement to Drake's translations and other books.

This 3 volume collection includes 80 of the 130 papers published by Drake, most on Galileo but some on medieval and early modern science in general (principally mechanics). An essential supplement to Drake's translations and other books.

This collection of essays is a tribute to Stillman Drake by some of his friends and colleagues, and by others on whom his work has had a formative influence. It is difficult to know him without succumbing to his combination of discipline and enthusiasm, even in fields remote from Renaissance physics and natural philosophy; and so he should not be surprised in this volume to see emphases and methods congenial to him, even on topics as remote as Darwin or the chemical revolution. Therein lies whatever unity the discerning reader may find in this book, beyond the natural focus and coherence of the largest section, on Galileo, and the final section on Drake's collection of books, a major and now accessible resource for research in the field that he has made his own. We have chosen, as the occasion for presenting the volume to Stillman Drake, Galileo's birthday; Galileo has had more than one birthday party in Toronto since Drake came to the University of Toronto. As for the title, it reflects a shared conviction that experiment is the key to science; it is what scientists do. Drake has already asserted that emphasis in the title of his magisterial Galileo at Work, and we echo it here. Those who have had the privilege and pleasure of working and arguing with Stillman over the years know his tenacity, penetration, and vigour. They also know his generosity and humility. We owe him much.

A collection of essays exploring the relations between music and the scientific culture of Galileo's time. It takes a broad historical approach towards understanding such topics as the role of music in Galileo's experiments and in the scientific revolution