Lurid depictions of sex and impotence, themes of emperor worship and violence, the use of realism and myth--these characterize the fiction of Mishima Yukio and Oe Kenzaburo. Susan Napier discovers surprising similarities as well as provocative dissimilarities in the work of two writers of radically different political orientations. Napier places Yukio’s and Kenzaburo’s fiction in the context of postwar Japanese political and social realities and, in a new preface for the paperback edition, reflects on each writer’s position in the tradition of Japanese literature.

Lurid depictions of sex and impotence, themes of emperor worship and violence, the use of realism and myth - these characterize the fiction of Mishima Yukio and Oe Kenzaburo. Napier discovers similarities as well as dissimilarities in the work of two writers of radically different political orientations. Napier places Yukio's and Kenzaburo's fiction in the context of postwar Japanese political and social realities and, in a new preface for the paperback edition, reflects on each writer's position in the tradition of Japanese literature.

Dead. Abandoned. Left behind. The Nashville civic center is a haven for all of these. Lenny and Rebecca have crossed hell and high water to make it to the run down sanctuary, but now what? Food is in short supply and their dwindling water source isn't easily replaced. But something much darker and more treacherous is what forces them to leave the safety of the civic center's brick walls. Along with a small group of survivors, they set off on journey across a wasteland that was once their home. As the clock ticks, Lenny and Rebecca must race against time to have any chance of keeping everyone alive. It's kill or be killed and Lenny is back in his element doing what he does best. Unfortunately, it's gonna take a bit more than survival skills to make it out of this one. ---Escape "It's time to cowboy up!"

Prepare yourself for a journey through the world of Patton Oswalt, one of the most creative, insightful, and hysterical voices on the entertain­ment scene today. Widely known for his roles in the films Big Fan and Ratatouille, as well as the television hit The King of Queens, Patton Oswalt—a staple of Comedy Central—has been amusing audiences for decades. Now, with Zombie Spaceship Wasteland, he offers a fascinating look into his most unusual, and lovable, mindscape. Oswalt combines memoir with uproarious humor, from snow forts to Dungeons & Dragons to gifts from Grandma that had to be explained. He remem­bers his teen summers spent working in a movie Cineplex and his early years doing stand-up. Readers are also treated to several graphic elements, includ­ing a vampire tale for the rest of us and some greeting cards with a special touch. Then there’s the book’s centerpiece, which posits that before all young creative minds have anything to write about, they will home in on one of three story lines: zom­bies, spaceships, or wastelands. Oswalt chose wastelands, and ever since he has been mining our society’s wasteland for perversion and excess, pop culture and fatty foods, indie rock and single-malt scotch. Zombie Spaceship Wasteland is an inventive account of the evolution of Patton Oswalt’s wildly insightful worldview, sure to indulge his legion of fans and lure many new admirers to his very entertaining “wasteland.”

From an early age music has been a stgrong influence in my life. It inspired me to start writing when I was 12 or 13 years old. I'm now 43 and publishing my first book. I've poured my heart and soul into these pages. Some of these poems offer hope for true love and happiness. Others deal with the reality of faltering relationships trying to find peace with ourselves, overcoming addiction and failure.

The world ended and with it so did the rules.I was stolen from my family and raised in the Wastelands to the North. I did what I had to ensure my survival. I became The Champion, with my history carved into my skin for all to see.Now I spend my days drinking and hiding from my past until four newcomers offer me a job I can't refuse. When my past and future mix I must once again rise and fight. This time it's not for my freedom, it's for my happiness.*18+ Reverse Harem Romance. Warning this book contains scenes and references of abuse that some readers may find triggering.*

Text & Presentation is an annual publication devoted to all aspects of theatre scholarship. It represents a selection of the best research presented at the international, interdisciplinary Comparative Drama Conference. This anthology includes papers from the 31st annual conference held in Los Angeles, California. Topics covered include Chicano theatre, the Vietnam War and 9/11 in the French theatre, actresses and modern Hamlet, Asian theatre, Antigone in pre- and post-communist Germany, adapting an Internet comic strip for the stage, and the future of dramatic literature in the academy, among others.