These five essays deal with the influence of Judaic haggadah or lore, especially in the form of “creative historiography” or “imaginative dramatization,” on four enigmatic passages in the Gospels, and one in Acts. They point to their deeper theological truths and negate the alternatives of true or false, historical or non-historical, usually applied to the narratives.

No other source gives such an intimate portrait of this brilliant and strong minded individual, one of the four great doctors of the West and generally regarded as the most learned of the Latin fathers.

Reginald Garrigou-Lagrange was one of the most prominent thomistic neoscholastic theologians of the early and mid-twentieth century. This volume is his attempt to summarize a philosophical and theological worldview by interpreting the teaching of St. Thomas Aquinas and his successors: Reality is seen in light of the central doctrines of the Trinity, of Creation, and of the Incarnation of the Son as Jesus Christ, in Whom humankind is drawn into the life of the Triune God. Garrigou-Lagrange presents 24 thomistic theses as a lens through which to view salvation, the Sacraments, the Mother of the Redeemer, and the spiritual life whereby the divine image is restored in the soul. This work is of interest to any who wish to enhance their understanding of the Catholic theological tradition through an acquaintance with this major and often controversial figure.

In these powerful and stylishly written essays, Maria Manuel Lisboa dissects the work of Paula Rego, the Portuguese-born artist considered one of the greatest artists of modern times. Focusing primarily on Rego's work since the 1980s, Lisboa explores the complex relationships between violence and nurturing, power and impotence, politics and the family that run through Rego's art. Taking a historicist approach to the evolution of the artist's work, Lisboa embeds the works within Rego's personal history as well as Portugal's (and indeed other nations') stories, and reveals the interrelationship between political significance and the raw emotion that lies at the heart of Rego's uncompromising iconographic style. Fundamental to Lisboa's analysis is an understanding that apparent opposites - male and female, sacred and profane, aggression and submissiveness - often co-exist in Rego's work in a way that is both disturbing and destabilising. This collection of essays brings together both unpublished and previously published work to make a significant contribution to scholarship about Paula Rego. It will also be of interest to scholars and students of contemporary painting, Portuguese and British feminist art, and the political and ideological aspects of the visual arts.

The history of newspaper advertising began in the seventeenth-century Low Countries. The newspaper publishers of the Dutch Republic were the first to embrace advertisements, decades before their peers in other news markets in Europe. In this survey, Arthur der Weduwen and Andrew Pettegree have brought together the first 6,000 advertisements placed in Dutch and Flemish newspapers between 1620 and 1675. Provided here in an English translation, and accompanied by seven indices, this work provides for the first time a complete overview of the development of newspaper advertising and its impact on the Dutch book trade, economy and society. In these evocative announcements, ranging from advertisement for library auctions, the publication of new books, pamphlets and maps to notices of crime, postal schedules or missing pets, the seventeenth century is brought to life. This survey offers a unique perspective on daily life, personal relationships and societal change in the Dutch Golden Age.