Ivana Noble describes in Essays in Ecumenical Theology I emerging methods, aims and themes. She also shows why the search for common roots, mutual knowledge and shared mission has became so important in (Post)Modern Christianity.

In the first volume of Essays in Ecumenical Theology Ivana Noble depicts differences between what she calls a sectarian outlook and one which engages in the search for common roots, dialogical relationships and shared mission in a world that has largely become post-Christian, but often also post-secular. Drawing on both Western and Orthodox scholarship, and expressing her own positions, Noble sketches what ecumenical theology is, how it is linked to spirituality, the methods it uses, how it developed during the twentieth century, and the challenges it faces. Specific studies deal with controversial interpretations of Jan Hus, Catholic Modernism, the problematic heritage of the totalitarian regimes, and responses to the current humanitarian crisis.

Gerhard O. Forde has stood at the forefront of Lutheran thought for most of his career. This new collection of essays and sermons—many previously unpublished— makes Forde's powerful theological vision more widely available. The book aptly captures Forde's deep Lutheran commitment. Here he argues that the most important task of theology is to serve the proclamation of the gospel as discerned on the basis of the doctrine of justification by grace alone through faith alone. For Forde, the doctrine of justification is not one topic among other theological topics; rather, it is the criterion that guides "all theology and ministry. Throughout the book Forde applies this truth to issues of eschatology, authority, atonement, and ecumenism. Also included are seven insightful sermons that model the Lutheran approach to proclamation.

"Faith and Feminism unlocks storehouses of words old and new. The subtitle Ecumenical Essays indicates that these words, these tongues, belong to women of faith around the world--women who speak in diverse settings and situations. Though all the contributors claim the noun 'feminism, ' their developments of it range widely. To present their testimonies and engage the results marks the purpose of this book. Where dissonance and harmony intersect among writers, there readers confront choices, which, in turn, become their own testimonies." --from Chapter 1

Readers will discover that it is not possible to disengage John Howard Yoder’s practice of ecumenical dialogue from his vision of the church. Yoder’s approach to ecumenical dialogue correlates with his conception of the faithfulness of the church. His vision of the church poses challenges for Christians of all communions because he calls both for disciplined dialogue and for faithful servanthood that renders the confession of Jesus Christ’s lordship meaningful. This collection of 17 essays on themes ecclesiological and ecumenical is intended to demonstrate the substantial unity of Yoder’s work over the past four decades. Many of these essays are often cited by researchers but have been till now unobtainable. Three of these texts have never been published before. Editor Michael Cartwright has contributed a substantial introduction on the “Yoderian” project, and a select bibliography prepared by Mark Nation catalogs Yoder’s writings—published and unpublished—on ecclesiology and ecumenism.

The last fifty years have seen a rediscovery of the role of the visual arts in the lives of all Christians. In tune with this ecumenical age, this book shares the belief that beauty and art can bridge differences, unite people in "shared admiration," and possibly become an instrument of communion among separated Christians. The authors of this book are Catholic, Orthodox, Anglican, and Protestant artists, scholars, and clergy who in 2017 will take part in a symposium organized to commemorate the Reformation, which began when Martin Luther published his 95 theses in 1517. With sessions in Paris, Strasburg, Florence, New Haven (CT), and Orleans (MA), the symposium is promoted by Catholic and Protestant schools of theology together with Mount Tabor Centre for Art and Spirituality, in Barga, Italy.

In the second volume of her Essays in Ecumenical Theology, Ivana Noble engages in conversation with Orthodox theologians and spiritual writers on diverse questions, such as how to discover the human heart, what illumination by the divine light means, how spiritual life is connected to attitudes and acts of social solidarity, why sacrificial thinking may not be the best frame for expressing Christ’s redemption, why theological anthropology needs to have a strong ecological dimension, why freedom needs to coexist with love for others, and why institutions find the ability to be helpful not only in their own traditions but also in the Spirit that blows where it wills.