New York Times Bestselling Author It was supposed to be impossible. No man could break out of the brutal convict labor camp at Five Shadows. Until they locked up Bowen. He was like dynamite--charged to go off, to explode out of that desert hell so he could clear his name. Already the deadly trackers have caught him, dragged him back through the mesquite and rocks, beat him and left him to rot in the punishment cell. But they can’t stop Bowen. He’s a different breed, a man who will go to any extreme to escape. Any extreme.

New York Times Bestselling Author It was supposed to be impossible. No man could break out of the brutal convict labor camp at Five Shadows. Until they locked up Bowen. He was like dynamite--charged to go off, to explode out of that desert hell so he could clear his name. Already the deadly trackers have caught him, dragged him back through the mesquite and rocks, beat him and left him to rot in the punishment cell. But they can’t stop Bowen. He’s a different breed, a man who will go to any extreme to escape. Any extreme.

While working on a project translating letters from sixteenth-century Prague, high school senior Nora Kane discovers her best friend murdered with her boyfriend the apparent killer and is caught up in a dangerous web of secret societies and shadowy conspirators, all searching for a mysterious ancient device purported to allow direct communication with God.

"This is absorbing, headlong reading, a play on classic horror with an inventiveness of its own... As with all the best illusions, you are left feeling not tricked, but full of wonder." – The New York Times The haunting new thriller from Alex North, author of the New York Times bestseller The Whisper Man You knew a teenager like Charlie Crabtree. A dark imagination, a sinister smile--always on the outside of the group. Some part of you suspected he might be capable of doing something awful. Twenty-five years ago, Crabtree did just that, committing a murder so shocking that it’s attracted that strange kind of infamy that only exists on the darkest corners of the internet--and inspired more than one copycat. Paul Adams remembers the case all too well: Crabtree--and his victim--were Paul’s friends. Paul has slowly put his life back together. But now his mother, old and suffering from dementia, has taken a turn for the worse. Though every inch of him resists, it is time to come home. It's not long before things start to go wrong. Paul learns that Detective Amanda Beck is investigating another copycat that has struck in the nearby town of Featherbank. His mother is distressed, insistent that there's something in the house. And someone is following him. Which reminds him of the most unsettling thing about that awful day twenty-five years ago. It wasn't just the murder. It was the fact that afterward, Charlie Crabtree was never seen again...

Sydney Sage is an Alchemist, one of a group of humans who dabble in magic and serve to bridge the worlds of humans and vampires. They protect vampire secrets—and human lives. In The Fiery Heart, Sydney risked everything to follow her gut, walking a dangerous line to keep her feelings hidden from the Alchemists. Now in the aftermath of an event that ripped their world apart, Sydney and Adrian struggle to pick up the pieces and find their way back to each other. But first, they have to survive. For Sydney, trapped and surrounded by adversaries, life becomes a daily struggle to hold on to her identity and the memories of those she loves. Meanwhile, Adrian clings to hope in the face of those who tell him Sydney is a lost cause, but the battle proves daunting as old demons and new temptations begin to seize hold of him. . . . Their worst fears now a chilling reality, Sydney and Adrian face their darkest hour in this heart-pounding fifth installment in the New York Times bestselling Bloodlines series, where all bets are off.

No one has ever escaped the brutal convict labor camp at Five Shadows--but Corey Bowen is ready to die trying. Beaten nearly to death after his last escape attempt, Corey will have help this time--from a lady with murder on her mind and a debt to pay back. But Bowen won't leave the corrupt desert hell behind him without a few scores settled--permanently. (May)

“Kingdom of Shadows must be called a spy novel, but it transcends genre, as did some Graham Greene and Eric Ambler classics.”—The Washington Post Paris, 1938. As Europe edges toward war, Nicholas Morath, an urbane former cavalry officer, spends his days working at the small advertising agency he owns and his nights in the bohemian circles of his Argentine mistress. But Morath has been recruited by his uncle, Count Janos Polanyi, a diplomat in the Hungarian legation, for operations against Hitler’s Germany. It is Morath who does Polanyi’s clandestine work, moving between the beach cafés of Juan-les-Pins and the forests of Ruthenia, from Czech fortresses in the Sudetenland to the private gardens of the déclassé royalty in Budapest. The web Polanyi spins for Morath is deep and complex and pits him against German intelligence officers, NKVD renegades, and Croat assassins in a shadow war of treachery and uncertain loyalties, a war that Hungary cannot afford to lose. Alan Furst is frequently compared with Eric Ambler, Graham Greene, and John le Carré, but Kingdom of Shadows is distinctive and entirely original. It is Furst at his very best. Praise for Kingdom of Shadows “Kingdom of Shadows offers a realm of glamour and peril that are seamlessly intertwined and seem to arise effortlessly from the author’s consciousness.”—Janet Maslin, The New York Times “Subtly spun, sensitive to nuances, generous with contemporary detail and information discreetly conveyed. . . . It’s hard to overestimate Kingdom of Shadows.”—Eugen Weber, Los Angeles Times “A triumph: evocative, heartfelt, knowing and witty.”—Robert J. Hughes, The Wall Street Journal “Imagine discovering an unscreened espionage thriller from the late 1930s, a classic black- and- white movie that captures the murky allegiances and moral ambiguity of Europe on the brink of war. . . . Nothing can be like watching Casablanca for the first time, but Furst comes closer than anyone has in years.”—Walter Shapiro, Time